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Porcheto, Raul - Mundo CD Cover Art
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Raul Porcheto Mundo CD

 Raul Porcheto Discography of CDs

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Mundo Music


Detailed Mundo Music Information



List Price $11.99 (You save $2.20)
Category Rock/Pop Albums, Latin Pop CDs, World, South American
All Time Sales Rank   345102  
CD Universe Part number 7513537
Catalog number 387518
Discs 1
Release Date Aug 29, 2007
Raul Porcheto Mundo Songs


Raul Porcheto Mundo Album Track Listing



1.Suena Tu Nombre
2.La Gente Que Hace El Mundo
3.Amiguito se No Es El Cielo
4.Trenes Blancos
5.Gurdame Estas Maanas
6.Varlaciones Sobre "La Gente Que Hace El Mundo"
7.El Camino Del ngel
8.Ella Est Esperando
9.Agua Y Sal
10.Bellsa Violetas De Otoo
11.El Vino Del Alma
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Pink Martini follow the around-the-world-in-a-dozen-songs thrills of HEY EUGENE! with SPLENDOR IN THE GRASS, a mellower, simpler set of small pleasures. These are relative terms, however; the group's music is still well-traveled, with China Forbes singing in five languages (English, Spanish, Neapolitan, French, and Italian) instead of the six or so on EUGENE!. However, Pink Martini opt for a more unified sound here, one that draws on the more straightforward lounge-pop of their debut, SYMPATHIQUE, and the mellowness of '60s and '70s pop. SPLENDOR IN THE GRASS' first half is especially smooth, opening with the beautifully soft Neapolitan ballad "Ninna Nanna" and the title track, on which Forbes sings "I think we should take it slow" over swooping strings, brass, and piano that resurrect the glory days of AM pop; that feeling is echoed by the cover of Joe Raposo's "Sing," the Sesame Street song that gained popularity when the Carpenters performed it (Emilio Delgado, aka Sesame Street's Luis, duets with Forbes here in Spanish and English). The album's first few tracks are among its most playful, including the slinky yet winking "Ohayoo Ohio" and the French confection "Ou Est Ma Tete?" While Pink Martini gets almost too cute for their own good with "And Then You're Gone" and "But Now I'm Back," a pair of songs about a quarreling couple inspired by Franz Schubert's "Fantasy Piano for Four Hands" and featuring NPR justice correspondent Ari Shapiro on the latter's vocals, SPLENDOR IN THE GRASS' second half is among their finest work. "Over the Valley" is a standout, a ballad so timelessly sweet that it seems like it must be a long-lost standard the group just blew the dust off of, but it's an original; conversely, the covers of Moondog's haunting ...
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If only there were as many jazz musicians as talented and visionary as Herb Robertson. Dave Douglas might get more ink (and he's a fine musician, to be sure), but Robertson is far and away the most original jazz trumpeter playing in the early 21st century. Add Robertson's considerable skills as a composer, and you have an enormously compelling artist. Robertson's trumpet technique combines elements commonly associated with other instruments, most apparently the trombone. Listening to him and trombonist Steve Swell back-to-back on this album illustrates the point. Swell is the quintessential modern trombonist, exploiting his instrument's propensity for timbral contrast and microtonal fluctuations. Robertson's right there with him; his fastest lines are so liquid, so expressive on the most minute level, it's as if they're produced by the movement of a slide rather than the depressing of valves. Robertson transcends the physical tendencies of his instrument to great creative ends. The other players on the album are excellent, as well. Swell is his typically garrulous self; fellow trombonist Bob Hovey is a bit less rambunctious, but fine, nevertheless. The rhythm section holds up their end nicely, as well. Perhaps what best characterizes the album is the attention paid to ordering its components. Robertson, in particular, contributes some nice, intelligently conceived structures on which to blow. Small group jazz gets a bad rap for being built around the head-solo-head format, but -- in the hands of sensitive improvisers -- the tiniest of melodic snippets can form the basis of a marvelously coherent piece of music. The tunes here are occasionally a bit more than that, but in general Robertson's tunes serve as a loose jumping-off point for the improvisations. The results are uniformly good. Here's to spreading some of ...
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Siempre Hay Salida
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Pistolera is a NYC-based band that plays an original brand of latin pop-folklorico. Drawing from traditional styles of Mexican music and fusing it with a rock-pop sensibility, the electrifying quartet features the Spanish lyric songs of vocalist and guitarist Sandra Lilia Velásquez, the driving accordion melodies of Maria Elena, and the unbeatable rhythm section of bassist Inca B. Satz and drummer Ani Cordero. The band played it's first show in early 2005 and was immediately well received by English and Spanish speaking audiences and was invited to perform at some of New York's finest venues as well as several cultural festivals.The band has since been featured in The New Yorker, Latina Magazine, El Diario, and NPR to name a few. Their debut album "Siempre Hay Salida" was the #4 most added on the CMJ World Chart and debuted at #27 on CMJ's Latin Alternative chart. "Siempre Hay Salida" was recorded and produced by grammy-winner Charlie Dos Santos and has guest appearances by members of Si*Se, Grupo Fantasma, Antibalas, and Slavic Soul Party. The album was released on November 7, 2006. Tour dates are available at www.pistolera.netThe artwork for the album was done by DC Wallin.(En Español)Pistolera es una banda basada en Brooklyn poseedora de un original sonido de pop-latino folclórico. Partiendo de la música tradicional mexicana y con una sensibilidad roquera, este electrificante cuarteto consiste de la cantautora y guitarrista Sandra Lilia Velásquez, la fuerza melódica de Maria Elena en el acordeón, el ritmo irresistible del bajista Inca B, Satz y la baterista Ani Cordero. La agrupación toco su primer show a principios del 2005 y de inmediato tuvo un exitoso recibimiento e invitaciones a tocar en los mejores lugares de Nueva York. Con solo cuatro meses de existencia grabaron su primer demo, ...
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Columbian Rock en Espanol phenomenon Juanes continued his winning streak with 2007's LA VIDA ES UN RATICO. Like Juanes's previous albums, UNA DIA NORMAL and MI SANGRE (both of which achieved colossal international success), LA VIDA ES UN RATICO ...
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Track Listing of songs: Mon Amant De Saint Jean; Princesse Tyrolienne; Une Chanson Douce; Amor Amor; Carioca; Lettre A Evelyne; Moulin Rouge; Piemontesina; Veille Au Grain; Les Amoureux Des Bancs Publics; Partie De Petanque; Bucaro; El ...
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