| | Say Anything In Defense Of The Genre CD Say Anything Discography of CDs
(3 Customer Reviews)
Say Anything is nothing if not ambitious. The band's first album, IS A REAL BOY, is a rock opera complete with characters, a storyline, and grand theatrical flourishes. Their sophomore release, 2007's IN DEFENSE OF THE GENRE, is a sweeping double album that finds lead singer and songwriter Max Bemis breaking away from his punk-pop roots into stylistically adventurous territory. Whether it's churning post-punk ("Skinny, Mean Man"), swinging show tunes ("That Is Why"), orchestral psychedelic ballads ("Retarded in Love"), or incisive singer-songwriter pop ("Spores")--all of which are distinguished by Bemis's smart, emo-tinged lyrical sensibility-- Say Anything prove they're anything but another cookie-cutter emo-pop act.
Audio Mixer: Brad Wood.
Illustrator: Jeff Smith .
Photographer: Frank Ockenfels.
Personnel: Max Bemis (vocals, guitar, mandolin, keyboards); Parker Case (vocals, guitar, keyboards); Jake Turner, Jeffrey Turner (vocals, guitar); Jacob Linder (vocals, drums, percussion); Caithlin De Marrais, Chris Carrabba, Adam Lazarra, Laura June Kirsch, Joshua Sultan, Michael Auerbach, Ken Vasoli, Matt Skiba, Andy Jackson, Pete Yorn, Anna Waronker, Gerard Way, Jordan Pundik, Chad Gilbert , Aaron Gillespie, Anthony Raneri, Fred Mascherino, Chris Conley, Anthony Green (vocals).
DJ: DJ Swamp.
Spin (p.120) - 4 stars out of 5 -- "[W]ith its detours into slick synth pop, weepy roots rock, and big Broadway music, the sprawling GENRE proves that emo needn't be boxed in by stylistic dogma." Entertainment Weekly (p.67) - "Unexpected as they are, DEFENSE's sonic twists almost always work....This is gloriously conflicted pop for the musically omnivorous." Alternative Press (p.185) - 4.5 stars out of 5 -- "27 songs that celebrate the highest highs and lowest lows..." Kerrang (Magazine) (p.50) - "It's dramatic emo with a cheeky wit, the showtune swing of 'That Is Why' softening a vicious outpouring of bile..." Blender (Magazine) (p.150) - 4 stars out of 5 -- "Over two discs and 27 songs, Bemis nuttily injects R&B thump, techno throb, Queen-style chanting and folkie mandolin into his emo." In Defense Of The Genre Music | List Price | $11.94 (You save $0.65) | | Category | Rock/Pop Albums, Alternative CDs, Rock | | Label | J-Records | | Orig Year | 2007 | | All Time Sales Rank | 46179  | | CD Universe Part number | 7516230 | | Catalog number | 718701 | | Discs | 2 | | Release Date | Oct 23, 2007 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Brad Wood; Brad Wood | | Engineer | Brad Wood; Ross Peterson; Andy Jackson | | Recording Time | 89 minutes | | Personnel | Pete Yorn Max Bemis - vocals, guitar, mandolin, keyboards Aaron Gillespie Gerard Way Jacob Linder - vocals, drums, percussion Jake Turner Parker Case - vocals, guitar, keyboards Matt Skiba Anthony Raneri Chad Gilbert
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Say Anything In Defense Of The Genre Songs
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| | | | In Defense Of The Genre CD DISC 1: |
  | 1. | Skinny, Mean Man | $0.99 | |
  | 2. | No Soul  | $0.99 | |
  | 3. | That Is Why  | $0.99 | |
  | 4. | Surgically Removing the Tracking Device  | $0.99 | |
  | 5. | This Is F***ing Ecstasy | $0.99 | |
  | 6. | Church Channel, The | $0.99 | |
  | 7. | Shiksa (Girlfriend)  | $0.99 | |
  | 8. | Baby Girl, I'm a Blur  | $0.99 | |
  | 9. | Retarded in Love  | $0.99 | |
  | 10. | People Like You Are Why People Like Me Exist  | $0.99 | |
  | 11. | Died a Jew  | $0.99 | |
  | 12. | Insult to the Dead, An  | $0.99 | |
  | 13. | Sorry, Dudes. My Bad.  | $0.99 | |
| | In Defense Of The Genre Songs DISC 2: |
  | 1. | Spay Me  | $0.99 | |
  | 2. | In Defense of the Genre  | $0.99 | |
  | 3. | Truth Is, You Should Lie with Me, The  | $0.99 | |
  | 4. | Word You Wield, The  | $0.99 | |
  | 5. | Vexed  | $0.99 | |
  | 6. | About Falling  | $0.99 | |
  | 7. | You're the Wanker, If Anyone Is  | $0.99 | |
  | 8. | Spores  | $0.99 | |
  | 9. | We Killed It  | $0.99 | |
  | 10. | Have at Thee!  | $0.99 | |
  | 11. | Hangover Song  | $0.99 | |
  | 12. | Goodbye Young Tutor, You've Now Outgrown Me  | $0.99 | |
  | 13. | I Used to Have a Heart  | $0.99 | |
  | 14. | Plea | $0.99 | |
| In Defense Of The Genre Music In Defense Of The Genre Music Review Average Rating: (4.3 out of 5 stars)   Absolutely Briliant Say Anything some how managed to make a double disc album with 27 songs that are all amazing. The entire album just proves that thier lyrics are briliant. The only problem with the cd is you can't figure out your favorite songs because everyone is as aewsome as the one before it. Submitted by jdr277 (State college, PA, USA) Was This Review Helpful? Yes No
Max Bemis is Insane...In the best way possible! Amazing disc... the whole way through!! Submitted by oakley169 (saskatoon, SK, CAN) Was This Review Helpful? Yes No
pretty good , not as vulgar as id like listen to the sorry dudes my bad i think it is the song with the singer from saves the day in it, its a great fun song and id also reccomend the church channel and baby gurl im a blur , many are of the songs sre good but not nearly as good as the last cd Submitted by baysideisacult15 (balls, illinois) Was This Review Helpful? Yes No 0 of 1 found this helpful.
