| | Ravel: Orchestral Works CD - Import Martinon / Odp / Ravel CDS
| Category | Classical, 20th Century Period, Orchestral/Symphonic, Box Sets, Suite, Overture, Ballet, Waltz, Rhapsody, Transcription, Minuet, Pavane, Bolero, Tombeau |
Ravel: Orchestral Works Music | List Price | $18.98 (You save $4.23) | | Label | EMI Classics | | Orig Year | 10/2/2007 | | All Time Sales Rank | 51056  | | CD Universe Part number | 7498170 | | Catalog number | 00892 | | Discs | 3 | | Release Date | Oct 02, 2007 | | Recording Time | 3 26 |
Ravel: Orchestral Works Review
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Ravel: Orchestral Works Music Composers on Ravel: Orchestral Works CD : Maurice Ravel Conductors on Ravel: Orchestral Works CD : Jean Martinon
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$15.49 | | Memoirs Of A Geisha CD (2005) Original Soundtrack
Ravel: Orchestral Works
$12.09 For the soundtrack to 2005's MEMOIRS OF A GEISHA, Hollywood composer John Williams unveils one of his most inventive scores. The film, based on Arthur Golden's bestselling novel about a poor girl who becomes a refined geisha in World War II-era Japan, is enhanced by Williams's emotive (and often melancholy) music, which deftly blends orchestral works with passages that feature traditional Japanese instruments such as the shakuhachi and the koto. Remarkably, this mix of western and eastern sounds never comes across as forced, thanks to both Williams's bold musical vision and the outstanding solo contributions of cellist Yo-Yo Ma and violinist Itzhak Perlman. The opening track, "Sayuri's Theme," is a hauntingly beautiful piece, while "The Fire Scene and the Coming of War" evokes an appropriately ominous tone. What is perhaps most striking about GEISHA's score, however, is the use of quiet, reflective moments and pure silence, with Williams effectively adhering to the old adage of "less is more."
Composer: John Williams .
Personnel: Hiromi Hashibe, Masayo Ishigure (koto); Itzhak Perlman (violin); Yo-Yo Ma (cello); Masakazu Yoshizawa (shakuhachi).
Audio Mixer: Shawn Murphy.
Recording information: Royce Hall, UCLA, Los Angeles, CA; Sony Pictures Studio, Culver City, CA.
Editors: Kenneth Karman; Ken Wannberg; Ramiro Belgardt.
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Ravel: Orchestral Works
$20.75 2009 debut album from the Canadian singer / songwriter. 10 tracks.
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$19.69 Track Listing of songs: Overture; Der VogelfÄnger Bin Ich Ja; Die ZauberflÖte Act 1 No.3 Aria : Dies Blidnis Is Bezaube; Die ZauberflÖte Act 1 No.4 Recitativo Ed Aria : O Zittre; Die ZauberflÖte Act 1 No.7 Duetto Bei MÄnnern, Welche Lie; Die ZauberflÖte Act 1 No.8 Finale Zum Ziele FÜhrt Dich Di; O Isis Und Osiris; Die ZauberflÖte Act 2 No.14 Aria Der HÖlle Rache Kocht In; Die ZauberflÖte Act 2 No.15 Aria In Diesen Heil'gen Halle; Die ZauberflÖte Act 2 No.17 Aria Ach Ich FÜhl's, Es Ist V; Die ZauberflÖte Act 2 No.18 Chor Der Priester O Isis, Un; Die ZauberflÖte Act 2 No.20 Aria Ein MÄdchen Oder Weibch; Die ZauberflÖte Act 2 No.21 Finale Bald Prangt, Den Morge;
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$7.39 This addition to the NAXOS MUSICAL JOURNEY series features such composers as
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Standard Screen; Soundtrack English
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$10.49 | | Gavin Bryars Hommages CD (1982) (Import) United Kingdom
Ravel: Orchestral Works
$15.35 Occupying a tenuous position between his early masterworks for the Obscure label and his later, generally blander, albums recorded for ECM and Point, Gavin Bryars' Hommages offers a tantalizing glimpse of a direction not taken. The four pieces are scored for as many as three pianos and percussion (including vibes and marimba), which are used to paint sonic images at once rigorous and dreamy. Bryars leaves no written clue as to who these homages are inspired by, but one hears echoes of Erik Satie and Percy Grainger and one in small section the rhythmic motif is clearly derived from the "Mars" portion of Holst's The Planets. There tends to be a relatively steady minimalist pulse underneath the compositions, but above it the chords float and linger and the pulse itself occasionally hesitates, as if considering other options, before moving on. The overall atmosphere is one of purposeful calm tinged with Bryars' trademark melancholy. A very beautiful record; one could have only hoped that the composer would have continued along this path. Highly recommended. ~ Brian Olewnick
Occupying a tenuous position between his early masterworks for the Obscure label and his later, generally blander, albums recorded for ECM and Point, Gavin Bryars' Hommages offers a tantalizing glimpse of a direction not taken. The four pieces are scored for as many as three pianos and percussion (including vibes and marimba), which are used to paint sonic images at once rigorous and dreamy. Bryars leaves no written clue as to who these homages are inspired by, but one hears echoes of Erik Satie and Percy Grainger and one in small section the rhythmic motif is clearly derived from the "Mars" portion of Holst's The Planets. There tends to be a relatively steady minimalist pulse underneath the compositions, but above it the chords float and linger and the pulse itself occasionally hesitates, as if considering other options, before moving on. The overall atmosphere is one of purposeful calm tinged with Bryars' trademark melancholy. A very beautiful record; one could have only hoped that the composer would have continued along this path. Highly recommended. [2008 saw the release of a bonus track edition.] ~ Brian Olewnick
Additional Tracks
Recording information: Music Works, Benwell Road, London, England (01/19/1979-02/28/1981); Music Works, London, England (01/19/1979-02/28/1981); School of Performing Arts, Leicester Polytechnic (01/19/1979-02/28/1981); The School of Performing Arts, Leicester Polytechnic (01/19/1979-02/28/1981).
Director: Gavin Bryars.
Personnel: Gavin Bryars (piano, vibraphone); Christopher Hobbs (piano, vibraphone); Dave Smith (piano); Nigel Shipway (vibraphone, marimba).
Liner Note Author: Gavin Bryars.
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