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Carr, Amanda - Soon CD Cover Art
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Amanda Carr Soon CD

 Amanda Carr Discography of CDs

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Personnel: Amanda Carr (vocals); Amanda Carr; Rick Hammett (horns); Bronek Suchanek (bass guitar); Kenny Hadley (drums); John Wilkins (guitar); Arnie Krakowsky (tenor saxophone); Jeff Galindo (trombone).
Soon Music


Detailed Soon Music Information



List Price $15.97 (You save $1.82)
Category Rock/Pop Albums, Composer Songbook CDs, Jazz
Label OMS
Orig Year 2007
All Time Sales Rank   267283  
CD Universe Part number 7486194
Catalog number 920
Discs 1
Release Date Aug 14, 2007
Studio/Live Studio
Mono/Stereo Stereo
Producer Kenny Hadley
Engineer Robert Pascarella
Recording Time 50 minutes
Personnel Amanda Carr - vocals
Arnie Krakowsky - tenor saxophone
Jeff Galindo - trombone
Kenny Hadley - drums
Rick Hammett - horns
John Wilkins - guitar
Bronek Suchanek - bass guitar
Amanda Carr Soon Songs


Amanda Carr Soon Album Track Listing



1.Close Your Eyes
2.Easy Street
3.Let There Be Love
4.If You Could See Me Now
5.Soon
6.Flamingo
7.Mais Que Nada
8.Funny (Not Much)
9.Squeeze Me
10.Where Can I Go Without You
11.Good Bait
12.If You Never Come to Me
Soon Review


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When one applies for a job, sometimes the response is that you're overqualified. The same may be the case for Peisha McPhee. Her classically trained, strong, clear voice of operatic proportions doesn't always fit well with the songs on the play list, songs that require somewhat more vocal dynamics than McPhee gives. Trying hard as she can to restrain her powerful voice, she comes on too strong for such pop material as "Ill Wind" and "Little Girl Blue," which require greater subtlety than McPhee provides. At the same time, her voice and demeanor go well with songs that have a strong emotional tug, such as "Who Can I Turn To?" There's also a cleverly contrived dubbed a cappella duet on "Isn't It Romantic." But her forte is in the Gershwin material. "The Man I Love" and the Gershwin medley require the dramatic reading that a formidable voice like McPhee's can give them. Her sole accompaniment for this session is pianist, composer, and voice teacherMel Dangcil. Usually the concern is that the piano player may overwhelm the singer. Not the case here. Dangcil has to work hard not be swamped by the strong voice of McPhee. The result is that matters sometimes get a bit busy. McPhee needs more than just a piano to provide an adequate framework for her exceptional voice. For the pure pleasure of hearing a lovely voice, this album is recommended. ~ Dave Nathan Ms.McPhee is an extra ordinary talent. She brings passion to many of the songs, especially Harold Arlen's Ill Wind - and I most enjoyed her a cappella rendition of Rodgers ...
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Smokey Robinson's compositions blended pop and R&B conventions, infusing the combination with a highly literate lyrical sensibility that set his songs apart from the pack. With his group the Miracles, Detroit native Robinson got in on the ground floor of the Motown explosion, as his songs and his voice--a smooth, liquid marvel of soul--resonated not only with label head Berry Gordy, but with legions of '60s teens. Throughout the '60s, Robinson and the Miracles produced countless pop-soul hits, both effervescent ("Going to a Go-Go") and mournful ("The Tracks of my Tears"). Robinson's flexible, almost Cole Porter-ish way with a lyric made him an in-demand songwriter for many of his contemporaries, like Mary Wells, Marvin Gaye and the Marvelettes. After splitting from the Miracles in 1972, Robinson began a solo career, exploring the more introspective, balladic side of his music. His 1975 album QUIET STORM set the bar for virtually every smooth, romantic R&B singer of the next two decades, virtually defining the style. After a fallow period, he made a comeback in the early '80s, with commercial-but-irresistible hits like "Cruisin'" and "Being With You." Import collection from the Motown legends, arguably the best single-disc compilation available on the market. Combining Smokey's endlessly inventive twists on romance (good and bad) with the Miracles' handful of straight-up party hits, it showcases one of American pop's most sure-footed and touching acts. The frontman's prowess as singer, writer, and producer lights up each of these single mixes; less-celebrated tracks like "My Girl Has Gone," "(You Can) Depend on Me," and "The Love I Saw in You Was Just a Mirage" stand as tall as the many oldies-radio staples featured here. While he and The Miracles remain one of the Motown label's most successful acts, Smokey is also known for his top-notch songwriting skills for other label mates as well as his own successful solo career. 25 tracks. Smokey Robinson And The Miracles includes: William "Smokey" Robinson, Warren "Pete" Moore, Ronnie White, Bobby Rogers, Claudette Robinson (vocals). The Hitsville Studio "Funk Brothers" Band includes: Robert White, Eddie Willis, Joe Messina, Marv Tarplin, Dennis Coffey, Melvin "Wah-Wah" Ragin (guitar); Danya Hartwick (flute, piccolo); Lanny Austin, Teddy Buckner, Hank Crosby, Lefty Edwards, Eli Fontaine, Kasuka Mafia, Larry Nozero (saxophone); Billy Horner, Floyd Jones (trumpet); George Bohanon, Bob Cousar, Carl Raetz, Paul Riser, Don White, Jimmy Wilkins (trombone); Joe Hunter, Johnny Griffith (keyboards); Joe Williams, Clarence Isabell (bass); Benny Benjamin, Uriel Jones, Andrew Smith (drums); Jack Ashford, Eddie "Bongo" Brown (percussion). Includes liner notes by Stu Hackel. Digitally remastered by Kevin Reeves. Producers include: Smokey Robinson, Warren Moore, Al Cleveland, Berry Gordy, Brian Holland, Lamont Dozier. Compilation producer: Harry Weinger. Personnel: Dennis Coffey, Eddie Willis, Robert White , Marvin Tarplin, Melvin "Wah ...
Heavenly Inspirations
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Theo's "Heavenly Inspirations" express his deep-seated emotions through a smooth contemporary bass guitar solo. It portrays an emotional story of the ups and downs in life. With each new level attained in life there are new lessons to be learned - "new level new devil." Theo started playing and composing jazz and orchestra compositions while attending high school. He learned to play his brother's bass guitar (self taught) in 3 months in order to get in the jazz band. With a serious dedication to practice, Theo's skills on the bass guitar greatly evolved and soon became unmatched in the local St. Louis area. Fellow musicians and peers began to know him as unreal on the bass guitar. After mastering the bass guitar, Theo began to master other instruments including the electric and acoustic guitar, drums, keyboards, and various other percussion instruments. His talents landed him a scholarship ...
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Pizo' was born in Central Florida where he started his local reign performing as a member of several southern underground rap crews. His strong lyrical ability and writing talents earned him respect on the underground scene faster than most. Not having enough serious artists in reach, Pizo' and his partner Shist set out to make a rap crew under the name Dirty Life. They gained a rather large fan base throughout the Central Florida area demanding the attention of several A&R's, but the duo would soon be broken with Shist being murdered in cold blood. Surrounded by misfortune, but no stranger to the grind, Pizo' would not be deterred in his push toward his passion. Pizo' would soon be blessed with (AWCHU) a producer with the same vision. Together they presented a new sound to Hip Hop which combined a strong sense of beat, melody and vocals. This union would soon be called DIRTY LIFE ENTERTAINMENT. With a vow to leave his gang lifestyle behind ...
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Complete Studio Master Takes
Stan Getz Complete Studio Master Takes CD  (2007) (Import) Spain; Remastered

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