| | Majik, J & Wickaman Crazy World CD - Import Majik, J & Wickaman Discography of CDs
Crazy World Music | List Price | $41.99 (You save $2.60) | | Category | Rock/Pop Albums, Rock CDs | | Label | Phantom | | CD Universe Part number | 7491916 | | Catalog number | 709978 | | Discs | 1 | | Release Date | Aug 21, 2007 |
Majik, J & Wickaman Crazy World Songs | 1. | Crazy world |
| 2. | Listen |
| 3. | Casanova |
| 4. | Capoeira V.I.P. |
| 5. | Rollin' it |
| 6. | Straight for the door |
| 7. | Shuttle |
| 8. | Manali cream |
| 9. | Space invasion |
| 10. | Siberia |
| 11. | Watch you |
| 12. | C-Style |
| 13. | Bounty killa |
| 14. | Calabassa |
| 15. | Fiddlers elbow |
| 16. | Cutie |
| 17. | Cursed |
| 18. | Nebula |
| 19. | Crazy world V.I.P. |
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Crazy World Review
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Purchase Crazy World CD To buy, Click on price to add to cart | Beatles - A Hard Day's Night DVDs (1964)
Crazy World album
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A HARD DAY'S NIGHT presents a fictionalized day in the life of the Beatles as they give a performance on a live television show. Filmed just a month after their appearance on the Ed Sullivan Show in February 1964, this film--the Beatles' first--introduces us to the unique personalities of each member of the band. The film opens with the Fab Four boarding a train ...
| | King Crimson In The Court Of The Crimson King CD (1969) Bonus Tracks
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Initial pressings featured a limited edition, cardboard-stock gatefold sleeve and unpublished archive photos.
KC's debut album introduced to the world a group that threw various '60s genres into a blender and set the results afire with a blowtorch. One of the pioneers of the progressive rock movement that began in the late '60s and flourished in the early '70s, King Crimson was arguably the most consistently creative band in the genre. On IN THE COURT they blend wispy, Donovan-ish folk-rock with Wagnerian grandeur, mind-bending heavy rock, and even a free- jazz sensibility. Greg Lake's vocals are effectively ...
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| | Daughtry Leave This Town CD (2009)
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When he was recording his debut album in 2006, Chris Daughtry didn't have the time to assemble the real rock band he so desperately wanted to have, so it appeared under the band name Daughtry without featuring any of the musicians who later became part of the group. That's not the case with LEAVE THIS TOWN, Daughtry's second record: all five members are glowering on the album cover, floating like specters over an abandoned Californian street. The five rockers serve as visual evidence that Daughtry is a band, not a person, and such reminders may be necessary because LEAVE THIS TOWN doesn't differ much in feel or form from DAUGHTRY. ...
| | Sting If On A Winter's Night... CDs (2009) Digipak
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It's no secret that Sting is a serious man, so it's only logical that his holiday album -- his first new music since the Police reunion, not that it really matters -- is a serious endeavor, thank you. No niceties for him, no comforts of carols; he favors formal over familiar, writing madrigals, not ditties. It is music made by someone who lives in a castle, which isn't necessarily such a bad thing: the austerity is genuine, not affected, and the cerebral nature of the album is fascinating, albeit mildly so, as this is as sleepy as it is thoughtful. And it's that thoughtfulness that does distinguish IF ON A WINTER NIGHT...; no other Christmas album exists in the head like this. It's a holiday album for people who have never wanted to hear a holiday album, let alone own one.
It's no secret that Sting is a serious man, so it's only logical that his holiday album -- his first new music since the Police reunion, not that it really matters -- is a serious endeavor, thank you. No niceties for him, no comforts of carols; he favors formal over familiar, writing madrigals, not ditties. It is music made by someone who lives in a castle, which isn't necessarily such ...
| | Queen II CD (1974)
Crazy World music CDs
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Although QUEEN II borders on heavy metal (it wasn't until their next release, SHEER HEART ATTACK, that they began experimenting with other musical forms), the songwriting and playing is still top-notch. Queen was criticized by some in the press upon the release of QUEEN II, since there was simply nothing to compare it to--it encompassed glam, progressive, and metal, with a healthy dose of studio wizardry.
QUEEN II contained the band's first official UK hit--the mystical "Seven Seas of Rhye"--and, as on their debut a year prior, the lesser-known material is just as delightful. Singer Freddie Mercury and guitarist Brian May contribute one lovely ballad each--"White Queen (As It Began)" and "Some Day One Day." The latter does a splendid job of breaking up this otherwise continuously hard-rocking album. Other intriguing titles include "Ogre Battle," "The March of the Black Queen," and a strong bonus b-side--the bluesy "See What a Fool I've Been."
In one regard, Queen II does indeed provide more of the same thing as on the band's debut. Certainly, of all the other albums in Queen's catalog it bears the closest resemblance to its immediate predecessor, particularly in its lean, hard attack and in how it has only one song that is well-known to listeners outside of their hardcore cult: in this case, it's "Seven Seas of Rhye," which is itself more elliptical than "Keep Yourself Alive," the big song from the debut. But these similarities are superficial and Queen II is a very different beast than its predecessor, an album that is richer, darker, and weirder, an album that finds Queen growing as a band by leaps and bounds. There is still a surplus of ideas, but their energies are better focused this time around, channeled into a over-inflated, pompous rock that could be called prog if it wasn't so heavy. Even with all the queens and ogres that populate Queen II, this never feels as fantastical as Genesis or Uriah Heep, and that's because Queen hits hard as a rock band here, where even the blasts of vocal harmonies feel like power chords, no matter how florid they are. Besides, these grandiose harmonies, along with the handful of wistful ballads here, are overshadowed by the onslaught of guitars and pummeling rhythms that give Queen II majesty and menace. Queen is coiled, tense, and vicious here, delivering on their inherent sense of drama, and that gives Queen II real power as music, as well as a true cohesion. The one thing that is missing is any semblance of a pop sensibility, even when they flirt with a mock Phil Spector production on "Funny How Love Is." This hits like heavy metal but has an art-rock sensibility through and through, which also means that it has no true hook in for those who don't want to succumb to Queen's ...
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| | Buff Dillard featuring Gwen Wallace Jazzful Hymms CD (2008)
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Henry \"Buff\" Dillard was born on January 18th in Greenville, SC. At the age of five, he sparked an interest for singing, drums and playing brass instruments. Never loosing his passion for music during his growth, he performed in school bands and displayed his gift in his father's church. By the age of twelve he developed more of a passion to play the trombone and decided to focus on mastering the slide. Buff went on to develop his skills by playing in school bands, organizing and directing church bands as well as choirs. As a student at Martin Luther King Jr. High School in Philadelphia Pa., he performed in the Concert Band, The Martin Luther King Jazz Band and The Philadelphia All- City Jazz Band at various ...
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