| | Karyn Whittemore Everything's Changed CD Karyn Whittemore Discography of CDs
Visit www.karynwhittemore.com to listen to the full songs. BIOIn the mountains of Southern Utah against the back drop of "Big Love" where gun wielding survivalists dwell in the red rock desert and new prophets are found on the dusty back roads, singer songwriter Karyn Whittemore has emerged from the desert mountains with a different view. With influences from artists like Kate Bush, Liz Phair, Lou Reed and Sarah McLachlan, Karyn's songs are passionate and sometimes a little quirky with occasional spiritual to mystical overtones. Karyn contrasts her soothing picking style on the acoustic guitar by paying homage to her classical roots on the baby grand. Karyn recounts her story this way, "I think I've always been a performer at heart. As a little girl of age six or seven, I took my clothes off for a group of boys as they stood and watched. I'm standing there. They're standing there looking at me. None of us saying a word, yet a rewarding experience for all involved. All the essential ingredients were present: performer, audience and theatre (dirty garage)." As time passed, Karyn's marketing strategy became more sophisticated as she put her clothes on, picked up the violin, took piano lessons and received a music scholarship (violin) to SUU. She learned to play the acoustic guitar as she became interested in performing live and developed an affinity for producing her own music as she assembled her recording studio and started to record. After her well received debut album "Slippery Road," Karyn has now produced and released, "Everything's changed." Between gigs over the last couple of years Karyn has been busily producing and mixing her second album, arranging and performing on piano, acoustic guitar, electric guitar, bass and keyboards while fleshing out her musical vision in her studio. Drummer Carylee Zwang provides a driving beat for the project along with Ruth Tibbitts on the orchestral bass, Tyler Braun on congas, Art Kaufman on guitar, and Ryan Dumlao also on drums. Without their talents, the album wouldn't be what it is. On her debut Album "Slippery Road" Karyn sings with angelic passion against stark, beautiful arrangements and lush harmonies. It has been nominated for "best contemporary album and Song of the year " by Just Plain Folks as well as for "best new upcoming female artist" by New Artist Radio. Producing "Everything's Changed" and "Slippery Road" has been a very exciting process comprised of a very talented group of musicians and friends working towards producing a unique sound. The most rewarding thing for them about making these albums is getting together with friends and just having a good time making some fun music and sharing it with others.Reviews"Great voice, super songwriting and soothing guitar too. If this were food, you'd want to supersize your order!" Lonny Brooks writer for Wood & Steel -Taylor Guitars"When Whittemore starts trilling her notes, cats will purr and birds will want to help her with household chores. Magically pretty folk." Listen.comMany thanks - wonderful!! - it's releases like yours why I do all I do .. that keep me going! Lord Litter Lord Litter Radio Show "She's Cedar City's own Jewel-with a little Sarah Mclachlan and Morrisette thrown in for good measure" Where It's @"She seems to have an innate empathy for the human condition and a gift for poetically expressing it." The Independent - Kevin Jones"Karyn's music is alive; a breathing beating creature that has sprung mightily from a deep well of human emotion." The Journal - Larry Baker"A gifted songwriter and singer. If you haven't heard her sing, this is a must. This lady has a gorgeous, passionate voice. " The Spectrum - Ed Kociela Everything's Changed Music Karyn Whittemore Everything's Changed Songs | 1. | Everything's Changed |
| 2. | Still Alive |
| 3. | Nervous Nut |
| 4. | Silver Girl |
| 5. | I Have To Believe |
| 6. | Falling Away |
| 7. | More Than I Am |
| 8. | In Your Eyes |
| 9. | Just Once |
| 10. | Shelling Peanuts |
| 11. | Love Never Dies |
| 12. | I Won't Say Anything |
| Everything's Changed Review
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$12.69 In the spring of 2000, OC alt-rock hero Brian Coakley (The Cadillac Tramps/Rule 62) and his wife, Jamie Sims Coakley, formed a band. A few years and countless hours later, they are finally ready to unveil their very own special variety of rock-n-roll, dubbed WAXAPPLES."The type of music is definitely rock...only not straight up, but rather with a twist" says Brian about his latest project. "I took what I loved most about rock music; simple song structures, nasty guitar riffs, and a whole hell of a lot of punk rock energy, and mixed it with the possibilities of expression that modern technology affords. The first songs were recorded by myself and my producer at the time, Chris Furhman (Sparklehorse, Brian Eno). I started with drum loops and samples, over-dubbing guitars and bass. I suppose I got a little high with the possibilities, adding in 60's style keyboard parts and a sprinkling of really cool, moody horn lines. When we went to put a band together to try and duplicate what we had recorded, well...it turned out to be a logistical nightmare. There were eight bodies at our first rehearsal. Drums, bass, two guitars, two female back up voices, (one of whom was Jamie) and keyboards. That lasted all of about three weeks, before I realized we had to simplify." And simplify they have. When you see WAXAPPLES now, you might, at first, mistake them for a ska band, or maybe rock-a-billy without the pompadours and cuffed jeans. However, once they start to play, the band is unmistakably rock-n-roll. Their style is a bit 1950's glamor mixed with a twenty first century edge. The band is a streamlined version of their first incarnation featuring James Grissom on drums, Marcus Irvin on bass, Brian on guitar and lead vocals, Matt Kalin on saxophone and Jamie on additional vocals. "In the beginning, I was doing much more traditional back ups then what I do now." Says Jamie. "I used to sing mostly tag lines, which was fine. But, as the band began ...
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