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Best Of Live Review
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| | Indonesia, Vol. 9 CD (1995)
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The ninth of twenty volumes in the Smithsonian Folkways series dedicated to the music of Indonesia is virtually a sequel to volume eight; both deal with the unusual vocal traditions on the island of Flores, east of Bali. Associated with the funerals and agricultural festivities of the Ngada and the Manggarai, most of the music heard on Vol. 9 might strike some western listeners as uncommonly dissonant. This entire question is an outgrowth of conventional western preconceptions of melody and harmony. For a simple solution to this perceived problem, remember Ornette Coleman when he sat in with the Master Musicians of Jajouka, Morocco in January 1973. Surrounded by men blowing into the North African ghaita or double reed shawm, Coleman remembered saying to himself: "at last -- here there are no wrong notes." Faced with more than an hour of rarely heard Indonesian choral music, listeners are advised to surrender Ornette Coleman-style to an entirely non-western world of sound. And be grateful that Philip Yampolsky spent about ten years recording, researching, and documenting this music, preserving it for all to experience at will. ~ arwulf arwulf
This volume supplements Volume 8 with more "virtually unknown" choral music from the barren island of Flores, east of Bali. In this mostly Roman Catholic region, choruses tend to have a mix of male and female voices, but the variety is remarkable, and includes a lot of what Western-trained ears will hear as dissonance.
The tour begins with selections from a harvest festival in the ethnically complex Ngada regency in the Boawae region. A song from the morning of the first day chases away evil spirits and raises many surprising associations: the deep moan of Tibetan monks, the rich male harmonies of Zulu singers in South Africa, and even some of the swing of South African choral music. The festival centers around a boxing tournament, and a song sung between short, bloody fight rounds is about a chilling as vocal music anywhere gets. Sweeter polyphony emerges in a song from a festival bringing rain and warding off insects, and in a folksy, call-and-response round dance.
Two additional round dances come from a New Year's celebration in the Ngada regency of the Bajawa region. Here groups of singers answer each other back and forth, creating an effect somewhere between the Balinese monkey chant (kecak) and old plantation songs from the American South. The double-time sections swing like gospel music, as close to an American ...
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Listen to the Intro. That'll give you fair warning.These are 12 Surah's from the NJ Dawood translation (used by Penguin Classics)of the Holy Qu'ran. They are ...
| | Lily Wilson Winter Song CD (2005)
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Lily Wilson grew up on a ranch in an isolated valley near Napa, California. As she had no neighbors, she began entertaining herself and her family at a young age. She found inspiration in her parents record collection- Fleetwood Mac, Neil Young, The Beatles, and Janis Joplin made an early impression on her and she taught herself to sing and play.Her career writing and performing began when Lily moved to Spain at nineteen. While there she was greatly inspired by the Flamenco music she heard in the gypsy caves above the city, and she began performing on street ...
| | Randy Vail Memories Of Mine CD (2006)
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I was born in rural New Brunswick, Canada. A member of the New Brunswick.Country Music Hall of Fame. Have a country band.My mom was born in a covered wagon in Arizona (the song, Folks of Yesterday).Most of my songs are about real life as it was years ago,quiet summer evenings and dusty roads, no hydro or running water.Too young to know about hard times . My songs reflect my childhood and memories,and memories of an older sister teaching me a few chords on an old guitar with worn out strings.In the valley where we lived at that time there was no pollution except the dust from the road by our house and there was not much of that as the cars were few.Music was a big part of my life, playing local venues throughout the area and working as a Forest Ranger, It was not until I retired as a Forest Ranger that I decided to compose some of the things in my life and record them.Most all of my song are about real things in my life or was told about.Most are also about the earlier life of the area. I think people should be aware of the past and not forget what it was like without the finer things in life.I hope some of my songs can take you back to the earlier days of your life.Thank you for listening to my songs and I hope they bring a spark of joy in your life. The first song on my album "No One Left to Sing" is about the quiet little valley where I was bonn and spent my younger years, the youngest of ten children.The song "Never Far Away " is in memory of a dear young friend, constable Danielle Gilles. She was a young member of the Royal Canadian Mounted Police and died in British Columbia."Baanjo Man" is in memory of and ...
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