| | Bing Crosby Pop Up CD Bing Crosby Discography of CDs
Pop Up Music | List Price | $19.97 (You save $3.78) | | Category | Jazz Albums, Vocal CDs | | Label | Metro Music | | CD Universe Part number | 7509186 | | Catalog number | 5014 | | Discs | 1 | | Release Date | Sep 04, 2007 |
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Purchase Pop Up CD To buy, Click on price to add to cart | Return To Forever Returns - Live At Montreux 2008 DVD (2008) DTS Sound
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| | Herb Alpert S.R.O. CD (1966) Remastered; Special Edition
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By late 1966, it seemed as if every TV commercial and every pop arranger had latched onto the Herb Alpert "Ameriachi" sound -- at which point the resourceful originator of that sound began to pare it down and loosen it up a bit. S.R.O. (Standing Room Only), referring to the Tijuana Brass' string of sold-out concerts, is an accurate title, for this LP is about a seven-piece band loaded with experienced jazzers who groove and swing together to a greater degree than on their previous albums. Sure, the arrangements are very tightly knit and don't allow much room for spontaneity, but they still sound fresh and uninhibited, and Alpert often allows the flavor of jazz to come through more clearly. Indeed, two of the album's three hit singles, "The Work Song" and "Flamingo," ...
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| | Ryan Maag Breaking Through CD (2007)
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Ever since Ryan was young he has wanted to become a composer and write his own music. In his dad's recording studio he watched many artists come in and record albums. These artists, such as Sam Cardon, The Osmonds, and many other great musicians stood as an inspiration to him. However, He always felt there was a barrier between accomplishing his own goal of recording an album because of his inability to read ...
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| | The-Dream Lovehate CD (2007) Edited
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Born Terius Nash, the Atlanta singer-songwriter known as the Dream had already written a handful of smash hits (Rihanna's "Umbrella" and J. Holiday's "Bed," among others) before he blew up with a single of his own, "Shawty is Da Sh*t (10)." On his debut album LOVEHATE, the Dream mixes a contemporary R&B sensibility with 1980s nostalgia. The throwback production on "Fast Car," "Purple Kisses," and "Luv Songs" is evocative of '80s icons such as Prince, Cameo, and Rick James at their best. LOVEHATE features guest appearances from Fabolous and Rihanna.
When Terius "The-Dream" Nash released his first album, during the third-to-last week of 2007, the Top 30 of the Hot R&B/Hip-Hop Songs chart contained five songs he co-wrote, only one of which was credited to him as a performer. Four of these singles -- Mary J. Blige's "Just Fine," J. Holiday's "Suffocate" and "Bed," and his own "Shawty Is da Sh*!" -- were on their way to the Top Five. Six months earlier, another song involving his input, Rihanna's "Umbrella," hit number one on the Hot 100. For Love/Hate's duration, Nash sticks with close associates Christopher "Tricky" Stewart and Carlos "L.O.S." McKinney. Not only does it lend the album a unified sound unlike most modern R&B albums, but it has the effect of a suite, with common elements shared between tracks; some of the transitions would make any album sequencing assistant deeply envious. When it comes to the songs he keeps to himself, the persona maintained is closer to the one within "Bed." He is a lecherous braggart, albeit one with a slightly chirpy voice who is ultimately a charmingly vulnerable romantic, which brilliantly offsets the chumpishness. Hubris peaks in "Falsetto," where Nash not only has the nerve to work up an impression of a conquest hitting the high notes, but makes it the hook of the song -- and yet, it comes off as the harmless kid brother of Ginuwine's "Pony." There's the gently booming sleazeball doo wop of "I Luv Your Girl," where he pulls another man's girl but cannot help himself, simultaneously brutish and lovestruck. Then, in "Playin' in Her Hair," he involuntarily drops the Lothario act entirely, reduced to awe: "It ain't about the Benz or the money/She's my bee, I'm her honey." From a purely sonic standpoint, it's all state-of-the art pop circa 2007-2008. The sound of the album is resolutely luminescent, its rubbery rhythms -- sometimes colored by those swishing, panning effects heard in "Bed" and ...
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