| | Wayne Foret Still Going Strong CD Wayne Foret Discography of CDs
Authors: Connie Rogers; Roland Doucet; Jimmy Rogers ; Wayne Foret.
Photographer: Sherri Hayes.
Personnel: Wayne Foret (vocals, keyboards); Jason Parfait (tenor saxophone, background vocals); Jake Chimento (keyboards, background vocals).
Audio Mixer: Jason Parfait.
Wayne Foret Still Going Strong Songs | 1. | I'm Sorry I Met You |
| 2. | That Is Why I Love You So |
| 3. | I Pray Every Night |
| 4. | Drip Drop |
| 5. | Treasure of Love |
| 6. | Nobody But You |
| 7. | God Gave Me You |
| 8. | That's What I'll Do |
| 9. | Don't Leave Me Now |
| 10. | Lonely Blue Boy |
| 11. | Lavender Blue |
| 12. | Don't You Know That I Love You |
| 13. | Just My Baby and Me |
| 14. | Doin' the Swamp Pop |
| 15. | All I Want for Christmas Is You |
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Still Going Strong Review
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Purchase Still Going Strong CD To buy, Click on price to add to cart | Super Low Jams, Vol. 1 CD (2005)
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And the unearthing of various psychedelic-era obscurities continues. In this case, the chosen representatives -- reflecting turn of the century interest in a comparatively little-known Latin American '60s scene -- were from Venezuela; a teenage trio signed for a three-album contract that only recorded the one in 1968. The sparse liner notes indicate that it was pretty much the band's standard set, and as such, reveals that they were essentially a cover group with a fondness for soul -- the sole original, "Gonna Ride," kicks things off. It's actually a surprisingly blasting number ...
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A singer/songwriter whose strong suit is his warmth and humanity wouldn't seem like a likely prospect to be teamed up with a bunch of electronic keyboards, drum machines, and other bits of hi-tech hardware, but after leaving behind Mitchell Froom's tape-loop fantasias for Steve Earle's rootsy and straightforward production on Blue Boy, Ron Sexsmith takes another sonic left-turn on his fifth album, Cobblestone Runway (his sixth if you include his first self-released cassette, Grand Opera Lane). Cobblestone Runway finds Sexsmith embracing electronics with surprising enthusiasm, but he has the good sense not to drown himself in them; while "These Days" features a prominent drum loop and echoey white-noise keyboard patches, the chilly undertow is offset by some soulful backing vocals and the (slightly) rumpled sincerity of Sexsmith's voice and acoustic guitar, and the spacey synth lines on "Disappearing Act" find their complement in a gloriously low-tech electric guitar. Much like Mark Eitzel on The Invisible Man, Ron Sexsmith has found a way to breathe a very human sense of emotional openness into his spare electronic backings ("Heart's Desire" even winds up with a bit of noisy but high-groove jamming), and Cobblestone ...
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Legendary drummer, Jim Payne, plays his own brand of “Radical Jazz/Funk.” Based in New York City and labeled the “Buddy Rich or Billy Cobham of funk drumming” by Jazz Times Magazine, Payne has had a long career as a performer, educator, producer and collaborator with the best in jazz, funk.PERFORMACE & PRODUCTION: He produced and performed with James Brown all-stars, the J B Horns - Maceo Parker, Fred Wesley & Pee Wee Ellis, all former leaders of the James Brown Band. He has collaborated in production and song-writing with most of Herbie Hancock’s Headhunters, including Mike Clark, Paul Jackson and Bennie Maupin, producing the critically acclaimed The Funk Stops Here for Clark and Jackson. He has played or recorded with soul stars Etta James, Esther Phillips & Eddie Floyd as well as a host of pop, jazz & R&B stars including James Taylor, John Scofield (who appears on Jim’s Énergie CD), Mike Brecker, Dave Liebman, Ron Carter, Larry Goldings & George Porter.Jim also has a well-deserved reputation based on his five-year stint with the avant-funk band Slickaphonics, which recorded five albums and played every major European and US jazz & blues festival including the Montreaux Jazz Festival, the North Sea Jazz Festival and the Paris Jazz Festival.He spent three years in Orlando, Florida as a session drummer, producer and songwriter with R&B/blues greats such as Rufus Thomas, Kenny Neal & Lucky Peterson and has also played on Broadway and at the Radio City Music Hall. His production credits include two CDs for Medeski, Martin & Wood (1993’s It’s A Jungle In Here and 1994’s Friday Afternoon in the Universe), which some consider their best work.THE MUSIC: Jim’s music can evoke the funky, noisy streets of NYC, and the endless possiblities and opportunities that exist there. It can also depict the calmness of the French countryside. It can range from straight ...
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