| | Eldar Re-Imagination CD - Import Eldar Discography of CDs
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Our Price: $39.39 CDFor Sale Usually ships in 1-2 days (Only 1 available)
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Re-Imagination Music | List Price | $41.99 (You save $2.60) | | Category | Rock/Pop Albums, Jazz CDs | | Label | Sony / BMG Japan | | CD Universe Part number | 7498411 | | Catalog number | 1559 | | Discs | 1 | | Release Date | Dec 15, 2007 | | Additional Info | Japan |
Eldar Re-Imagination Songs | 1. | I Remember When | $0.99 | |
| 2. | Interlude #1 (Soul Glare) | |
| 3. | Prairie Village | $0.99 | |
| 4. | Out of Nowhere | $0.99 | |
| 5. | Interlude #2 (Ordered Chaos) | |
| 6. | Back Home | $0.99 | |
| 7. | Place St. Henri | $0.99 | |
| 8. | Tears | $0.99 | |
| 9. | South Bixel | $0.99 | |
| 10. | Dream Song | $0.99 | |
| 11. | Polaris | $0.99 | |
| Re-Imagination Review
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Purchase Re-Imagination CD To buy, Click on price to add to cart | Mike Bloomfield Super Session CD (1968) Bonus Tracks; Remastered
Re-Imagination
$6.75 A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune").
All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots of good licks and producer Kooper has some interesting ...
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$9.19 Wisely, Shout! Factory has picked up Maria Muldaur's two early-'90s recordings -- this one and Louisiana Love Call -- from the defunct Black Top label for reissue. While both these recordings are excellent, it's Meet Me at Midnite that offers a portrait of the artist as a hardcore R&B singer of the highest order. Produced by John Porter, Muldaur surrounds herself with crack studio players including Rick Vito, Johnny Lee Schell, Hutch Hutchinson, Bill Payne, and a slew of others. Where Louisiana Love Call focused on the music of New Orleans, Meet Me at Midnite digs deep into various dimensions of the Memphis sound -- soul, R&B, and blues -- and concentrates on the myriad stages and phases of love. While ...
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$7.99 "There has been enough great music recorded in the 20th and 21st century to stand as an example. They weren't just good by comparison, they were good by any standard." -Steve Blake, wormtown.orgYou could say the "darling" Boston band Aloud began in early 2002 and be correct. However, to get an accurate picture, you would have to say it began life in the music of Motown of the 50s, or the Mersey sound of the 60s. You could even say it began in the punk revolution of the 70s and 80s, or the Madchester scene of the 90s, and you would still be correct. For what is a rock n' roll band without rock n' roll music?"Aloud's vocals are their greatest strength. Two top-notch singers, a guy with a strong, pure tone and a sexy growl and a woman with a deep, rich alto who can wail and scream and really rip it up, they also harmonize beautifully.... The basslines are driving, creative, solid...[with] fast, flashy drumming." -Steve Gisselbrecht, Noise MagazineIn spirit, Aloud was conceived back in the seemingly idyllic days of the late 90s, when a 15-year-old Jennifer De La Osa and a not quite 15-year-old Henry Beguiristain met for the first time. Sharing a love for the guitar and the music of The Beatles, U2, Oasis, The Who, The Rolling Stones, and Bob Dylan (to name a few), the two budding songwriters forged a lasting partnership and began a journey, which would eventually lead them to Boston, Massachusetts. They crossed paths with Boston-area native Roy Fontaine, who eventually joined on bass and became one of the founding members of what was now named Aloud. After a few tenuous drummers, Ross Lohr (also a Boston-area native) would be the final piece of the puzzle to the band's lineup. "This band," says Henry, "wouldn't be able to function as well as it does with anyone else," because the four are tied to one belief: this band is where they belong. "Plus," he adds, "they won't go away.""Raw, live-feeling rock spiced with tinges of punk. Great energy and spirit...." -Debbie Catalano, Soundcheck MagazineThis year has been a year of immense activity for the band. They have quickly risen from being an obscure band with "tight songs and good arrangements" to becoming Boston's Best Kept Secret. "Honestly, I'm having a blast," says Ross Lohr. "You just go up there and do your thing." Performing from Central Massachusetts to Maine to the heart of New York City and even in their hometown, the band continues to win hearts and minds with their live show: a blend of solid musical performance, onstage humor, and a strong desire to entertain their audience. The band often find themselves off the stage and in the midst of their audience during shows, an extension of the belief that just like their audience they are true-blue music fans at heart. "It's just quality rock n' roll," says Jen. "Someone once described it as 'edgy pop'. The songs... have some great changes, but we still rock the hell out of them.""The ...
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