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Our Price: $13.25  CDFor Sale Usually ships in 1-2 days
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Editor: James Towning.
Personnel: James Towning (programming).
CMJ (p.12) - "[S]ophisticated, mostly downbeat patchworks of soul and funk grooves, glitchy electronica, field recordings and even occasional snippets of dialogue." Perpetual Memory Loss Music Realistic Perpetual Memory Loss Songs Perpetual Memory Loss Review
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KAREN MASON BIOGRAPHYKaren Mason has starred on Broadway, Off-Broadway, television, and recording: and "has few peers when it comes to ripping the roof off with her amazing voice that knows no bounds!" (TheatreScene.net) Karen is an nine time MAC Award winner and has won the MAC Award for Major Female Vocalist of the Year for six consecutive years. She has also won the 2006 Nightlife Award for Major Female Vocalist and three Bistro Awards.Ms. Mason originated the role of Tanya on Broadway in Abba’s MAMMA MIA!, and was awarded a 2002 Drama Desk nomination as Best Actress. Her other leading roles include Norma Desmond in SUNSET BOULEVARD which she performed to critical acclaim and standing ovations on Broadway and in Los Angeles for three years; Mazeppa in JEROME ROBBIN’S BROADWAY; Rosalie in CARNIVAL (another Drama Desk nomination); plus featured roles in Broadway’s TORCH SONG TRILOGY; and PLAY ME A COUNTRY SONG. Karen won the Outer Critics Circle Award for her performance in AND THE WORLD GOES ROUND, and starred Off-Broadway in her own show KAREN MASON SINGS BROADWAY, BEATLES AND BRIAN. Her television appearances include the hit dramas ED and LAW & ORDER SVU. Film credits include SLEEPING DOGS LIE and A CHORUS LINE.In regional theatre, Karen starred in the world premiere of the stage production of WHITE CHRISTMAS, (playing the Rosemary Clooney role at St. Louis Muni Opera), SIDE BY SIDE BY SONDHEIM (Coconut Grove Playhouse in Florida), GYPSY (Sundance Theatre in California), the world premiere of ONE TOUGH COOKIE (Apple Tree Theatre ...
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“BIO”“Pur”, was born in January of 1979. In his lifetime, he has been blessed with the opportunity to live in various locations. Due to this, he has gained both experience and charisma for not only the poverty stricken but also the prosperous. In short, he has been privileged to witness both sides of the track. In his brief journey and although he now supports optimism, he has not always made the best decisions. Immature and self-proclaimed “systematical” decisions led him into the arms of the prison system in the late nineties. His incarceration marked the beginning of his awakening and put him on the track towards the acceptance of evolution. Since his childhood, he has seen music as an expression of life. Early influences of jazz, soul, funk, rhythm ...
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"I want to let you know that I'm enjoying every second of your fab WITCH music. Brilliant, spine-tingling as always"."The WITCH is truly amazing. One word. WOW. You're quite something. Gorgeous, stirring, evocative"."Congratulations Jon for these brilliant compositions and your talent I'm sure will be transfered to your next film!"."The most original, sensual and incredibly talented electronica artist and film composer to emerge from anywhere in the last five years" (Sight and Sound).Jon Sorensen: "I wrote and developed the story of WITCH in late 1999, and co-wrote an initial draft of the screenplay with British playwright Eric Pringle. It deals with true events surrounding the last "witch" to be burned at the stake in 17th Century Scotland. Think of THE BROTHERHOOD OF THE WOLF meets BRAVEHEART meets HIGHLANDER and you've some idea of the flavour. But that really does'nt even come close. It's very singular in tone. The screenplay was then specifically invited to the Sundance Film Festival in 2000 where it attracted marked Hollywood interest. Blame it on me that you never saw the movie. I refused point-blank to alter or re-write certain elements in the story. This was a first for me. Hollywood is quite rightly a collaborative scripting process. It's a tried and tested system that works laudably in most circumstances and one must be prepared to accommodate that in rewrites or film-making. But not with this screenplay or one of its' nature. It really stands in a genre of its' own. It was later lined up to be made on a very modest budget in the U.K. with a highly respectable cast and crack technical crew, but I then elected to make ALIEN BLOOD, a more accessible project to me at that time and had to be set ...
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