| | Coathangers CD Coathangers Discography of CDs
Coathangers Songs | 1. | Why This Record (Intro) |
| 2. | Tonya Harding |
| 3. | Wreckless Boy |
| 4. | Haterade |
| 5. | Real Honey, A |
| 6. | Shut the Fuck Up |
| 7. | Parking Lot |
| 8. | Buckhead Betty |
| 9. | Don't Touch My Shit! |
| 10. | Roll Dem Dice |
| 11. | Parchezzi |
| 12. | Where the Hell Were You? |
| 13. | Fatty Pad |
| 14. | Nestle in My Boobies |
| 15. | Bloody Shirt |
| 16. | Missing Letter, The |
| 17. | Larger Success (Outro) |
|
Coathangers Review
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| | Jon Hyde Blair CD (2003)
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Jon Hyde Blair is the 2nd solo release by Jon Hyde. This EP is the follow up to the 2000 CD Yellow Light and is precedes the yet-coming Tipple CD. With Blair expect to hear more strong songs built on the foundation of melody and interesting arrangements. Blair, (like the companion Tipple) was produced by Jon and mixed by Tucker Martine (Decemberists, Jim White, Laura Veirs) In addition to his solo records Jon is a member of the Transmissionary Six, Varmint (with Wayne Horvitz and Robin Holcomb) and Mount Analog. Jon is a multi instrumentalist and can be heard contributing to records by the likes of Jim White, Jesse Sykes and the Sweet Hereafter, Transmissionary 6, Mount Analog, Laura Veirs, Memphis (Stars side project), Downpilot, Slang (Widepread Panic side project), Lori Carson, Karen Pernick, Carrie Akre, Once for Kicks, Heather Greene, ...
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| | Cosmarama: Blow Your Cool Vol. 2: 20 Top Prog/Psych Behemoths From The Uk And Europe CD (2007) (Import) United Kingdom
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There's a lot more prog than psych in this collection compiled by Nick Saloman of the Bevis Frond, and while Saloman's ongoing adventures in record collecting have made for a number of fine discs in the past, Cosmarama is easily one of Psychic Circle's lesser efforts. Cosmarama is primarily devoted to second-string prog and latter-day psych acts, and while both genres have a long history of encouraging musicians to stretch out beyond the tolerance of casual listeners, trimming their songs down to the length of an A-side often imposes a welcome sense of concision on their music. However, even in three- to five-minute bursts, most of the selections on Cosmarama have a tendency to meander, and a conspicuous lack of strong melodies weighs down this material. (Ginger Ale's cover of the Lee Dorsey classic " "Get out of My Life Woman" barely seems to have the same tune as the original, taking this disc's unspoken theme to a new and unexpected height.) A few cuts get by on sheer outrage or eccentricity, such as "Feline Woman" by Pussy (yep, you read that right), the Spinal Tap-ish "Love Song" from Corporal Gander's Fire Dog Brigade, the low-budget Blood, Sweat & Tears moves of CWT's "Widow Woman," and "Devil Woman," an endearingly clumsy Black Sabbath rip from Silence. But the six-minute slog through the opening cut by Distant Jim is a more common example of what Cosmarama has to offer, and this disc gets pretty tiresome by the time Richard St. Clair & Forum's "Give Me Back" finally comes to an end. Folks looking for rare prog rock nuggets are better off with Psychic Circle's earlier investigation of this territory, Blow Your Cool: 20 Prog/Psych Assaults from the UK and Europe. ~ Mark Deming
The Psychic Circle label makes another entry into the uncrowded field of reissues of British and European rarities from the early progressive rock era with Blow Your Cool, which collects twenty 1969-1974 tracks that have never before appeared on compilations. We are talking rare and obscure here; when the most well known bands on a comp are the Rattles, Mogul Thrash, Dream Police, and Egg (though a stray item by blue-eyed soul hitmakers the Foundations finds its way on as well), it's material not apt to even be in the collection of the prog rock specialist. Despite its noble intentions and fine annotation, however, it might not so much convince listeners that the genre is a repository of buried treasures as it will reinforce notions that the genre itself wasn't so illustrious to begin with. The trademarks of early prog (and late psychedelia bleeding into prog) are all here, in diverse colors: complex riffs and tempo turnarounds, earnest vocals that can verge on the ostentatious, lyrics with a cosmic tinge, occasional hints of blues and boogie, and heavy (and at times lumpy) guitar-organ blends. Good melodies and songs aren't too plentiful, however, and ...
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