| | David Carr, JR DCJ4 CD David Carr, JR Discography of CDs
Mack daddy jazz saxophonist David Carr Jr. is known for his light dimming smooth silky ballad work, as well as biting raw funk-o-liscious dance style of horn blowin'. His new CD "DCJ4" features his finest work to date, from the get-out-cher-seat groove of "Club Grease", to the bonafide baby-makin' love ballad "Remember This Moment". House Of Grooves also carries his self-produced earlier releases: 1995's Sounds Of Innosense, the double CD set In Too Deep from 2003, and I Thought you Knew from 2005!!! Check it ALL out at the House Of Grooves!! David Carr, JR DCJ4 Songs | 1. | Club Grease |
| 2. | Mamanem (Got Breffstank) |
| 3. | Remember This Moment |
| 4. | Sassy Ass |
| 5. | That Foolish Thing You Do |
| 6. | Public Saxophone |
| 7. | Snow Dance` |
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DCJ4 Review
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While we tinker,many irreplaceable glories of Nature are slipping away: the tiger, the elephant, the grizzly bear. In fact experts predict we're likely to lost up to one-third of all species in our lifetime! My passion for Nature began as a child when I learned to ride the waves on the beach at Santa Monica (today I windsurf on Peconic Bay),camped out with my family in national parks such as Yellowstone and Yosemite, where I met bears, swung in the tops of trees... Then seeing how we abuse Nature - the very foundations of life! - I wrote a lovesong to a whale (My Belugah Whale) & put together a show, "Songs & Stories for the Earth & the Animals" (5-time ASCAP award winner), which I've been taking around to such places as Peoples Voice Cafe, the Knitting Factory, New England Folk Festival,bookstores,libraries... The show has culminated in an 18-song CD "The Spirit Rises/the Songs of Sue Stater," which addresses the current ...
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Bone Jar are Zelda Blue and Max Tyrell. The music is a style reminiscent of Brian Eno, Peter Gabriel and Robbie Robertson and is the result of a diverse combination of musical influences. Max's musical experience began at an early age when he was exposed to a wide range of influences beginning with his older brother who played steel lap guitar with members of the Grateful Dead and New Riders of the Purple Sage. He spent many hours in the attic of his families San Francisco Bay Area Victorian home watching and listening to sessions with many musicians, some of which would go on to become quite legendary. Meanwhile, downstairs, his sisterrehearsed skills as a classical pianist and opera singer. From these diverse surroundings Max drew inspiration and formed his first band when he was only eight years old, giving performances for family and friends. He since has formed avant-garde bands that have released multiple recordings heard all over the world.Zelda was raised in Wichita Kansas and with her mother, she worked for the then renowned music promoter Hap Peebles. During this time she was in the presence of a vast number of the promoter's legendary clients, including Waylon Jennings and Johnny Cash. It was here that she began her lifelong passion for singing and songwriting. She later moved to the San Francisco bay area where she met up with members of the Jefferson Airplane/Starship and The Tubes. It was ...
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| | Steve Grover Remember CD (1998)
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For his second album for Invisible Music, Maine-based, award-winning drummerSteve Grover has once more teamed with longtime colleague clarinet player Brad Terry to collaborate on an appealing set of Grover compositions. Terry, an outstanding contemporary clarinet virtuoso, is relatively unknown in the United States. He frequently performs in Europe, especially in Poland, where he is one half of the Jazz Duo, the other half occupied by Polish pianist Joachim Mencel. Their recordings also feature Terry's other instrument, whistling. His most famous recording session is the critically acclaimed two-CD Living Room Tapes made with another Maine native, influential guitarist Lenny Breau.
In these compositions, Grover has chosen to explore color and harmonies with expansive melodies, abstaining from clunks, bangs, pops, or electronic gimmicks that sometimes afflict modern day jazz recordings. The music and its playing are both introspective and agreeable. Grover has written a book in musical form with each track a chapter and the performers as its characters. Terry's clarinet plays the voice of reason, never losing his cool. Frank Carlberg's piano while restrained is a bit more effusive. Grover assumes the toll of the understanding but firm leader. His drums set the tone and direction for the musical with well-placed and timed accents on snare, trap, or cymbal. Grover never takes advantage as the leader of the group and the composer of the songs to engage in long winded, senseless drum solos. Giving the lion's share of the spotlight to his confreres, Grover waits until the last track, "Dreaming With Thelonious," to do some extended drum work, neither loud nor intrusive, consistent with the overall civilized nature of the plot. Chris Ven Voorst Van Beest's bass pretty much stays with the task helping Grover maintain the beat. He does get the opportunity to show off his bass skills on "Remember" and "Blues on the Bridge." The latter is one of the most impressive tracks on the album. Remember retains one's interest from first track to last and is recommended. ~ Dave Nathan
Remember (IM 2016) is led by award winning jazz composer and drummer Steve Grover. It features a quartet of Brad Terry, clarinet; Frank Carlberg, piano; Chris Van Voorst Van Beest, bass; and Steve Grover, drums in a program of nine originals. The music ...
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Cynthia's new release, featuring legendary guitarist Bucky Pizzarelli along with other renowned NYC players, offers examples of both her classic American Jazz & Roots Music plus her modern-day, eclectic explorations. Her best recording yet!!"She takes us into places where you'd never expect the banjo to be admitted, and makes herself completely at home," says jazz giant DICK HYMAN about "ATTRACTIONS." "Notable women in jazz have stood out as singers and sometimes as pianists. Cynthia Sayer has made her mark in the jazz world in an almost unheard ...
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