| | Seamus Mcgee Come Home Danny Boy CD - Import Seamus Mcgee Discography of CDs
The title track of this CD was a sucessful hit record for the Gweedore Co Donegal singer. He is still performing with his dance band and is a popular figure throughout Co Donegal where he has a sizeable fan base. Come Home Danny Boy Music Seamus Mcgee Come Home Danny Boy Songs | 1. | Whitewashed Cottage In Old Donegal |
| 2. | Accidentally On Purpose |
| 3. | The Fishing Boats Of Ireland |
| 4. | The Green Glenns Of Antrim/Galway Shawl |
| 5. | Come Home Danny Boy |
| 6. | Forty Shades Of Green |
| 7. | How Can I Write Of Paper |
| 8. | My Donegal Shore |
| 9. | He'll Have To Go |
| 10. | Together Again |
| 11. | Not Until The Next Time |
| 12. | Diane |
| 13. | Lonely Woman |
| Come Home Danny Boy Review
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Purchase Come Home Danny Boy CD To buy, Click on price to add to cart | Eva Cassidy Songbird CD (1998)
Come Home Danny Boy album
$13.45 This posthumous anthology is the perfect introduction to the astonishing vocal talents of Eva Cassidy, a young, relatively unknown singer who died of cancer at 33, just as her career was beginning to gain steam. Cassidy, a native of Washington D.C., gained local favor with her pure, straightforward tone and her lovely, tasteful interpretations of everything from standards to gospel ...
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Come Home Danny Boy CD music
$12.95 MERMAID AVENUE is a collection of previously unrecorded Woody Guthrie lyrics exhumed from the Woody Guthrie Archives and set to music by Billy Bragg and Wilco at the invitation of Guthrie's daughter Nora.
MERMAID AVENUE was nominated for a 1999 Grammy for Best Contemporary Folk Album.
Woody Guthrie's gift to the world of music cannot be overstated. His songwriting helped to define folk music as we know it, as an instrument not only of musical creation, but of social change. Among those troubadours who carry on his tradition, England's Billy Bragg stands proud, for his musical talent and his social awareness alike. In 1995, Nora Guthrie, ...
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This is part of Acoustic Disc's Acoustic Archive series.
Recorded at The Boarding House, San Francisco, California in October, 1973. Includes liner notes by Peter Rowan, Vassar Clements, David Grisman ...
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$6.69 No Depression Sept/Oct 2006: "The back story for this enchanting debut is all about words, about how singer and principal songwriter Mark Ray Lewis was a Stegner Fellow at Stanford and how he won an O. Henry and a Pushcart for his fiction. The images in his songs, from kingfishers and caves to ploughshares and holy ghosts, are plenty evocative, and loaded with spiritual and existential freight. Yet ultimately it's the music that lingers-- a parched, creaky take on rustic verities done up in pump organ, pedal steel, tuba, cello, banjo, and piano. It's a burbling, oompahing wheeze that seems to be groaning, even the gauzy he-she harmonies, with the rest of creation. Pregnant, too, are lines such as, "Floss my soul Esparanza" and ...
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$6.69 Alex was born in a small village down south to a somewhat musical family. Music was always a huge part of her everyday life and so it wasnât long before she started to play various instruments. Her childhood was dominated by the sound of drums from her father and brothers incessant playing and so there was always a competition for the spotlight. Music at home was heavily influenced by her fathers love for country music.âFrom an early age I could sing word for word every Garth Brooks song. I loved it! My friends to this day still think Iâm mad.âOther huge musical influences were the likes of the legendary Frank Sinatra, the Dire Straits, Dr Hook and Mozart. âMy father had a very diverse taste in music and he would say â âthere are only two types of music, good and badâ I think he nicked that of Louis Armstrongâ At the age of twelve Alex joined the local Stage Coach, a weekend stage school for singing, dancing and drama.âI knew when I was very young that I was going to be a performer. I used to spend hours singing âThe Little Mermaidâ and making up dance routines to FlashdanceâIt wasnât until stage coach that she realised singing was her thing and like all young children she wanted a guitar to accompany her.âI remember getting my first guitar for Christmas, It was a Fender Stratocaster Squier. I never realised playing something was going to be so difficult and it wasnât long before I had almost given up with the guitar completelyâAlex continued to take lessons for years with a great teacher Andy Boulton who went on to become a great friend and incredibly influential person in Alexâs musical roots.â I did my first gig with Andy, I canât have been any older than 14 and absolutely petrified. I played Baker Street on the saxophone. It was fantasticâThere as a turning point in Alexâs life when someone so influential burst onto the scene and it was inevitable that she was to become a singer.âMy father came home one day clutching a record with a excited grin. It was the first time I had ever heard an Eva Cassidy record. Something inside me said âI want to be like thatâ and that was it. I got an acoustic guitar and spent hours trying to recreate Eva Cassidy records, and I did it. Months later I reached the point where I could finger pick to a good standard and recreate her records with ease. This led me on to performing covers but adapting them similarly to the way Eva would have had she covered them, and what a buzz!â After mastering finger picking Alex continued lessons and joined a covers band with Andy, with the occasional acoustic gig around Salisbury. But it was short lived as Alex wanted more.âI realised if I was going to make it in music I would have to leave Salisbury.I had gone up to London to record a demo at Tin Pan Alley Studio, and by the second day I had been offered the job as studio manager. I moved to London a week later to start workâWhilst working at the studio Alex met some fantastic musicians and consequently got involved in various gigs around London at which time she was also gigging acoustically. This is really where her ...
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