| | Cadillac Magnetic City CD - Import Cadillac Discography of CDs
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Our Price: $35.49 CDFor Sale Limited Availability
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Norwegian rock produced by Rich Robinson (Black Crowes). 2007. Magnetic City Music | List Price | $37.99 (You save $2.50) | | Category | Rock/Pop Albums, Rock CDs | | Label | Phantom | | CD Universe Part number | 7504912 | | Catalog number | 1148739 | | Discs | 1 | | Release Date | Aug 21, 2007 |
Cadillac Magnetic City Songs | 1. | Locomotive |
| 2. | Galaxy Of Nobodies |
| 3. | Wilder Than This |
| 4. | Goldrush Mourning |
| 5. | Magnetic City |
| 6. | Side By Side |
| 7. | Top Of My Guarantees |
| 8. | Michael Francis |
| 9. | Through And Beyond All |
| 10. | Saint, The |
| 11. | Arabian Knights |
| 12. | Morning Star |
| Magnetic City Review
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Purchase Magnetic City CD To buy, Click on price to add to cart | John Mayer Battle Studies CD (2009)
Magnetic City album
$11.18 It's no secret that John Mayer is a 21st Century Fox, wining and dining women all through tabloid headlines, so it's about time he delivered an album that traded upon his loverman persona -- and Battle Studies is that record in spades. Retaining more than a modicum of the slick, soul-blues undertones of Continuum, Mayer fashions a modern groove album, a record that maintains a smooth seductive vibe so thoroughly it spills into a one-man band cover of "Crossroads." Mayer remains somewhat of a disciple of Slowhand, but he shows an unusual interest in the big AOR stylings of Journeyman, along with Stevie Ray Vaughan's In Step, creating a coolly clean blend of synths and Strats, one that's as much about texture as it is about song.something perfectly appropriate for a make-out album like this. Sometimes, Mayer dips too heavily toward the texture, but he can't resist a good, tight melody and builds the bulk of Battle ...
| | Tom Petty Live Anthology CDs (2009)
Magnetic City CD music
$19.34 It's a commonly held opinion among fans and band alike that Tom Petty & the Heartbreakers' lone live album, 1986's Pack Up the Plantation, didn't quite capture the group at its peak, so there has been a long-standing need for another live set, which 2009's Live Anthology finally provides. Like its closest cousin, Bruce Springsteen's Live 1975-1985, Live Anthology almost overcompensates for the long wait by offering almost too much music, cherrypicking highlights from 1978 to 2007. In its simplest incarnation, Live Anthology is a super-affordable, four-disc box set running 48 tracks, which is eight cuts longer than Springsteen's box, plenty long enough for most fans, but in its deluxe version, available only through ...
| | Procol Harum Exotic Birds & Fruit CD (1974) Bonus Tracks; Remastered
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| | Lou Reed New Sensations CD (1984) Reissue; Remastered
Magnetic City songs
$11.18 Lou Reed never struck anyone as one of the happiest guys in rock & roll, so some fans were taken aback when his 1984 album New Sensations kicked off with "I Love You, Suzanne," a catchy up-tempo rocker that sounded a lot like a pop tune. After reaffirming his status as one of rock's greatest poets with The Blue Mask and Legendary Hearts, what was Reed doing here? Lou was having a great time, and his pleasure was infectious -- New Sensations is a set of straight-ahead rock & roll that ranks with the most purely enjoyable albums of Lou's career. Reed opted not to work with guitarist Robert Quine this time out, instead overdubbing rhythm lines over his own leads, and if the guitars don't cut quite ...
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| | Gregg August Late August CD (2005)
Magnetic City songs
$17.75 Consisting entirely of his own original compositions, "Late August" is the debut recording of bassist Gregg August. The album reflects his wide musical experiences and influences: traditional jazz, afro-cuban, modern jazz, classical, and features an illustrious line up of players. Luminaries Ray Barretto and Frank Wess are joined by up and coming stars John Bailey (trumpet), Myron Walden (alto), Donny McCaslin (tenor), Alon Yavnai (piano), John Hart (guitar), Eric McPhearson (drums), Quincy Davis (drums) and Wilson -Chembo" Corniel (congas).Gregg August has been professionally active in New York for the last ten ...
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| | Ellis Paul Urban Folk Songs CD (1989)
Magnetic City CD music
$16.45 It was apparently with some embarrassment that Ellis Paul finally reissued his 1989 debut album, Urban Folk Songs, in the fall of 2000. The album had previously been available only on cassette, and the few die hard fans who managed to score one of the elusive extant copies were beginning to wear out the tape. But when he finally released a CD edition it was only available through his website and not through Rounder Records, the label that had carried his albums for almost a decade. In the liner notes, Paul admits that the album "sounds very green to me, and I can't listen without blushing at times (not from pride)." This is understandable; every artist has recordings that he recoils from as if they were ugly high school yearbook photos. But in this case, the bashfulness seems unwarranted. Sure, it lacks polish. Sure, there are a few flubbed notes that would never have made it onto any of the Rounder albums. No, the fretwork is not as complex here as on later efforts. And, yes, Paul does occasionally indulge in vocal excesses that reveal his youth and immaturity. (As Paul observes in the liner notes, the high-pitched screeching on "Lonely Man" provides a particularly egregious example.) But despite the rough edges, Urban Folk Songs actually ranks among the artist's best albums. The melodies in the sprightly "Urban Girl" and the wistful "Clock" are as rich and vibrant as anything he's written since, and "Ashes to Dust" is one of the sweetest and most beguiling ballads in his catalog. The golden-toned tenor is joined by four buddies wielding three acoustic guitars and a mandolin, and their spirited acoustic jams are a refreshingly direct approach from an artist whose recent albums have tended to be smothered by over-eager producers. Urban Folk Songs may be a touch embarrassing for Paul, but for fans who have always wished the singer's studio records sounded more like his solo concert performances or who still prefer his Rounder debut, the stripped down Say Something, to any of the overproduced folk-rock efforts that followed, the reissue feels like a welcome return from a long lost friend. ~ Evan Cater
On any night in 1989, you could've found me roaming around the streets of Boston lurking within a pack of guitar carrying songwriters in their early twenties. We were on a mission to find a stage and a microphone and an audience who would listen to whatever we had been carving out for songs in our living rooms. The ever evolving pack included Jon Svetkey, Dar Williams, Jonatha Brooke, Martin Sexton, Patty Griffin, Jennifer Kimball, Jim Infantino, Brian Doser, Barb Kessler, Vance Gilbert-- all of whom carved their names out onto both the local and national folk scene in the decade that followed.We were all green and eager and innocent to the struggle that laid before us. The path of the artist and the path of the dreamer were one and the same back then, and they had yet to diverge at Reality's crossroad. Ignorance is bliss-- we didn't think we were that bad, in fact we all thought we were the nextcoming of Bob Dylan and Joni Mitchell, and we set out to prove it-- parking ourselves in the smokey bars and ...
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