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Buy In Defense Of The Genre CD Purchase In Defense Of The Genre CD To buy, Click on price to add to cart | Joao Gilberto Amoroso/Brasil CD (1993)
In Defense Of The Genre album
$12.25 Joao Gilberto is perhaps forever destined to be lesser known to casual jazz fans than his occasional collaborator Stan Getz (whose GETZ/GILBERTO albums introduced the United States to bossa nova) and his ex-wife Astrud Gilberto (whose shy, delicate voice made her one of the most distinctive and beloved jazz vocalists of the '60s). However, true fans of Brazilian music recognize that Gilberto is second only to Antonio Carlos Jobim as a writer and interpreter of traditional Brazilian music and Brazilian-influenced jazz.
These two albums, collected in full on one CD, are among Gilberto's best solo albums. Alternating between standards like "'S Wonderful" or "Besame Mucho" and Brazilian tunes like ...
| | Shirley Horn You Won't Forget Me CD (1991)
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| | Stan Getz Getz/Gilberto CD (1963)
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$10.79 The record that started the bossa nova craze of the mid-'60s, GETZ-GILBERTO is a justly recognized classic. The disc's success is attributable to its spectacular personnel: the man who basically invented bossa nova, Antonio Carlos Jobim; the man who defined and perfected the genre, Joao Gilberto; his charmingly waifish-sounding wife, Astrud Gilberto; and American tenor saxophonist extraordinaire Stan Getz. Jobim plays guitar and piano; Getz provides remarkably lyrical, complementary lead lines, and Joao Gilberto plays and sings in Portuguese with the most understated, romantic, and artful vocal delivery imaginable. It's a hard combination to beat.
Opening track "The Girl From Ipanema," a breezy, infectious Jobim composition with vocals by both Joao and Astrud, became one of the biggest (and most recognizable) ...
| | Billie Holiday Songs For Distingue Lovers CD (1957) Reissue
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$12.35 Comprised of the last five studio dates Holiday did for Verve, SONGS FOR DISTINGUE LOVERS finds Lady Day operating within her ideal environment; that of a small jazz combo. Accompanied by a legendary line-up including Sweets Edison, Ben Webster and Barney Kessel, Holiday sang with the clear enunciation and easy swing that ...
| | Shirley Horn I Remember Miles CD (1998)
In Defense Of The Genre album
$12.39 I REMEMBER MILES won the 1999 Grammy Award for Best Jazz Vocal Performance.
This stunning album is Shirley Horn's loving tribute to her friend and colleague, the legendary late Miles Davis. Davis was so taken by Horn's first album EMBERS AND ASHES that he forced The Village Vanguard to let her virtually-unknown trio open for him during his 1961 run there. Their friendship and admiration for each other's music lasted through the years, and Shirley Horn's 1991 recording YOU ...
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| | Slidin'...Some Slide CD (1993)
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| | Bobby Militello Heart & Soul CD (1993)
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| | Scarface M.A.D.E. CD (2007) Edited
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$15.65 During an era when members of rap's elite dropped albums at (at least) a one-a-year rate, Scarface took five years between the monumental 5-mic effort THE FIX (2002) and his equally compelling follow-up, M.A.D.E. (2007). The wait is well worth it, as Face is in top form, balancing anthems of relaxed gangster dominance with darker moments of pained reflection. Scarface's flow maintains the same level of restrained menace throughout, while verbose story-telling skills can still match any lyricist in the game. Featuring consistently tight production from Tone Capone, N.O. Joe, One Drop Scott, Mike Dean, Enigma, and Nottz, M.A.D.E. is another triumph from Houston's favorite son.
Hip-hop veteran Scarface doesn't evolve much or waiver from his usual hardcore, minimal sound on his 2007 effort MADE, but that doesn't ...
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