| | Gerald Wilson Monterey Moods CD Gerald Wilson Discography of CDs
 |
|
Our Price: $15.15 CDFor Sale Usually ships in 1-2 days
|  |
Gerald Wilson has been a fixture at the Monterey Jazz Festival in California since its inception, and has been commissioned to write works for that festival. On Monterey Moods, he presents a seven-part suite featuring different elements of jazz, all in modern big-band style, based on three notes signifying the evenly paced word "Mon-ter-ey." Each segment sings and swings in its own way, yet has similar characteristics, much as a cohesive fashion collection might. Wilson, at 89 years young, has recruited a New York-based all-star band, not one from his resident southern California, for this endeavor. All are heavyweights, and are given liberal solo space after the sparse head arrangements. The music is for the most part punchy, vital, and alive with the spirit of the breezy, ocean-splashed, spacious West Coast. Hubert Laws is the most prominent soloist, as the distinctive flute master weaves his magic throughout. A quick-witted hard-bop "Allegro" starts the proceedings, followed by "Jazz Swing Waltz" with a lengthy piano intro from Renee Rosnes in prelude for three flutes fronting the call-and-response horns, a complex chart, and a total of six soloists. The next four pieces, a suite within a suite, cement the quite similar three-note phrase in easy late-night calypso with Afro-Cuban (seven soloists!), blues (another five), and solo bass modes, with the seventh-part finale a no-solo clipped coda epilogue. Wilson's writing is no less than remarkable and as good as it gets, especially considering his age. The remainder of the program is a feature for son/guitarist Anthony Wilson for the very slow tender ballad standard "I Concentrate on You" and "The Mini Waltz," another showcase for the brilliant, bright, and quick flute of the ever-present Laws. This session is quite comparable to Wilson's Grammy-nominated Theme for Monterey, and quite accurately reflective of the ambience there. It's easy to hear Wilson at the peak of his very formidable powers, and this recording is highly recommended for those who enjoy the modern mainstream big-band sound of now. ~ Michael G. Nastos
Gerald Wilson: Anthony Wilson (guitar); Antonio Hart, Steve Wilson (alto saxophone); Kamasi Washington, Ron Blake (tenor saxophone); Ronnie Cuber (baritone saxophone); Jimmy Owens, Jon Faddis, Sean Jones, Terell Stafford, Frank Greene (flugelhorn); Dennis Wilson , Jay Ashby, Luis Bonilla, Douglas Purviance (trombone); Renee Rosnes (piano); Todd Coolman, Peter Washington (bass guitar); Lewis Nash (drums); Gerald Wilson.
Additional personnel: Hubert Laws (flute).JazzTimes (p.105) - "He gives the suite unity by threading a little three-note fanfare from the diatonic scale throughout its seven different 'moods'." Gerald Wilson Monterey Moods Songs | 1. | Allegro - (Monterey Moods Suite) |
| 2. | Jazz Swing Waltz - (Monterey Moods Suite) |
| 3. | Ballad - (Monterey Moods Suite) |
| 4. | Latin Swing - (Monterey Moods Suite) |
| 5. | Blues - (Monterey Moods Suite) |
| 6. | Bass Solo - (Monterey Moods Suite) |
| 7. | Hard Swing - (Monterey Moods Suite) |
| 8. | I Concentrate on You |
| 9. | Mini Waltz, The |
| Monterey Moods Review
GuidelinesRemember to focus your comments on Gerald Wilson Monterey Moods CD. Check our review guidelines for specific details regarding customer review policy. To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days. Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.
Purchase Monterey Moods CD To buy, Click on price to add to cart | Dave Holland Overtime CD (2005)
Monterey Moods
$13.89 This exceptional date by Dave Holland Big Band was recorded in 2002 in New York, yet remained unreleased until 2005. As is to be expected, Holland assembled a fine cast of seasoned and young players, some of whom are veterans of Holland's quintets and quartets. These are four saxophones -- two alto, tenor and baritone -- three trumpets and trombones, and ...
| | Gerald Wilson In My Time CD (2005)
Monterey Moods
$15.15
| | Mingus Big Band Live In Tokyo At The Blue Note CD (2006)
Monterey Moods
$14.65
| | Bob Florence Eternal Licks & Grooves CD (2007)
Monterey Moods
$13.05
| | Bill Holman Hommage CD (2007)
Monterey Moods
$13.09 The work of arranger-composer Bill Holman dates back to the 1950s, and that experience ...
