| | Trobar: Chansons D'Mour, De La Vierge À La Dame CD - Import Beatus, Jean-Paul Ri CDS
Trobar: Chansons D'Mour, De La Vierge À La Dame Music | List Price | $17.97 (You save $0.78) | | Label | Alpha Productions | | Orig Year | 9/1/2007 | | CD Universe Part number | 7501104 | | Discs | 1 | | Release Date | Sep 27, 2007 |
Trobar: Chansons D'Mour, De La Vierge À La Dame Review
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Live Recording
Engineers include: Tony Sheppard, Erik Zobler, Barry Rudolph.
Personnel: Jamecia Bennett (vocals, soprano); Core Cotton, Carrie Harrington (vocals, alto); Terrence Frierson, Patricia Lacy, Kimberly Brown (vocals, tenor, tenor saxophone); James F. Wright (vocals, baritone); David B. Young, Michael L. Bowens (vocals, bass voice); Mervyn Warren (vocals, piano, keyboards, drums, programming, drum programming, background vocals); Richard Smallwood (vocals, keyboards, programming); Donna McElroy, Howard Hewett, Angela Wright, Patti Austin, Take 6, Vicki Hampton, Chris Willis, Kim Fleming, Bob Bailey (vocals, background vocals); Commissioned, Daryl Coley, Jackie Ruffin, Dianne Reeves, Janice Chandler, Melvin Warren, Dennis Sawyers, ...
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Since Chris Young appeared on the "Nashville Star" television program in 2006, he's been on a roll. After signing with RCA he had a hit with "Drinkin' Me Lonely," his first single from his self-titled debut recording. Likewise, the two singles that have preceded the release of THE MAN I WANT TO BE in 2009 haven't done too badly either, getting plenty of play on radio. While Chris Young's sound is firmly in the contemporary country camp, it's also a lot more hardcore honkytonk than it is the refried '70s rock clichés that plague the genre. Part of that is due to his big booming baritone voice that rings as clear as a bell in this mix. (Think George Strait-meets-Josh Turner.) The other part of his appeal is the use of a relatively small group of musicians, giving the disc a more organic sound than a lot of what's out there. Young also has a lot of respect for tradition: "Rose in Paradise" is drenched in fiddles, mandolins, and acoustic guitars. ...
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Stanley Black's orchestral fantasies touch upon Argentina and Andalusia in this double reissue of dramatically produced concept albums from the golden age of thematically ...
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Audio Mixer: Michael-Anthony Taylor.
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McCoy Tyner's work with the John Coltrane Quartet is well documented, and this CD marks a welcome return to that format. Recorded live at Yoshi's in Oakland, CA, over New Year's, Joe Lovano does the honors in the tenor sax chair, while bassist Christian McBride and drummer Jeff "Tain" Watts hold the rhythm section together with honor, passion, and drive. The world-class bassist and drummer, usually known for their overt showmanship and over the top chops, show remarkable restraint and sensitivity throughout. Tyner and friends play several of his original compositions, well-known and revered over the years. Lovano sounds, eerily enough, like Pharoah Sanders, employing a slightly staggered expansive vibrato on "Walk Spirit, Talk Spirit," while using a more haunting stance à la Coltrane for "Mellow Minor," a new modern ...
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Houston Person's recent recordings have seen him removed from the soul-jazz he built a reputation on in his early days, and gravitate toward a refined balladic sound that identifies his older/wiser/mellow persona. For this date, he uses groups varying in size from duo to quartet and sextet, which does mix things up a bit, but keeps Person on the leaner side of mainstream jazz. Not that all the music is laid-back; in fact, two numbers -- the title track and "Sing" -- display a more animated, playful Person on his trusty tenor saxophone. It is his sidemen -- trumpeter Eddie Allen, pianist John Di Martino, and guitarist James Chirillo -- who light coolly burning embers under Person's posterior. Allen in particular is woefully underappreciated, but shows up here on the four larger ensemble selections, working well in tandem alongside Person on the Benny Carter-written Count Basie-like easy blues swinger "Rock Me to Sleep," laying back on "Sing" until the second chorus while Person plays the main melody, and playing in bossa-trimmed lockstep with the leader on the pleasant "Brazilian Emerald." One wishes to hear more from Allen, always. ...
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