| | High Contrast Tough Guys Don't Dance CD High Contrast Discography of CDs
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Our Price: $20.95 CDFor Sale Usually ships in 1-2 days
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2007 release of the the third album from the Welsh drum and bass producer High Contrast (aka Lincoln Barrett). Among the tracks are collaborations with Diane Charlemagne, Ian Shaw, J'Nay, and Linda Gail Lewis (Jerry Lee's sister). Hospital Tough Guys Don't Dance Music High Contrast Tough Guys Don't Dance Songs | 1. | If We Ever |
| 2. | Everything's Different |
| 3. | In-A-Gadda-Da-Vida  |
| 4. | Kiss Kiss Bang Bang |
| 5. | Forever And A Day |
| 6. | Sleepless |
| 7. | Tread Softly |
| 8. | Metamorphosis |
| 9. | Pink Flamingos |
| 10. | Eternal Optimist |
| 11. | Changes |
| 12. | Nobody Gets Out Alive |
| 13. | The Ghost Of Jungle Past |
| Tough Guys Don't Dance Music Tough Guys Don't Dance Review
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$13.45 The Laser's Edge is pleased to release, for the first time on CD, the second album from the legendary Danish progressive jazz-rock supergroup Secret Oyster. 'Sea Son' was originally released in 1974 on CBS and is now considered by many to be the pinnacle of the band's catalog. The fiery interplay between alto/soprano sax player Karsten Vogel, guitarist Claus Bohling and keyboardist Kenneth Knudsen parallel the work of their contemporaries Return to Forever and Mahavishnu Orchestra. With a new rhythm section of bassist Jess Staehr (Burnin Red Ivanhoe) and drummer Ole Streenberg ...
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$17.69 John Thomas Griffith first established himself on the American music scene in the early eighties as lead singer and guitarist for the Red Rockers, co-penning their 1983 MTV hit 'CHINA'.After leaving the band in 1987 he released his the first of two solo cds titled, 'Son of an Engineer', re-released in 2000 on Laughing Gravy Music.Known by most music fans as 'JTG' or 'Griff', he is an orignal member of the modern rock juggernaut 'Cowboy Mouth'.A veteran of the touring ...
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| | Introducing Omer Klein CD (2008)
Tough Guys Don't Dance album
$14.05 Though the New York jazz label Smalls Records is known for documenting the city's bebop underground, it's beginning to make a name as a launching pad for young talent, bebop or otherwise. Omar Klein is from Israel, a player of piano and oud (a Middle Eastern guitar-like instrument), and the territory he's staked is a fusion of Arab, Israeli, and North African folk music and jazz. INTRODUCING, Klein's first under his own name (he also appears on DUET with H.C. Milo), features 10 intense, concise tracks integrating jazz with Middle Eastern sounds to a point where it's impossible to tell where one inspiration ends and another begins.
All compositions by Omer Klein (Dvash Music/ASCAP)Recorded 10/6/07, 10/7/07 and 10/18/07 at Kampo Studios, New YorkProducer: Luke KavenRecording, Mixing, Mastering: Michael Perez-CisnerosPainting: Michael OrnsteinDesign, Photograph: Luke KavenLabel: Minnie ChoOmer Klein was born in Israel May 15th, 1982 and grew up in the town of Netanya. He began to study music at age 7. He excelled and was accepted to Thelma Yellin High School of the Arts, a national arts academy that fostered a number of the talents that make up the Israeli-American jazz movement, including mentor and bandmate Omer Avital. Klein achieved recognition officially as an “Outstanding Musician” by the Israeli Ministry of Culture. He later received a scholarship to attend the New England Conservatory in Boston and moved to the United States. Since 2006, he has been living and working in New York, and working with artists such as Joel Frahm, Clarence Penn, Ben Street, Meshell Ndgeocello, Jason Lindner, Avishai Cohen, Donny McCaslin, Joe Martin, Jaleel Shaw, and of course, Omer Avital.I had already heard Omer Klein in the newest edition of Omer Avital’s ensemble. Ever since I met Omer Avital 12 years ago, I’ve been intrigued by the new music arising out of the Israel-New York jazz connection. In the mid-nineties, the now-legendary Omer Avital Sextet made a big impact on the New York scene, synthesizing elements of Middle Eastern and African Music with American Jazz, and coming out with a music of wide dramatic sweep that was the definitive statement of a new jazz sound. Now fully the maestro, Avital has been mentor to a generation of young musicians. Recently, he’s talked a lot about Omer Klein: “Omer Klein is an exceptional musician. He seems to have his own voice already at this early stage of his musical development, and he is on his way to develop a style of his own. We connected the first time we ever played; it felt like we were speaking the same language. Our musical and personal friendship has been growing ever since. He is a true artist in every way.” This group, with Avital on bass accompanying Klein on his debut as leader, brings the movement full circle. Add spectacular rhythmic backing from Ziv Ravitz and Itamar Doari, and you have a good lead-up to a recording session. But there was something more.I found this was a group with a bond that runs as deep as blood. It’s hard to pinpoint it at first. Sure they’re friends, sure they’re all great musicians, but it’s a lot more. It’s more like a tribal bond, the kind of bond that connects people back through the centuries. That bond is palpable here, and it infuses ...
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