| | Gabriel Burns Vol. 17-Was Ist Das Lebe CD - Import Gabriel Burns Discography of CDs
Vol. 17-Was Ist Das Lebe Music | List Price | $15.99 (You save $1.54) | | Category | World Albums, German CDs | | Label | Universal | | CD Universe Part number | 7499532 | | Catalog number | 1138821 | | Discs | 1 | | Release Date | Jan 01, 2008 |
Gabriel Burns Vol. 17-Was Ist Das Lebe Songs | 1. | Was ist das Leben? - Titel 1 |
| 2. | Was ist das Leben? - Titel 2 |
| 3. | Was ist das Leben? - Titel 3 |
| 4. | Was ist das Leben? - Titel 4 |
| 5. | Was ist das Leben? - Titel 5 |
| 6. | Was ist das Leben? - Titel 6 |
| 7. | Was ist das Leben? - Titel 7 |
| 8. | Was ist das Leben? - Titel 8 |
| 9. | Was ist das Leben? - Titel 9 |
| 10. | Was ist das Leben? - Titel 10 |
| Vol. 17-Was Ist Das Lebe Review
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$13.39 Originally released on Swallow (6011) in 1965 and Swallow (6019) in 1974. Includes French and English translations.
If ...
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$11.05 Additional personnel includes: Rita Marley, Judy Mowatt, Marcia Griffiths (background vocals).
Nobody who likes music could fail to be emotionally moved by this album, and not just because Marley is no longer with us. It was a special live treat before he died. The great thing about this record is the feeling that this is what it was like every night, unlike other live recordings which capture one or two gigs of a tour. Marley was extra special and a giant of popular music. Wallow in this vital record and listen to a man who had something to say and yet had fun while he said it. Most of the tracks you would want to be on the record are here, including the definitive version of 'No Woman No Cry' and a funky 'Lively Up Yourself'.
As the title implies, this is indeed Bob Marley & the Wailers captured in performance at the Lyceum ...
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| | Beau CD (1969) (Import) Bonus Tracks; United Kingdom
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$15.65 Part of Cherry Red's ongoing reissue of albums from the late British DJ John Peel's short-lived indie label Dandelion Records, Beau is undeniably a minor work that would likely not get much attention were it not for its connection to such a beloved figure. Although released in 1969, the skeletal arrangements -- just a 12-string acoustic guitar and vocals -- have more in common with the very first wave of post-Dylan singer/songwriters. Think David Blue, Tom Paxton, and Phil Ochs, not the later swell of rock and psych-influenced pretenders to the throne. Christopher John Trevor Midgley -- it's immediately obvious why he chose to change his name professionally -- was the first act signed to Dandelion; as the comprehensive liner notes point out, Peel's business partner, Clive Selwood, was also the European head of A&R for Elektra Records, and the stripped-down earnestness of these songs is entirely in keeping with Elektra's singer/songwriter aesthetic. However, it's also clear that Dandelion got Beau because Elektra wasn't interested in an act that was already a throwback by the standards of then-current Elektra acts like the Stooges and the Doors. With several decades' hindsight, however, the low-key and gentle charms of Beau are more obvious. Although the album is clearly overshadowed by the outstanding single "1917 Revolution," a piece of passionate folk-rock weirdness that bears fruitful comparison to Tom Rapp's Pearls Before Swine, even less unique tunes like "Pillar of Economy" and "A Nation's Pride" are thoughtful folk songs with better than average lyrics powered by Beau's truly inventive guitar playing. ~ Stewart Mason
Part of Cherry Red's ongoing reissue of albums from the late British DJ John Peel's short-lived indie label Dandelion Records, Beau is undeniably a minor work that would likely not get much attention were it not for its connection to such a beloved figure. Although released in 1969, the skeletal arrangements -- just a 12-string acoustic guitar and vocals -- have more in common with the very first wave of post-Dylan singer/songwriters. Think David Blue, Tom Paxton, and Phil Ochs, not the later swell of rock and psych-influenced pretenders to the throne. Christopher John Trevor Midgley -- it's immediately ...
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