| | For The Wait Joy Of Misfortune CD For The Wait Discography of CDs
“The first step to controlling your world is to control your culture. To model and demonstrate the kind of world you demand to live in. To write the books. Make the music. Shoot the films. Paint the art.” (Chuck Palahniuk) From vision to concept, this is For the Wait. Visually, the band presents a pure and emotional live show that provides their audience with a complete, non-stop set, with no breaks, and continuous onstage improvisations. Live, their goal is to leave no questions. This is who we are. This is what we believe in. This is what we live to represent. Our music is not a message. It’s a belief. Conceptually, the band is fronted by strong metaphoric and satirical lyrics that provide a backbone for the group’s ideology. The foundation of the music is based around a straight-forward and melodic approach delving into social and political issues that have been discarded by the world around us. For the Wait is a voice. For The Wait Joy Of Misfortune Songs | 1. | Let It Fall |
| 2. | Thin Line |
| 3. | Apparatus |
| 4. | Abstract |
| 5. | Motionless |
| 6. | Stitching Circles |
| 7. | Lisp |
| 8. | Soporiphic Effect |
| 9. | Canvas |
| 10. | The Joy of Misfortune |
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Joy Of Misfortune Review
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Purchase Joy Of Misfortune CD To buy, Click on price to add to cart | Gov't Mule By A Thread CD (2009)
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BY A THREAD is Gov't Mule's first studio album since HIGH & MIGHTY was issued in 2006. Since that time, bassist Andy Hess has been replaced by Jorgen Carlsson, though Hess appears on two tracks at the end of the album. Carlsson's playing style is much more aggressive than Hess', and is therefore closer - in spirit anyway - to Gov't Mule's original bassist, the late Allen Woody, though he possesses an adventurous sense of time and is harmonically more colorful than either Woody or Hess. Carlsson and drummer Matt Abst are a solid match, since Abst is a drummer used to shifting time signatures and allowing the unexpected in while still driving a band. The band's keyboardist and rhythm guitarist, Danny Louis, is a shape-shifter, playing to whatever is needed in a given track. His manner of coloring sounds inside and around a particular tune's framework is a large part of what makes Gov't Mule's sound so fresh here - despite the fact that they don't stray far from what they do best. Warren Haynes and his guitar are, as usual, front and center, his guitar screaming, his big throaty growl hammering down lyrics like a Southern fire-and-brimstone preacher with ...
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Abdul Spadez has held a secret for more than five years and couldn't hold it in anymore. . . he is one of the hungriest MC's to explode from the Steel City of Pittsburgh, and has a goal of puttin' his city and area on the map. Growing up in New Brighton, PA, just minutes from downtown Pittsburgh, Spadez grew up around music, as Motown blended with Tupac and hip-hop of the '90s. He's had a passion for music and writing since a young age, but in eighth grade, he started taking music more seriously songwise, blending his words with the sounds of his alto saxophone. As he matured, he started adapting his style that helped express himself on many different levels. While he knew he was talented, there was a flaw. Spadez never tried to gain exposure because he was nervous about people taking him serious being half arabian/half black. By his senior year in High School, he had enough material to expand on five albums, two compilation discs, and a soundtrack if his life was ever made into a movie. That's a lot of music and hasn't hit the age of 20 yet. In 2004, the straw that broke the camel's back (no pun intended) came, when Abdul was serving as a public relations director for numerous groups in the Pittsburgh area. Feeling his efforts weren't appreciated, Abdul came to the realization: "I'll do it myself!" on a mission to prove to the world that he had more talent than most of the people he was marketing, and had the pride to admit it. In late 2004, Abdul Spadez launched Redyard Entertainment, which started out as a Management/PR agency for artists, which attracted the attention of Wyoming MC, Rurouni BLack which Spadez often refers to as the "New Nas" of hip-hop. Taking it a step further, in March 2005, Abdul Spadez expanded upon his dream and launched Redyard Records, just months before his 21st birthday. In a goal to only bring artists from Pittsburgh and beyond that "appreciated his support and music," Spadez began building his roster with the most talented MC's and singers, including the Redyard Princess Alli~R, the Front Line Rookie J-Deezy (Redyard/Wanted DOA), the Dark Knight Rurouni BLack, Rob Naughty, and Future. In July, Redyard Records released its first release, "The RED SCARE edition mixtape," featuring exclusive ...
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The Story of Broken BillyDipping his toes into alt-country and alternative pop, Broken Billy, a pseudonym for guitarist Ian Alexy’s music, is a delicate ...
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