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Sonny & Cher - Classics CD Cover Art
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Classics CD

 Sonny & Cher Discography of CDs

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 Our Price: $6.35  CD
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CLASSICS collects some of the best tracks from Sonny & Cher's albums of the 1960s. Though they're dismissed, perhaps unfairly, by fans of serious music as light, manufactured pop, there is an undeniable charm to the duo, and that charm is clearly evident on their takes on classic pop tunes, such as "Then He Kissed Me," featured here. CLASSICS also includes a number of Sonny Bono-penned tunes, including "Baby Don't Go" and "Living for You," underscoring his strengths as a songwriter. ("I Got You, Babe" is conspicuously absent, however). A blast from the past, CLASSICS also offers the chance to reevaluate the merits of this fun, sunny pop pair.
Classics Music


Detailed Classics Music Information



Category Rock/Pop Albums, Rock CDs, Classical, Pop, Oldies, Folk Rock, Bubble Gum
Label Flashback - Rhino
Orig Year 2007
All Time Sales Rank   42278  
CD Universe Part number 7494296
Catalog number 176380
Discs 1
Release Date Sep 18, 2007
Studio/Live Studio
Mono/Stereo Stereo
Classics Songs


Classics Album Track Listing



1.Baby Don't Go  $0.99
2.Laugh At Me  $0.99
3.Living For You  $0.99
4.Love is Strange
5.500 Miles  
6.Revolution Kind, The
7.Let It Be Me$0.99
8.Unchained Melody$0.99
9.Then He Kissed Me  $0.99
10.You've Really Got a Hold On Me  $0.99
Classics Music


Classics Other Versions



Sonny & Cher
.Classics  (2007) Audio Samples
CD$7.85
Classics Review


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Chris Ludwig - ComposerChristopher Ludwig (1972 - )Who I Am - A Short Bio (in the third person as is fashionable)Christopher Ludwig is a Vancouver based composer and flute player. He holds Bachelor degrees in Music and in Education, as well as a Master degree in Composition from the University of British Columbia. Ludwig studied with a variety of composition teachers including Canadian composers Stephen Chatman and Robert Pritchard. To date, he has composed over a hundred compositions including orchestral, chamber, vocal, and piano. Ludwig currently teaches flute, music history, theory, ear training, composition and arranging at the Mount Royal Institute in Richmond, B.C.What I ThinkContemporary music can be a difficult medium in which to make your mark as an artist. It cannot be hung on a wall or sit on a bookshelf. At the surface, it may seem an enigma to the unaccustomed listener - a type of music written for theorists, music graduates and elite performers. New music is clearly in danger of becoming an irrelevant art form if it is to be relegated to the sanctuaries of music departments and small music societies.No two composers will agree as to what constitutes new music. The terms 'new', 'contemporary', 'avant-guarde' and 'experimental' can be confusing. We live in a unique time in music history. The doors have been blown open. As artists, we can do anything we want without ascribing to a specific 'camp' of composition. Some composers may react against the scorning masses by exploring the farthest reaches of musical architecture to impress a certain community of musicians. Still others may feel they need to write music that is as palatable as possible to the 'average' listener (if there is such a thing). My composition teacher suggested that one should write to please oneself. Clearly this is a good start.I seek to enshrine meaning within a work in a variety of ways. It is the beauty of harmonic color, texture, and motivic structure that motivates me. I enjoy music that arrives, then leaves, music that pushes and pulls. The concepts of warmth, cold, absolutes and the suggestive all call to the listener's sense of aesthetics. When I tell my friends who are not musicians what to listen for, the structures within my music become more apparent. In an ideal world, each composer could talk to every musician and listener involved in the performance of a work. Perhaps new music should be a part of the school curriculum. Maybe we should expose people to it on television. A more practical option, however, would come about if all musicians performed ...
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