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Sweethearts Music - Classical Bliss CD Cover Art
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Classical Bliss CD - Import

 Sweethearts Music Discography of CDs

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Classical Bliss is a compilation of the top 14 most requested classical pieces requested by brides and grooms for their weddings. It is classical music's ultimate 'Greatest Hits'.Classical Music can be so familiar, yet when it comes to choosing something specific, we seem to be lost. You may be able to hum the tune, recall a scene from a movie where it is used, though never found out what it is actually called. This is how Classical Bliss came into being - a tool to help you identify your classical favourites by name! This is a valuable tool for couples as they can listen to the CD and then choose music for musicians to play live on the day.Sweethearts Music forms a selection of Australia's finest classical musicians who have performed for Australian Prime Minister John Howard, through to Mr Rudi Giuliani (the former mayor of New York) and the Australian Rugby team, 'The Wallabies" as well making appearances for celebrities such as Lleyton Hewat & Bec Cartwright, Nicole Kidman & Keith Urban and accompany "Australian Idol" finalists and "Dancing with the Stars". We perform annually at the "Australian Tourism Awards", "Australian of the Year" and the "Prime Minister's Awards" to name a few and are the preferred musicians nation-wide for the Hyatt and for the Opera House in Sydney.Featured soloist of Classical Bliss, flautist Rebecca Lloyd, is well known for her performances both in Australia and overseas and has been quoted as one of Australia’s most up and coming flautists and composers.
Classical Bliss Music


Detailed Classical Bliss Music Information



Category Classical Albums
Label Sweethearts Music
CD Universe Part number 7499246
Discs 1
Release Date Jul 30, 2007
Classical Bliss Songs


Classical Bliss Album Track Listing



1.Rejoicing (Handel)
2.Canon in D (Pachelbel)
3.Gavotte (Bach)
4.Air (Bach)
5.Serenade (Mozart)
6.Morning (Greig)
7.Spring (Vivaldi)
8.Flower Duet (Delibes)
9.Alla Hornpipe (Handel)
10.Serenade (Haydn)
11.Gymnopaedie (Satie)
12.Serenade (Schubert)
13.Romance (Mozart)
14.March (Handel)
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American MatadorWhen discussing American concert guitar music, whether it be of North, Central, or South America, one is automatically confronted by the many diverse cultural elements that distinguish it from its European counterpart. European music comprises the tradition of the past and is responsible for much of what is commonly known as classical guitar music. American guitar music is really only a twentieth century phenomenon, one that encompasses musics of diverse ethnic cultures, producing sounds so original and striking that its influence has been strong enough as to have a rebound effect, affecting the guitar music in modern Europe. Perhaps the reason for the slow development of original concert music in the Americas was the fact that the settlers, relying only on the concert music of the Europeans which reached the new world sparingly, really had no classics of their own. But while the Americans were learning to play and appreciate this music they were also assimilating the sounds and rhythms of their surroundings: the folk music, the music of indigenous natives, and the music brought over from the African continent by slaves. It has taken hundreds of years, but finally the twentieth century has yielded American composers, composers who have assimilated these characteristics and have exhibited a strength and vitality imposing enough to leave a mark and perhaps even lead into the next century. The rhythmic vitality that is associated with much Latin American music is perhaps the most prominent distinguishing feature separating this music from its European ancestry. In the Cuatro Valses Venezolanos of Antonio Lauro (1917-1986), a classic European dance form is tailored to fit Lauro's national temperament by the use of highly syncopated rhythms and the colorful harmonic language of Venezuelan popular music. To the North, Mexico had its champion in composer Manuel Ponce (1886-1948), who under the courtship of Andrés Segovia produced a number of major works for the guitar that have now become part of the standard repertoire. Of all the composers on this disc, he is probably the most "classical". Sonata III, as with a number of his works, is in the standard sonata form. Within this format, however, it is not unusual to find popular Mexican folk melodies or the influence thereof. In addition to this folk appeal, one finds the influence of the French in almost all of his music, as is particularly true of Sonata III. This piece displays the peculiar harmonic colouring reminiscent of the music of Debussy or Ravel, but with a unique character making the work distinctly Latin American. While improvisation was a common practice of composers and musicians through the Renaissance and Baroque periods, it has been a practice neglected by classical musicians for the greater part of this century. Recently however it has again become an integral part of musical training, influencing the works of many modern composers. In his Divertimenti for guitar, Canadian Robert Benedict (b. 1948) produces a set of works which combines "elements of the classical discipline with those of the harmonic idiom and improvisatory character prevalent in popular, folk, and jazz styles today." North American composers have been the slowest to acknowledge the classical guitar as a viable resource for development. ...
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