| | Squeaky Burger Sweet Obscurity CD Squeaky Burger Discography of CDs
A mostly instrumental band, Squeaky Burger's sound is best described as soundtrack music. The idea is to create an atmosphere or emotion through a collective sense. None of Squeaky Burger's music is written or rehearsed before it is played. The music is spontaneous and completely improvised in the moment. Just as a painter doesn't want to paint the same picture over and over again, Squeaky Burger refuses to play a song after it has been played once. This approach creates a fresh outcome and unique experience each time. Squeaky Burger Sweet Obscurity Songs | 1. | Moonlight In A Room |
| 2. | Here As I Sit, Thinking |
| 3. | Celebration Interrupted |
| 4. | In The Authority Of My Madness |
| 5. | Dragging An IV Through The Desert |
| 6. | Intimate Monster |
| 7. | Lonely Rising Sun |
| 8. | My Obsession |
| 9. | Room On The Moon |
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Sweet Obscurity Review
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Initially planned solely as a standard double-disc reissue in the wake of the blockbuster success of The Fame, Lady Gaga decided to release the new material as a separate EP called The Fame Monster in addition to the standard two-CD set, where it's tacked onto a now standardized version of her debut. It's a nice move for fans, plus it helps emphasize the new material, which does act as a bridge from the debut to a forthcoming full-length. Everything on The Fame Monster bears a galvanized Eurotrash finish, as evident on the heavy steel synths of "Bad Romance" and the updated ABBA revision "Alejandro," as it is on the rock & roll ballad "Speechless" -- its big guitars lifted from Noel Gallagher -- and the wonderful, perverse march "Teeth." Even the stuttering splices on "Telephone," a duet with Beyoncé, leans to the other side of the Atlantic, which ...
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CREED BRATTONBorn: 8 February 1943. William Charles Schneider. Father, William Frank Schneider died in World War II. Mother Cozzette, (who still lives in Coarsegold) remarried and I became Chuck Ertmoed. My paternal grandparents, Grace and Gus Schneider settled in Oakhurst in 1923. They homesteaded a ranch located off road 426. While traveling in Europe, I changed my name to Creed Bratton,. I was born into a very musical family and lived my childhood in a small town near Yosemite, "Coarsegold". Everyone played music - my father, banjo; mother, mandolin; maternal grandfather, guitar; grandmother, drums; my paternal grandfather could play almost any instrument and was the leader of "The Bull Dog Minstrels" (on board the U.S.S. Oregon in the Pacific theater during the Spanish American War) and played bones, danced buck and wing, and sang. He was the Art Director on the classic silent movie, "The Thief of Bagdad" starring Douglas Fairbanks.I began playing at the age of thirteen on a Silvertone Electric Guitar with the amplifier built into the carrying case. It was ordered through a Sears Mail Order Catalog. At seventeen, played with a group called THE TOURQUAYS, I became a professional, performed at The Falls, Bass Lake, California. Attended Sierra Joint Union High School in Tollhouse, California. Next studied at College of the Sequoias (on a swimming scholarship), then attended Sacramento State, majoring in Drama & Music. I left Sacramento and hitch-hiked to New Orleans, Louisana, caught a freighter to Europe that docked in Venice. I arrived with $25. 00 in my pocket. I toured Europe for a period of two and a half years with THE YOUNG CALIFORNIANS, singing folk music from Sweden to the Sudan. In Israel I met a young man named Warren Entner and we became friends. We got together again in California and started a band with drummer Rickey Coonce called THE THIRTEENTH FLOOR. When our bass player was drafted, we were joined by Rob Grill and became THE GRASS ROOTS. We toured and recorded together until 1970. During this time THE GRASS ...
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