| | Handel: Organ Concertos CD - Import Aveling / Handel / Menuhin / Preston / Tilney CDS
Handel: Organ Concertos Music | List Price | $18.97 (You save $1.32) | | Label | EMI Classics | | Orig Year | 10/2/2007 | | All Time Sales Rank | 86776  | | CD Universe Part number | 7498250 | | Catalog number | 00864 | | Discs | 3 | | Release Date | Oct 02, 2007 | | Recording Time | 3 25 |
Handel: Organ Concertos Review
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Handel: Organ Concertos Songs 1. Organ Concertos (6), Op.4, HWV 289-294: No. 1 in G minor. 1. Larghetto e staccato (5:28) Windows Media Real Audio | | Catalog No. | HWV 289 | | Composer | George Frederick Handel (1685 - 1759) | | Conductor | Yehudi Menuhin | | Performer | Valda Aveling (Harpsichord) Simon Preston (Organ) Colin Tilney (Harpsichord) | | Genre | Baroque Period / Concerto | | Period | Baroque | | Venue | Merchant Taylor's Hall, London, England | | Recording Date | 02/1967 | 2. Organ Concertos (6), Op.4, HWV 289-294: No. 1 in G minor. 2. Allegro (15:08) Windows Media Real Audio | | Common Name | Organ Concerto 1 | | Catalog No. | HWV 306 | | Composer | George Frederick Handel (1685 - 1759) | | Conductor | Yehudi Menuhin | | Performer | Valda Aveling (Harpsichord) Simon Preston (Organ) | | Genre | Baroque Period / Concerto | | Date Written | 1740 | | Period | Baroque | | Venue | St. Paul's Girls' School, Hammersmith, L | | Recording Date | 07/1970 | 3. Organ Concertos (6), Op.4, HWV 289-294: No. 1 in G minor. 3. Adagio (10:15) Windows Media Real Audio | | Common Name | Organ Concerto 2 | | Catalog No. | HWV 307 | | Composer | George Frederick Handel (1685 - 1759) | | Conductor | Yehudi Menuhin | | Performer | Valda Aveling (Harpsichord) Simon Preston (Organ) | | Genre | Baroque Period / Concerto | | Date Written | 1743 | | Period | Baroque | | Venue | Queen Elizabeth Hall, London, England | | Recording Date | 09/1968/11/1968 | 4. Organ Concertos (6), Op.4, HWV 289-294: No. 1 in G minor. 4. Andante (12:17) Windows Media Real Audio | | Common Name | Organ Concerto 3 | | Catalog No. | HWV 308 | | Composer | George Frederick Handel (1685 - 1759) | | Conductor | Yehudi Menuhin | | Performer | Valda Aveling (Harpsichord) Simon Preston (Organ) | | Genre | Baroque Period / Concerto | | Date Written | 1751 | | Period | Baroque | | Venue | Great Packington Church, Great Packingso | | Recording Date | 10/1969 | 5. Organ Concertos (6), Op.4, HWV 289-294: No. 2 in B flat. 1. Sinfonia / 2. A tempo ordinario e stacca (14:16) Windows Media Real Audio | | Common Name | Organ Concerto 4 | | Catalog No. | HWV 309 | | Composer | George Frederick Handel (1685 - 1759) | | Conductor | Yehudi Menuhin | | Performer | Valda Aveling (Harpsichord) Simon Preston (Organ) | | Genre | Baroque Period / Concerto | | Date Written | circa 1744 | | Period | Baroque | | Venue | Queen Elizabeth Hall, London, England | | Recording Date | 09/1968/11/1968 | 6. Organ Concertos (6), Op.4, HWV 289-294: No. 2 in B flat. 3. Allegro (16:00) Windows Media Real Audio | | Common Name | Organ Concerto 5 | | Catalog No. | HWV 310 | | Composer | George Frederick Handel (1685 - 1759) | | Conductor | Yehudi Menuhin | | Performer | Valda Aveling (Harpsichord) Simon Preston (Organ) | | Genre | Baroque Period / Concerto | | Date Written | 1750 | | Period | Baroque | | Venue | St. Paul's Girls' School, Hammersmith, L | | Recording Date | 07/1970 | 7. Organ Concertos (6), Op.4, HWV 289-294: No. 2 in B flat. 4. Adagio e staccato (7:31) Windows Media Real Audio | | Catalog No. | HWV 311 | | Composer | George Frederick Handel (1685 - 1759) | | Conductor | Yehudi Menuhin | | Performer | Valda Aveling (Harpsichord) Simon Preston (Organ) | | Genre | Baroque Period / Concerto | | Date Written | circa 1749 | | Period | Baroque | | Venue | St. Paul's Girls' School, Hammersmith, L | | Recording Date | 07/1970 | 8. Organ Concertos (6), Op.4, HWV 289-294: No. 2 in B flat. 5. Allegro ma non presto (13:13) Windows Media Real Audio | | Common Name | Cuckoo & The Nightingale Organ, Organ Concerto | | Catalog No. | HWV 295 | | Composer | George Frederick Handel (1685 - 1759) | | Conductor | Yehudi Menuhin | | Performer | Simon Preston (Organ) Colin Tilney (Harpsichord) | | Genre | Baroque Period / Concerto | | Date Written | 1739 | | Period | Baroque | | Venue | Merchant Taylor's Hall, London, England | | Recording Date | 02/1967 | | Notes | Composition written: 1739.
Composition revised: United Kingdom. | 9. Organ Concertos (6), Op.4, HWV 289-294: No. 3 in G minor. 1. Adagio (16:07) Windows Media Real Audio | | Common Name | Organ Concerto No 14 | | Catalog No. | HWV 296A | | Composer | George Frederick Handel (1685 - 1759) | | Conductor | Yehudi Menuhin | | Performer | Simon Preston (Organ) Colin Tilney (Harpsichord) | | Genre | Baroque Period / Concerto | | Date Written | 1739 | | Period | Baroque | | Venue | Merchant Taylor's Hall, London, England | | Recording Date | 02/1967 | 10. Organ Concertos (6), Op.4, HWV 289-294: No. 3 in G minor. 2. Organo ad libitum (11:36) Windows Media Real Audio | | Catalog No. | HWV 304 | | Composer | George Frederick Handel (1685 - 1759) | | Conductor | Yehudi Menuhin | | Performer | Valda Aveling (Harpsichord) Simon Preston (Organ) | | Genre | Baroque Period / Concerto | | Date Written | 1746 | | Period | Baroque | | Venue | Great Packington Church, Great Packingso | | Recording Date | 10/1969 |
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$12.09 For the soundtrack to 2005's MEMOIRS OF A GEISHA, Hollywood composer John Williams unveils one of his most inventive scores. The film, based on Arthur Golden's bestselling novel about a poor girl who becomes a refined geisha in World War II-era Japan, is enhanced by Williams's emotive (and often melancholy) music, which deftly blends orchestral works with passages that feature traditional Japanese instruments such as the shakuhachi and the koto. Remarkably, this mix of western and eastern sounds never comes across as forced, thanks to both Williams's bold musical vision and the outstanding solo contributions of cellist Yo-Yo Ma and violinist Itzhak Perlman. The opening track, "Sayuri's Theme," is a hauntingly beautiful piece, while "The Fire Scene and the Coming of War" evokes an appropriately ominous tone. What is perhaps most striking about GEISHA's score, however, is the use of quiet, reflective moments and pure silence, with Williams effectively adhering to the old adage of "less is more."
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