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Talkov, Igor - Stage CD Cover Art
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Igor Talkov Stage CD - Import

 Igor Talkov Discography of CDs

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 Our Price: $13.15  CD
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Stage Music


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List Price $14.99 (You save $1.84)
Category Rock/Pop Albums, Rock CDs
Label Myzv
CD Universe Part number 7511770
Catalog number 1154034
Discs 1
Release Date Jan 01, 2008
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Susan Boyle's grand unveiling on Britain's Got Talent was with a song from Les Miserables - the very song that lends this album its title -- and if she could become an international sensation based on a show tune standard, there's no reason for her to change her approach on her debut, since that's the sound that made her a star. Plus, a large part of Boyle's appeal is that she's a middle-aged woman recalling a bygone era when there were singers that appealed to an adult audience by offering soft, stately versions of pop hits and standards. That time was the late `60s and early `70s, and apart from a rather faithful version of Madonna's "You'll See," I Dreamed a Dream could very well have been released all those years ago, as it mixes up the show tunes, gospel, and Christmas carols with covers of Skeeter Davis' "The End of the World," the Rolling Stones' "Wild Horses," and a version of "Daydream Believer" that is easily the slowest on record. Boyle sings beautifully ...
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Lordship & Bondage
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WATCHEM DIEShot that boy on the Fourth of JulyCause he was reaching for his Daddy’s gunI thinkI think the roof caved in beneath a clear blue skyYou’ll have to hose me out, too,But you’ll never have to watch me die.We never have to watchem dieWe never have to watchem dieIt’s amazing what can happen when you never have to watchem die.So we torture their bodiesAnd we die on their sandsAs we spread our blood and treasure all over their landAnd the man who gave the orderHe won’t ever understandHow anyone can say that he’s got blood on his hands.Cause he never has to watchem die…RISE, LAZARUSIt’s just a wind in the desertIt’s just a ship passing silent through an empty seaIt’s just the grasp of an infantIt’s just the rise of a mountain through a million yearsI see blindness of the start embrace the darkness of the endLord, why did you pick me up, just to let me go again?You gotta rise, LazarusYou gotta take your bed and walkI hear those gentle voices calling meI know there’s nothing here to fearJust like a mother reaching out her armsTo draw a long-lost child nearIt’s just the cold in the oceanIt’s just the leaves in a river on a nameless dayIt’s just a storm on a cityIt’s just the cries of the people as they’re swept awayPlease don’t tell me, Lord, that death is not the endI’ve been once through this vale of tears, I can’t walk it once againYou gotta rise, Lazarus…KYRIE ELEISONKnow someday I’m gonna have to payFor all that awful shit I doneWheel turn round and the devil take his dueThey say, Big J, You’re a jealous God,And You’ll be comin after me.Ya ask me what I was thinking aboutI’ll say I was thinking bout a young girl’s laugh on a summer breeze.Kyrie Eleison…That was in another country and a long time agoAnd, besides, I’m pretty sure I think that wench is dead.Never thought that a little indiscretion would leave such a heavy weight on my head.But I’m ready now, Dad, and I’m waitin down on my knees.Just let me hear once more, before it’s time to go, The sound of a young girl’s laugh on a summer breeze.Kyrie Eleison….I know I’ve got Such a long list of sins to make.But I thinkI’ll just Let the dead bury the dead today.Kyrie Eleison…I’LL BE THE BOYI’ll be the boy who lives down the laneAnd you’ll be the girl who’s always sixteen.I’ll be the kid who waits at the stairAnd you’ll be the Mom with the soft brown hair.Little boy waits at the stairFor you to guide him downHis eyes have seen no sorrow or painHis footsteps don’t make a sound.Young girl waits in a carFor you to take her outHer eyes are full of sorrow and painHer kiss feels just like a shoutI’ll be the boy who lives down the laneAnd you’ll be the girl who’s always sixteen.I’ll be the kid who waits at the stairAnd you’ll be the Mom with the soft brown hair.Except there ain’t no boy who lives down the laneAnd there ain’t no girl who’s always sixteenAnd the kid ...
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Most tracks are rare or unreleased from 1964-66 studio sessions. When CHICKEN SCRATCH was released by the archival Afro-Caribbean label Heartbeat Records in 1989, it was a revelation. These tracks, recorded between 1964 and 1966 at Clement "Coxsone" Dodd's legendary Studio One in Kingston, Jamaica, are among the earliest tracks to feature reggae's mad scientist, Lee Perry. Originally an A&R scout for Coxsone and later a producer and performer in his large stable, Perry proves himself an able ska performer on these 12 brief tracks. "Please Don't Go" makes plain Jamaican music's debt to American soul and R&B, while "Roast Duck" and "Puss In Bag" show the music's hardscrabble roots. And, of course, ...
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