| | Eduardo Antonio Desde Mi Alma CD Eduardo Antonio Discography of CDs
 (2 Customer Reviews)
Recording information: En Los Estudio; Estudios Milano; Nelson Studio Las Bahamas; Ruben's Place, Mexico D.F.
Arrangers: Mario Figueroa; Nando Hernandez. Desde Mi Alma Music | List Price | $11.97 (You save $1.58) | | Category | International Albums, Latin CDs, Latin Pop | | Label | Fonovisa | | Orig Year | 2007 | | All Time Sales Rank |  20061  | | CD Universe Part number | 7509617 | | Catalog number | 353376 | | Discs | 1 | | Release Date | Sep 25, 2007 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Eduardo Antonio; Campos; Eduardo Antonia; Nelson Alejandro | | Engineer | Nelson Rodriguez | | Recording Time | 47 minutes |
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CD Review - "Too Stupid To Quit"Man, this is real fun stuff… The band hails from Seattle and mix humor and irreverence with a good dose of hard rocking music. Think the Mentors, but without the pornographic references… The CD begins with the ominous “Snake.” A great guitar riff and lyrics! “Watching Her Die” is more a heavy blues rocker with Lynne singing the lead vocal. It reminds me a bit of the early L7 stuff. Steve has a lot of cool fuzzed, phased guitar sounds and mixes them up really well on the CD. “Drain Pipe” is a more fuzzed out garagy number and Steve's voice really reminds me of Jello Biafra. “Headful of Lice” is a cool slow song with great words. “Petting Zoo” is a fast song with a great bouncy bass line that really grabs you. The vocal delivery is really different on this song. “Such a Pain” has a really deranged guitar riff and sound and again Jello comes to mind. The CD ends with the excellent title track and a great fuzz guitar. Dead Kennedys meets L7 meets the Mentors! This band is clever, funny, tongue in cheek and they rock. Great stuff!-Scott Heller, Aural Innovations, #29October 2004About the Band...FASTER DISASTER is a crack team of sonic engineers specializing in the high-velocity sculpting and transmitting of air movements in the realm of futuristic acid-rock, usually in dark and cavernous underground surrounds. Precariously cemented together by the percussive equilibrium of the haggard garage-rock veteran Craig Beytebiere, buoyed by the voluminous subterranean disturbances of performance ...
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Vinyl LP version also available directly from the label at www.whatmusic.comCelso Murilo Levanhagen's music belongs to a watershed period in the history of brazilian music. Celso Murilo was at his creative peak at a time when the massive influence of cuban pop music was beginning to wane in favour of the new breed of young composers finding their feet in the wake of Joao Gilberto's seminal 1958 release 'Chega de Saudade'. That album is generally accepted as the starting point of what became known as bossa nova but, like all movements, it took a few years before records contained nothing but bossa nova compositions and their trademark sound. So, in this transition period we find a lot of artists and recordings that acted as signposts for what was about to become a total revolution. ...
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This album was recorded directly off the mixing board at the Jazzschool on two-tracks. Our decision to record was made on the way up to San Francisco from Los Angeles. The whole session was spontaneous, unrehearsed, and played on a borrowed bass. As a matter of fact, this was only the second time most of the tunes were ever played by the group.It doesn’t take long to hear the magic in these tracks.The musical essence created from pure passion for the music permeates every note. Some of the small talk, jokes and flubs were left in to maintain the spirit of the concert itself.This recording is a limited release. The thoughts behind releasing these tracks came from listening to classic Louis Armstrong and Billie Holiday recordings. The recording quality of those old records was really rough but the essence of the performances was pure gold. It is our sincere hope that you will hear this recording in the same way.Kellye Gray's Bio:“Powerful”, “imaginative”, “emotionally uplifting” are some of the adjectives critics use to describe the talents of singer Kellye Gray. Most importantly, Kellye is that breed of jazz singer who has developed a sound that is truly their own. Her style is post-modernist and she uses her voice like an instrument within the ensemble. She possesses what critics like to call - “musicianly chops”. Singing and performing since the age of five, Kellye caught the "bug" very early on in life. She has studied voice, speech, acting and music for over 20 years in Texas, New York, San Francisco and Los Angeles. She has released four CDs as a solo artist and has appeared on many others as a featured vocalist or as part of a compilation.Gray, a native Texan, began her career in the most unlikely of places. She cut her teeth up and down Austin’s own Sixth Street during the 1980’s where the music was more rock and roll and covers than be-bop and swing. On a Kellye Gray date back then it was not unusual to hear Charlie Parker, Miles Davis, a Madonna or Prince cover all in the same set. But, creative choices and great taste allowed “the KGB (the Kellye Gray ...
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