| | Carl Saunders Exploration Lost Bill Holman Charts CD (2007)
Monterey Moods
$13.05 In the early '80s, saxophonist Ted Richardson, a geologist by day, commissioned Bill Holman to write material for a septet album. After all of the ten arrangements were written, the project never took place and the charts sat in a closet for 20 years. Carl Saunders, lead trumpeter with Holman for many years and a brilliant soloist, unearthed the arrangements, and on this 2007 CD the music was finally recorded. Since Holman is one of the most brilliant ...
| | Dynamite Hack Superfast CD (2000)
Monterey Moods
$8.49
| | Michael O'Neill Never Too Late CD (2000)
Monterey Moods
$13.15 Like most guys who make a great living jamming behind bigger stars, guitarist Michael O'Neill -- whose resume boasts a few years in the '80s with Stevie Wonder and a nearly nonstop two decades with George Benson -- took years to find the time amidst the world tours to compose and produce an entire album's worth of material. It's easy to identify each these influences on a track-by-track basis on Never Too Late. The title track, co-written with Gregg Karukas, finds O'Neill approximating the crisp electric "breezin'" of Benson, darting high-fluttering tones off the main melody as wah-wah click textures call out in the background. Ditto on the mid-tempo retro-soul ballad "Winds of Summer," which opens with a brisk hook that features a higher tone than the verse sections, very much like "Breezin'." Pianist Dave Witham (another vet from the Benson crew) chimes in at one point with a quick but playful solo before O'Neill digs into a deeper tone on a solo that runs like trickling water. O'Neill pays homage to Stevie Wonder, too, opting to play things fairly close to the vest on a thoughtful cover of Stevie Wonder's "Visions," with vocals by Carl Anderson. "I Ain't Lyin'" dips into that Crusaders vibe O'Neill mentions, opening with a dense high-hat percussion swirl by Land Richards and Dio Saucedo's tambourine and easing into a rocking electric guitar melody over the bluesy organ harmony of Chris Ho with plenty of Wayne Henderson-like horn splashes by Walt Fowler. Just as the Crusaders at times crossed from R&B to jazz, O'Neill breaks at one point for heated guitar and piano improvisations. Mid-tempo meditations like "Sidewalk Strut" and the Brazilian-flavored acoustic piece, "Cruisin' on Down" (featuring O'Neill's lively scatting), offer more evidence of the guitarist's ability to both people please and stretch stylistic boundaries ever so slightly. ~ Jonathan Widran
This CD is a culmination of 25 years of experience that Los Angeles based guitarist,Michael O'Neill has lived in the music industry.Starting in 1979 touring with the Crusaders on their "Street Life" tour to a 2 decades relationship working with guitar great, George Benson in his band (still currently with Benson)O'Neill serves up 12 tunes which cover a wide range of styles that reflect the versatility he has acquired backing up some of the greats in the industry.Along the way Michael has supported such greats as Stevie Wonder,Rickie Lee Jones,Natalie ...
| | Aylius Street Songs CD (2002)
Monterey Moods
$10.15
| | Tod Pierce Ground Zero CD (2002)
Monterey Moods
$11.39 Ground ZeroWritten by Tod Pierce & CC Hemingway (formally Pierce²) with daughter Joelle Case in the immediate aftermath of the World Trade Center disaster, Ground Zero commemorates the day, pays homage to our heroes, our lost and fallen and their families; and it remembers our pain…Influenced by The Eagles, Jackson Browne and the Beatles, Tod Pierce began writing music in the late sixties as a rebellious teenager in White Plains New York. He’d characterized most of it as “Music to Commit Suicide By” until March 2001, when his yearly vacation rampage in the Florida Keys became a turning point in his music and his life.Upper Keys reigning music critic, entertainment columnist and freelance journalist, CC Hemingway, distant cousin to the famous author, had written only one prior song with a long time friend, Nashville singer/songwriter Timmy Probst when she met Tod.. She’d written poetry and been published since childhood, and although she’d been asked to collaborate with a number of musicians whom she’d worked closely with, she never felt the chemistry was right.Tod’s music took an upward turn with CC’s advent into his life, beginning with CC’s Song, which he had written for her while she was still in Florida. The duo began writing music together in April, 2001 but her input was primarily editorial until the Twin Towers disaster.On the morning of September 11, 2001, CC was in the Florida Keys picking up documents she needed for their forthcoming marriage. Tod was caught in traffic heading into Manhattan when the Twin Towers nightmare began to unfold. From their different perspectives and her location half a world away, CC finally found words of her own that needed voice.At the Pierce wedding, just 11 days later, Ground Zero, in its infancy, was performed for the first time publicly. They all agreed to form a label and record the song, which had practically written itself, as a memorial ...
| | Best Of Schlagermania CD (2008) (Import) Import
Monterey Moods
$24.95
| | Jazzwerkstatt Graz 2007 CD (2009)
Monterey Moods
$18.99
|
|
|