| | Avril Lavigne Let Go CD Avril Lavigne Discography of CDs
"I'm With You" was nominated for the 2004 Grammy Awards for Song Of The Year and for Best Female Pop Vocal Performance. "Losing Grip" was nominated for Best Female Rock Vocal Performance.
Headstrong and fiercely independent, 17-year-old Avril Lavigne makes a huge splash with her debut LET GO, a collection of confessional songs with attitude reminiscent of fellow prodigy/Canuck Alanis Morissette. Collaborating with producer/songwriter Clif Magness, Lavigne avoids the credibility pitfalls plaguing the brigade of bubble-gum divas that ruled the charts in the late '90s and early millennium by penning her own material.
Blessed with a voice that makes her sound ten years older, the self-professed tomboy assuredly asserts herself in relationships (the sing-along breakout hit "Complicated"), admits to emotional vulnerability (a stark "Naked"), and delivers a breezy summation of her life and dreams (the pop manna "My World"). Aided by a simple three-piece back-up band Lavigne and her stellar debut could very well end up picking up where Alanis and JAGGED LITTLE PILL left off.
Personnel: Avril Lavigne (vocals, guitar); Evan Taubenfeld (guitar); Mark Spicoluk (bass); Matthew Brann (drums).
Producers: Clif Magness, The Matrix, Curt Frasca, Peter Zizzo.
Personnel: Evan Taubenfeld (guitar); Matthew Brann (drums).
Photographers: Monique Perrault; John Arsenault; Ashley Reid; Sonya Farrell.
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.Rolling Stone (12/26/02, p.104) - Ranked #3 in Rolling Stone's list of 2002's "10 Best Debuts"
Rolling Stone (7/25/02, p.75) - 3 stars out of 5 - "...A dozen infectious hymns of TOTAL REQUEST angst...none of which would matter if Lavigne didn't have a voice, equal parts baby girl and husky siren..."
Q (9/02, p.109) - 3 stars out of 5 - "...The missing link between Britney Spears and Blink-182..."
Uncut (10/02, p.108) - 2 stars out of 5 - "It's a polished collection of songsof teenage angst full of guitar-driven hooks...between Nelly Furtado and Alanis Morissette." Let Go Review
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Purchase Let Go CD To buy, Click on price to add to cart | Tom Petty Live Anthology CDs (2009)
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If you consider yourself or someone you know a fan of good music, particularly good blues music, you need to experience Detroit's Big B and the Magic Bullets. This six-piece band of standout musicians has been confidently and cooly earning a reputation as a "must-see" live act. With the release of their debut effort "11 Shots" they may have also made the region's best original blues CD.The band's leader, singer and guitarist Brian "Big B" Burleson, sums up their appeal this way: "We're a bunch of fun, down-to-earth cats who enjoy each other's company--and that's increasingly rare where flaky musician egos are concerned. We also have this mutual need, this itch, for being fulfilled as often as possible by playing music. There's not a guy in this band who doesn't live for the sheer enjoyment of expressing themselves through their instrument, and that only feels good when you're doing it well, at a level you've practiced hard at for years to make look and feel easy, the same way your idols and influences inspired you. Add to that this ...
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I was the baby in a very “horsy” family, so there is a high probability that I was horseback before I was born. When I was eight years old, my father took me to a night time rodeo. I don’t remember anything about the events, but I do remember what happened at half time. The lights went down, and into the spotlight on a big white horse rode Tex Ritter, the singing cowboy movie star. He wore a purple velvet suit, with rhinestones, and carried a guitar. He rode to the center of the arena, and sang in that great western baritone “Blood on the Saddle”. I am told that I leapt to my feet and screamed “Daddy, I want to do that!”I pestered everybody for a guitar, and finally got one, and eventually I wound up in the music performing business. In the mid-seventies I had the opportunity to meet “The King of the Rodeo” Larry Mahan, at the time when he was easing up on rodeoin’ and moving into the western music business as a singer/performer. I had the opportunity to help him put together his band and tour the rodeo circuit for several years. One evening we were playing the national teen rodeo in Huston, Texas. Often when Larry was introduced, he would ride a bucking horse out of the shoots, and then come up on stage and burst into “Mamas, don’t let your babies grow up to be cowboys.” It drove the crowd wild. At this rodeo, however, a friend of Larry’s had brought down two really good roping horses, and suggested that he ride one of them into the arena instead of a bucking horse. He agreed, and asked me to ride the other one. I agreed. Every thing seemed straight forward enough as we sat in the gate waiting to be introduced, and I anticipated a leisurely gallop around the arena and up to the stage. Suddenly the lights went out, and it was pitch black. As they announced Larry, four follow spots suddenly swept up and focused on us, and Larry’s horse shot off like he was going to a championship calf roping. Mine with absolutely no coaxing from me, did the same. About half way down the straight away with my guitar banging on my back, at a dead run, and completely blinded by the spot lights, I managed to collect the reins, get my feet squared in the stirrups, and my other hand jammed against the saddle horn. Larry’s horse, raced to the end of the arena, and then managed to cut to the left like a batter sliding into home. I couldn’t see this for the lights, but my horse, close behind must have, and to keep from running into them decided to jump over the back half of Larry’s horse. I went air born, but fortunately had a firm white knuckle grasp on the saddle horn, and apparently on the reins as well, for when I came back down (kind of in the saddle), the horse stopped, and trotted up to the stage. The lights had ...
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