| | Muench / Stuttgarter Ko Messe H-Moll BWV 232 CD - Import Muench / Stuttgarter Ko Discography of CDs
Messe H-Moll BWV 232 Music Muench / Stuttgarter Ko Messe H-Moll BWV 232 Songs | 1. | Kyrie eleison (KYRIE) |
| 2. | Christe eleison (KYRIE) |
| 3. | Kyrie eleison (KYRIE) |
| 4. | Gloria in excelsis Deo (GLORIA) |
| 5. | Laudamus te (GLORIA) |
| 6. | Gratias agimus tibi (GLORIA) |
| 7. | Domine Deus (GLORIA) |
| 8. | Qui tollis peccata mundi (GLORIA) |
| 9. | Qui sedes ad dextram Patris (GLORIA) |
| 10. | Quoniam tu solus sanctus (GLORIA) |
| 11. | Cum Sancto Spiritu (GLORIA) |
| 12. | Credo in unum Deum (SYMBOLUM NICENUM CREDO) |
| 13. | Credo in unum Deum, Patrem omnipotentem (SYMBOLUM NICENUM CREDO) |
| 14. | Et in unum Dominum (SYMBOLUM NICENUM CREDO) |
| 15. | Et incarnatus est (SYMBOLUM NICENUM CREDO) |
| 16. | Crucifixus (SYMBOLUM NICENUM CREDO) |
| 17. | Et resurrexit (SYMBOLUM NICENUM CREDO) |
| 18. | Et in Spiritum Sanctum (SYMBOLUM NICENUM CREDO) |
| 19. | Confiteor unum baptisma (SYMBOLUM NICENUM CREDO) |
| 20. | Sanctus (SANCTUS) |
| 21. | Osanna in excelsis (SANCTUS) |
| 22. | Benedictus, qui venit (SANCTUS) |
| 23. | Agnus Dei (AGNUS DEI) |
| 24. | Dona nobis pacem (AGNUS DEI) |
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Messe H-Moll BWV 232 Review
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Purchase Messe H-Moll BWV 232 CD To buy, Click on price to add to cart | B-Tribe Fiesta Fatal! CD (1994)
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The debut album by the High Kings was issued by the same folks who had a hand in Celtic Woman and Riverdance, and consists of easy listening and buffed-and-polished Irish folk music of appeal to an audience that is comparatively massive for the world music fringe: this album made the lower levels of the Billboard Top 200 album chart. The High Kings is glossy and polite -- targeted perhaps toward listeners who enjoyed the pennywhistle on Celine Dion's "My Heart Will Go On" -- even on tunes that strive to be upbeat and frolicsome. ~ Stewart Mason
The debut album by the High Kings, brought ...
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Karl Denson is one of the most eclectic cats on the modern music scene. Not only has he played rock as a sideman to Lenny Kravitz, but he was also a founding member and creative force behind the Greyboy Allstars and has played with everyone from Stanton Moore to the String Cheese Incident to Roy Hargrove. He was the leader of his own Tiny Universe ensemble, whose album The Bridge is a bona fide jazz-funk classic -- even if those proper self-appointed protectors of the jazz legacy have no idea it exists. Denson has also worked with Fred Wesley and the late Godfather of Soul himself. Sometimes his projects have suffered a bit from too much of that wild reckless creative energy by lacking a more keenly honed focus -- but they have all had killer moments on them. On The Bridge, he nailed it, playing not only saxophone and flute but also proving himself a worthy vocalist in the vein of Gary Bartz, Eddie Harris, and others who've gone that route. So with rock, funk, and jazz as well as R&B all jumping up and down inside his bad self, the killer trio he formed for Lunar Orbit breathes new life into the sax, B-3, and drums combo. Denson is the only constant presence here. Aaron Redfield and Jake Najor alternately support him on drums, with Kenneth Crouch on keyboards (electric piano, synths, and organ) and organists Will Blades and Anthony Smith, and Steve Haney plays congas on more than half the tracks here. There is a method to the madness, although the listener is jolted into seemingly strange parallel universes from the word go.
The title track that opens the record is nine-plus minutes of tough funky jazz flute, big rock drums, and synth pulses and organ chords. While it's true this may seem like some combo made in prog rock hell, it's an utterly smokin' jam. While the organ chords are striated and played mostly in a minor key as riffs -- instead of a lot of single-key solo play -- they help create a funkier base for those big rolling and pounding tribal drums. When Denson begins to kick it on the flute, it's gnarly as hell. He gets into some groove and stays there, pushing at the rhythmic foundations of the track, ...
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“…..Enrico…..is talent, total, complete, utter and practicing. Vast talent, the kind that comes once in many years! And that talent flares and shimmers in his latest offering!” -- R & R“…..A winner all the way. Enrico is at the top of his dramatic form on an ...
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