| | Arie Di Bravura CD Damrau / Mozart / Rhorer / Righini / Salieri CDS
 (1 Customer Review)
Arie Di Bravura Music | List Price | $16.98 (You save $2.43) | | Label | Virgin Classics | | Orig Year | 11/6/2007 | | All Time Sales Rank |  2665  | | CD Universe Part number | 7517105 | | Catalog number | 95250 | | Discs | 1 | | Release Date | Nov 06, 2007 | | Recording Time | 1 8 |
Arie Di Bravura Classical Review Arie Di Bravura Songs 1. Cublai, gran kan de Tatari, opera: Fra i barbari sospetti (3:37)  Windows Media  Real Audio | | Common Name | Cublai Gran Kan De Tatari Opera | | Composer | Antonio Salieri (1750 - 1825) | | Conductor | Jeremie Rhorer | | Performer | Diana Damrau | | Genre | Classical Period / Opera | | Date Written | 1788 | | Ensemble | Le Cercle de l'Harmonie | | Period | Classical | | Venue | Paris, Eglise Notre-Dame du Liban | | Notes | Paris, Eglise Notre-Dame du Liban (12/17/2006-12/24/2006) | | 2. Il natal d'Apollo, cantata: Ove son? Qual'aure io spiro (7:09) Windows Media Real Audio | | Common Name | Il Natal D'apollo Cantata | | Composer | Vincenzo Righini (1756 - 1812) | | Conductor | Jeremie Rhorer | | Performer | Diana Damrau | | Genre | Classical Period | | Date Written | 1789 | | Ensemble | Le Cercle de l'Harmonie | | Period | Classical | | Venue | Paris, Eglise Notre-Dame du Liban | | Notes | Paris, Eglise Notre-Dame du Liban (12/17/2006-12/24/2006) | | 3. L' Europa riconosciuta, opera: Numi, respiro... Ah, lo sento (6:26) Windows Media Real Audio | | Common Name | L' Europa Riconosciuta Opera | | Composer | Antonio Salieri (1750 - 1825) | | Conductor | Jeremie Rhorer | | Performer | Diana Damrau | | Genre | Classical Period | | Ensemble | Le Cercle de l'Harmonie | | Period | Classical | | Venue | Paris, Eglise Notre-Dame du Liban | | Notes | Paris, Eglise Notre-Dame du Liban (12/17/2006-12/24/2006) | | 4. Il natal d'Apollo, cantata: Ombra dolente (4:04) Windows Media Real Audio | | Common Name | Il Natal D'apollo Cantata | | Composer | Vincenzo Righini (1756 - 1812) | | Conductor | Jeremie Rhorer | | Performer | Patrick Beaugiraud (Oboe)
Jani Sunnarborg (Bassoon)
Peter Whelan (Bassoon)
Thomas de Pierrefeu (Double Bass)
Diana Damrau | | Genre | Classical Period | | Date Written | 1789 | | Ensemble | Le Cercle de l'Harmonie | | Period | Classical | | Venue | Paris, Eglise Notre-Dame du Liban | | Notes | Paris, Eglise Notre-Dame du Liban (12/17/2006-12/24/2006) | | 5. Die Zauberflöte (The Magic Flute), opera, K. 620: O zittre nicht (4:31) Windows Media Real Audio | | Common Name | O Zittre Nicht, Die Zauberflote The Magic Flute | | Catalog No. | K 620 | | Composer | Wolfgang Amadeus Mozart (1756 - 1791) | | Conductor | Jeremie Rhorer | | Performer | Diana Damrau | | Genre | Classical Period / Opera / Singspiel | | Date Written | 1791 | | Ensemble | Le Cercle de l'Harmonie | | Period | Classical | | Country | Austria | | Venue | Paris, Eglise Notre-Dame du Liban | | Notes | Paris, Eglise Notre-Dame du Liban (12/17/2006-12/24/2006) | | 6. Die Zauberflöte (The Magic Flute), opera, K. 620: Der Hölle Rache (3:01) Windows Media Real Audio | | Common Name | Der Holle Rache, Die Zauberflote The Magic Flute | | Catalog No. | K 620 | | Composer | Wolfgang Amadeus Mozart (1756 - 1791) | | Conductor | Jeremie Rhorer | | Performer | Diana Damrau | | Genre | Classical Period / Opera / Singspiel | | Date Written | 1791 | | Ensemble | Le Cercle de l'Harmonie | | Period | Classical | | Country | Austria | | Venue | Paris, Eglise Notre-Dame du Liban | | Notes | Paris, Eglise Notre-Dame du Liban (12/17/2006-12/24/2006) | | 7. Cublai, gran kan de Tatari, opera: D'un insulante orgoglio (4:29) Windows Media Real Audio | | Common Name | Cublai Gran Kan De Tatari Opera | | Composer | Antonio Salieri (1750 - 1825) | | Conductor | Jeremie Rhorer | | Performer | Patrick Beaugiraud (Oboe)
Diana Damrau | | Genre | Classical Period / Opera | | Date Written | 1788 | | Ensemble | Le Cercle de l'Harmonie | | Period | Classical | | Venue | Paris, Eglise Notre-Dame du Liban | | Notes | Paris, Eglise Notre-Dame du Liban (12/17/2006-12/24/2006) | | 8. Lucio Silla, opera, K. 135: In un instante... Parto, m'affretto (6:32) Windows Media Real Audio | | Common Name | Lucio Silla Opera | | Catalog No. | K 135 | | Composer | Wolfgang Amadeus Mozart (1756 - 1791) | | Conductor | Jeremie Rhorer | | Performer | Diana Damrau | | Genre | Classical Period / Opera | | Date Written | 1772 | | Ensemble | Le Cercle de l'Harmonie | | Period | Classical | | Venue | Paris, Eglise Notre-Dame du Liban | | Notes | Paris, Eglise Notre-Dame du Liban (12/17/2006-12/24/2006)
Composition written: 1772.
