| | Claude Williamson Trio Round Midnight CD - Import Claude Williamson Trio Discography of CDs
K2 digitally remastered Japanese limited edition special issue of the album classic in a deluxe, miniaturized LP sleeve replica of the original vinyl album artwork. Round Midnight Music | List Price | $51.98 (You save $20.19) | | Category | Rock/Pop Albums, Jazz CDs, Japanese LP Sleeve | | CD Universe Part number | 7492880 | | Catalog number | 61471 | | Discs | 1 | | Release Date | Oct 24, 2007 | | Additional Info | Japan; Remastered; Mini LP Sleeve |
Claude Williamson Trio Round Midnight Songs | 1. | Stella by Starlight |
| 2. | Somebody Loves Me |
| 3. | I'll Know |
| 4. | Surrey With the Fringe on Top |
| 5. | Polka Dots and Moonbeams |
| 6. | Hippy |
| 7. | Tea for Two |
| 8. | Stompin' at the Savoy |
| 9. | 'Round Midnight |
| 10. | Just One of Those Things |
| 11. | Love Is Here to Stay |
| 12. | Song Is You |
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Round Midnight Review
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Orchestral and choral arrangements of rock songs have been a curious subgenre ever since the mid-'60s when Andrew Loog Oldham arranged The Rolling Stones Songbook for syrupy strings, but The Kinks Choral Collection stands apart from the pack for the simple reason that it's not the project of some associate or admirer, but rather chief Kink Ray Davies. His very presence as arranger and lead vocal means The Kinks Choral Collection isn't nearly as stuffy and middlebrow as so many of these orchestral rock albums; he manages to inject some semblance of rock & roll by pushing the songs forward with guitar, and letting the rhythms swing instead of plod. This looseness is the first big surprise of the album. The second is its unrepentant but quite possibly accidental silliness, how many of the major guitar riffs are transposed for choir, an audacious idea in concept ...
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What happened to Warren Barfield? After a season of trials and setbacks that roughed him up in more ways that one, the singer/songwriter unleashed a soulful guitar-pop album, 2006's Reach, that stood in stark contrast to the guy next door charm of his self-titled debut. The disc earned him favorable reviews that compared him to the likes of John Mayer and Marc Broussard -- the latter of which makes sense, given Marshall Altman manned both albums' boards. But that's as far as the soulfulness went. Somewhere between that effort and 2008's Worth Fighting For, Barfield must have had another epiphany, one that motivated him to regress to the Steven Curtis Chapman mold of his well-received ...
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