| | Killah Priest Offering CD Killah Priest Discography of CDs
(4 Customer Reviews)
Killah Priest Offering Songs Purchase Offering CD To buy, Click on price to add to cart | Masta Killa Made In Brooklyn CD (2006)
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$13.49
| | Ill Bill Is The Future, Vol. 2: I'm A Goon! CD (2006)
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$11.69
| | Coka Nostra Presents Ill Bill: Black Metal CD (2007)
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$10.29
| | Torae Daily Conversation CD (2008) Parental Advisory
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$11.09
| | Ill Bill Hour Of Reprisal CDs (2008)
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$12.99
| | Heltah Skeltah D.I.R.T. (Da Incredible Rap Team) CD (2008)
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$13.49
| | Look Of Love: The Burt Bacharach Collection CDs (1998)
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$42.49 This deluxe three disc set includes an 89-page book including rare photos and liner notes by Burt Bacharach, Patrick Milligan, Bill De Main, Paul Grein, Alec Cumming.
If you're at a loss for context, think of Bacharach as the American Jobim. Like his Brazilian counterpart, he combined the influences of jazz and 20th Century classical music with a penchant for odd harmonies and meters, all made palatable by an uncanny gift ...
| | Raymond Fairchild 31 Banjo Favorites Vol. 2 CD (2001)
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$8.99
| | Buzzcocks Trade Test Transmissions CD (1993) Bonus Tracks; Remastered
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$8.99 Inevitably, the level of tension that made the Buzzcocks one of the greatest bands of the late '70s couldn't be sustained. They had called it quits by the '80s. Pete Shelley spent the '80s exploring his inner disco child, ...
| | Jarmo Savolainen Soloduotrio CD (2004)
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$18.99 Jarmo Savolainen (b. May 24, 1961) is recognised as being one of the selected members of Finland's jazz piano and keyboard elite. He comes from Central Finland, where he studied classical piano and played in local bands, inspired by the music of Chick Corea and Keith Jarrett. Like many other top Finnish jazz players, he then proceeded to the Berklee College of Music in Boston to continue his studies.Jarmo Savolainen is a versatile composer and has written jazz works for various line-ups, from solo piano to big band. He has also composed music for stage, dance groups, TV programmes and the screen. His music, while tending towards the modernist tradition, is coloured by a distinctive ...
| | Little-V-The Flesh Killah Survival CD (2006)
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$15.95 In 1972, a rapper was born not knowing he was supposed to be involved with the Gospel. The place was Long Island, New York and when his mother had her ultrasound, it was reported that the doctor heard tight lyrics going along with the heartbeat at the same time. As a child he developed his unique ear for music by experimenting with beats using pots, pans, and cardboard boxes. After his parents divorce, Minista -V- became rebellious and was lured to the sights and sounds of the streets. While experiencing the rise of Hip-Hop through his residence in both Brooklyn, and Long Island, his first song was composed in 1988. Between this time and 1994, -V- was a gifted lyricist coming straight out of the New York tradition of hardcore Hip-Hop. However, while doing secular rap, deep down inside he still felt an empty feeling that went away in 1995 when he accepted Jesus Christ as his personal Lord and Savior. After this powerful transformation which changed his life forever, his music leaned towards less negative themes. After studying the Word of God, Minista -V- completely abandoned secular music altogether. The result now is his unique, exciting street style of Gospel Hip-Hop with versatile ranges, from socially conscious, soul-convicting hardcore rhymes over melodic grooves, to up-tempo “spirit-stirring” cuts.After writing his first Gospel song entitled “Devil Fightin’ Spirit” in 1996, he has received exposure at church events, youth explosions, prisons, and community programs through his membership with the Underground Gospel Ministries Inc. His first CD entitled “The Flesh Killah” was released in 2000. Following the buzz of his first CD and the many souls that were affected by it, he dropped another one later on that was more powerful and anointed than the first one. He writes his own material, arranges, and produces his own tracks for both CD’s. With the latest CD entitled “Survival” many people throughout the nation have been blessed and the presence of ...
| | Luke Les Enfants De Saturne CD (2007)
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$8.79
| | J P 'S Force Time To Throw Down CD (2007)
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$16.45
| | Tim'm West Blakkboy Blue(S) CD (2007)
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$11.49 Red Dirt Biz (DC) & Family Ties Records (BKLYN) are excited to announce the release of “Blakkboy Blue(s),” the highly anticipated follow up project to Tim’m West’s critically acclaimed “Songs from Red Dirt: (Cellular Records). Tim’m West is a Cincinnati born, Arkansas raised author, poet, and Hip Hop-activist who has been artistically nurtured in North Carolina, New York City, the Bay Area, and most recently Washington, DC. West complements the release of Blakkboy Blue(s) with the literary follow up to his first book, “Red Dirt Revival”, entitled “Flirting”. While “Red Dirt Revival” and “Songs from Red Dirt were both autobiographical projects that traced his roots as a young child in rural Arkansas to his adult years in New York City and the Bay Area, “Blakkboy Blue(s) and “Flirting” offer a resolved, hopeful, and polished voice responding the state of the Hip Hop Nation. In Blakkboy Blue(s), West moves from memories of finding Hip Hop down south to a sound that beautifully blends his gospel and blues roots with the sounds that largely define his movement through various urban settings. Significant, is his decision to move to Atlanta in July of 2007. It is a move that has been considered a “prodigal son” return to the South. West brings Red Dirt to the heart of Red Dirt-- a move about which the artist is hopeful and excited. Says West, “If leaving home leads to nostalgia for your Red Dirt, you gotta someday realize that you can never fully return home. Blakkboy Blue(s) is not just about accepting that home is where the heart is but also accepting that remembering isn’t enough-- that life as an activist calls for, not just thinking, but acting in the service of social change.” Blakkboy Blue(s), following Tim’m’s feature in two critically acclaimed Hip Hop documentaries: Alex Hinton’s “Pick Up the Mic” (LOGO) and Byron Hurt’s “Hip Hop: Beyond Beats and Rhymes”, presents him as one of the critical voices in Hip Hop today. As the mantra of the Grand Royal produced “Irony” states: “O say can you see/What Hip Hop Is supposed to be/All I see is Irony/Hip Hop ain’t dead/He just needs to get free”. Tim’m offers a curative for a Hip Hop gone bling. An unapologetic “old school” emcee, he is one who has matured with Hip Hop; and questions an industry ...
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