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High Contrast Tough Guys Don't Dance CD

 High Contrast Discography of CDs

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2007 release of the the third album from the Welsh drum and bass producer High Contrast (aka Lincoln Barrett). Among the tracks are collaborations with Diane Charlemagne, Ian Shaw, J'Nay, and Linda Gail Lewis (Jerry Lee's sister). Hospital
Tough Guys Don't Dance Music


Detailed Tough Guys Don't Dance Music Information



List Price $24.99 (You save $4.04)
Category Rock/Pop Albums, Rock CDs, Dance
Label Hospital
All Time Sales Rank   228979  
CD Universe Part number 7509853
Catalog number 127
Discs 1
Release Date Oct 30, 2007
High Contrast Tough Guys Don't Dance Songs


High Contrast Tough Guys Don't Dance Album Track Listing



1.If We Ever
2.Everything's Different
3.In-A-Gadda-Da-Vida  
4.Kiss Kiss Bang Bang
5.Forever And A Day
6.Sleepless
7.Tread Softly
8.Metamorphosis
9.Pink Flamingos
10.Eternal Optimist
11.Changes
12.Nobody Gets Out Alive
13.The Ghost Of Jungle Past
Tough Guys Don't Dance Music


Tough Guys Don't Dance Other Versions



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Introducing Omer Klein
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Though the New York jazz label Smalls Records is known for documenting the city's bebop underground, it's beginning to make a name as a launching pad for young talent, bebop or otherwise. Omar Klein is from Israel, a player of piano and oud (a Middle Eastern guitar-like instrument), and the territory he's staked is a fusion of Arab, Israeli, and North African folk music and jazz. INTRODUCING, Klein's first under his own name (he also appears on DUET with H.C. Milo), features 10 intense, concise tracks integrating jazz with Middle Eastern sounds to a point where it's impossible to tell where one inspiration ends and another begins. All compositions by Omer Klein (Dvash Music/ASCAP)Recorded 10/6/07, 10/7/07 and 10/18/07 at Kampo Studios, New YorkProducer: Luke KavenRecording, Mixing, Mastering: Michael Perez-CisnerosPainting: Michael OrnsteinDesign, Photograph: Luke KavenLabel: Minnie ChoOmer Klein was born in Israel May 15th, 1982 and grew up in the town of Netanya. He began to study music at age 7. He excelled and was accepted to Thelma Yellin High School of the Arts, a national arts academy that fostered a number of the talents that make up the Israeli-American jazz movement, including mentor and bandmate Omer Avital. Klein achieved recognition officially as an “Outstanding Musician” by the Israeli Ministry of Culture. He later received a scholarship to attend the New England Conservatory in Boston and moved to the United States. Since 2006, he has been living and working in New York, and working with artists such as Joel Frahm, Clarence Penn, Ben Street, Meshell Ndgeocello, Jason Lindner, Avishai Cohen, Donny McCaslin, Joe Martin, Jaleel Shaw, and of course, Omer Avital.I had already heard Omer Klein in the newest edition of Omer Avital’s ensemble. Ever since I met Omer Avital 12 years ago, I’ve been intrigued by the new music arising out of the Israel-New York jazz connection. In the mid-nineties, the now-legendary Omer Avital Sextet made a big impact on the New York scene, synthesizing elements of Middle Eastern and African Music with American Jazz, and coming out with a music of wide dramatic sweep that was the definitive statement of a new jazz sound. Now fully the maestro, Avital has been mentor to a generation of young musicians. Recently, he’s talked a lot about Omer Klein: “Omer Klein is an exceptional musician. He seems to have his own voice already at this early stage of his musical development, and he is on his way to develop a style of his own. We connected the first time we ever played; it felt like we were speaking the same language. Our musical and personal friendship has been growing ever since. He is a true artist in every way.” This group, with Avital on bass accompanying Klein on his debut as leader, brings the movement full circle. Add spectacular rhythmic backing from Ziv Ravitz and Itamar Doari, and you have a good lead-up to a recording session. But there was something more.I found this was a group with a bond that runs as deep as blood. It’s hard to pinpoint it at first. Sure they’re friends, sure they’re all great musicians, but it’s a lot more. It’s more like a tribal bond, the kind of bond that connects people back through the centuries. That bond is palpable here, and it infuses ...
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