| | Portable Supersound CD
Portable Supersound Music Portable Supersound Songs | 1. | St Tropez |
| 2. | Come Out, Come Down, Fade Out, Be Gone |
| 3. | Warning |
| 4. | Half-Under |
| 5. | Spooks |
| 6. | Contemporary Fix |
| 7. | The Dinner That Never Happened |
| 8. | Anarchy Way |
| 9. | Hatten Passer |
| 10. | Goodbye To Song |
| 11. | Don't Be |
| 12. | Tics (Four Tet Remix) |
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Portable Supersound Review
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Purchase Portable Supersound CD To buy, Click on price to add to cart | Israel Iz Kamakawiwo'Ole Facing Future CD (1993)
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| | Israel Iz Kamakawiwo'Ole Alone In Iz World CD (2001)
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While the name Israel Kamakawiwo'ole falls trippingly off few tongues, the Hawaiian singer better known as "Iz" was one of the biggest stars in his home state. Iz first came to public attention as a member of the popular Hawaiian group known as the Makaha Sons of Ni'ihau. His subsequent solo career brought even greater fame, and countless fans ...
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Upon earning his Bachelor’s degree, Bryan did exactly what every new Psychology graduate does next – he decided he wanted to become a ...
| | Acker Bros If That Then This CD (2007)
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A Conversation with Herb Foutainbleu of The Jazz Examiner and Victor Acker about “If That, Then This”HF: What made you want to record this CD now? What was the catalyst?VA: It was time. It had been two years since "Swingin’ Singles" had been released and we wanted to keep up the momentum we had going.HF: How long have the Acker Bros been recording together? VA: In total, about 35 years in one form or another. The Acker Brothers first legitimate commercial release “Behold The Donkey Head” happened in 1995. Although some sinister, legal tomfoolery held it up for about a year. HF: How about the rest of your personnel on this record? Are they new to your group?VA: We’ve been working with John Soukey since the 1970s. I met him in 7th grade gym class. His twisted style of keyboard manipulation and impeccable manners always seem to have us bringing him back into the fold once the projects start rolling. Lee Goodness is a new and welcome addition. He was Curtis Mayfield’s drummer for years and has played with a bunch of other folks. He is a hell of a nice guy to boot.HF: I hear such a variation of styles and influences in your music. Who would you count as some of your chief influences?VA: Well, we try real hard to sound like us, but it’s difficult for us not to draw inspiration from a few heroes. Zawinul, Jim Beard, Scott Henderson, Jobim, I was listening to a lot of Donald Fagan during these writing sessions and kind of got lulled into some of those 70s grooves. It just felt too good to deny them. Is that so wrong?HF: From a writing standpoint, what comes first for you?A stylistic choice, e.g. this one is gonna be a samba style piece or does the melody and harmony dictate where a song goes? VA: Wow, that’s a good question. I’d have to say that for me; the stylistic decision comes first, which in turn dictates what the harmony will be like. i.e. Samba equals, lush pretty chords, while a Tarantella might call for an Ebmin7(b5) (btire) with a twist of Limon.HF: What is your primary writing instrument, piano, guitar? VA: I write mainly at the piano but occasionally find some changes on the guitar which will spawn a tune.HF: How did the Acker Bros. come to settle in Boston? VA: The short story is that we both got scholarships to the Berklee College of Music and once we arrived, fell in love with the place. The long story involves a badger and some corn.HF: Do you find the musical scene there rewarding and satisfying?VA: We’re very lucky to have so many great artists not only originate here but also perform here often. Boston has a huge jazz history. As far as us being involved in the scene, Dana and I are such a self contained unit that we don’t actively seek collaborators. We also play music which often strays outside the norm for your average Coltrane disciple. We’re not hard bop or bound to tradition and we like to add abstract humor into the music occasionally. There are not a lot of people who get that sort of aesthetic or are willing to risk being labeled non-serious. We are certainly open to collaborating with players that can appreciate what we are trying to do but we don’t go looking for them and for that reason, I’d say we are outsiders to the scene. Which I like.HF: You have stated in other interviews that this will be the last ...
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| | Taking Back Sunday Louder Now: Parttwo CD (2006) With DVD
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Everybody's favorite emo band is LOUDER NOW. Well, not really, but they're as loud as they ever were, with guitars that triangulate the influences of math rock, 1990s alt rock, and '80s metal, and the kind of heart-on-sleeve vocals that melt emo teens' hearts. Still, there's divergence from the emo template here; witness the poppy falsetto vocal hook in "MakeDamnSure" or the acoustic introspection of "Divine Intervention," or even the twist-and-grind guitars of "My Blue Heaven," which evoke King Crimson-via-Tool. In short, you don't have to be an emo maven to get LOUDER NOW.
Taking Back Sunday's first DVD/CD release has plenty of extras for fans. There are music videos for two of their biggest hits--"Liar (It Takes One To Know One)" and "MakeDamnSure"--as well as blistering live performance footage, band interviews, and some amusing behind-the-scenes tour footage.
On the audio portion of Taking Back Sunday's 2007 DVD/CD set, LOUDER NOW: PART TWO, the Long Island, New York-based emo ...
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