Composition revised: Italy. | | 9. Der Rauchfangkehrer, or Die unentbehrlichen Verräther ihrer Herrschaften aus Eigennutz, lustspiel: B (3:03) Windows Media Real Audio | | Common Name | B, Der Rauchfangkehrer Or Die Unentbehrlichen Verrather Ihrer Herrschaften Aus Eigennutz Lustspiel | | Composer | Antonio Salieri (1750 - 1825) | | Conductor | Jeremie Rhorer | | Performer | Patrick Beaugiraud (Oboe)
Peter Whelan (Bassoon)
Alexis Kossenko (Flute)
Diana Damrau | | Genre | Classical Period / Opera | | Date Written | 1781 | | Ensemble | Le Cercle de l'Harmonie | | Period | Classical | | Venue | Paris, Eglise Notre-Dame du Liban | | Notes | Paris, Eglise Notre-Dame du Liban (12/17/2006-12/24/2006) | | 10. Semiramide, opera: Sento l'amica sperme (6:39) Windows Media Real Audio | | Common Name | Semiramide Opera | | Composer | Antonio Salieri (1750 - 1825) | | Conductor | Jeremie Rhorer | | Performer | Patrick Beaugiraud (Oboe)
Peter Whelan (Bassoon)
Alexis Kossenko (Flute)
Diana Damrau | | Genre | Classical Period | | Ensemble | Le Cercle de l'Harmonie | | Period | Classical | | Venue | Paris, Eglise Notre-Dame du Liban | | Notes | Paris, Eglise Notre-Dame du Liban (12/17/2006-12/24/2006) | | 11. Basta, vincesti...Ah, non lasciarmi, recitative and aria for soprano & orchestra, K. (2) 486a (K. 29 (6:26) Windows Media Real Audio | | Catalog No. | K 29 / K 486A | | Composer | Wolfgang Amadeus Mozart (1756 - 1791) | | Conductor | Jeremie Rhorer | | Performer | Diana Damrau | | Genre | Aria / Classical Period | | Date Written | 1778 | | Ensemble | Le Cercle de l'Harmonie | | Period | Classical | | Venue | Paris, Eglise Notre-Dame du Liban | | Notes | Paris, Eglise Notre-Dame du Liban (12/17/2006-12/24/2006) | | 12. L' Europa riconosciuta, opera: Quando più irato freme (6:34) Windows Media Real Audio | | Common Name | L' Europa Riconosciuta Opera | | Composer | Antonio Salieri (1750 - 1825) | | Conductor | Jeremie Rhorer | | Performer | Diana Damrau | | Genre | Classical Period | | Ensemble | Le Cercle de l'Harmonie | | Period | Classical | | Venue | Paris, Eglise Notre-Dame du Liban | | Notes | Paris, Eglise Notre-Dame du Liban (12/17/2006-12/24/2006) | | 13. La finta scema, opera: Se spiegar potessi appieno (5:02) Windows Media Real Audio | | Composer | Antonio Salieri (1750 - 1825) | | Conductor | Jeremie Rhorer | | Performer | Diana Damrau | | Genre | Classical Period | | Date Written | 1775 | | Ensemble | Le Cercle de l'Harmonie | | Period | Classical | | Venue | Paris, Eglise Notre-Dame du Liban | | Notes | Paris, Eglise Notre-Dame du Liban (12/17/2006-12/24/2006) |
Arie Di Bravura Music Composers on Arie Di Bravura CD : Antonio Salieri, Wolfgang Amadeus Mozart, Vincenzo Righini Conductors on Arie Di Bravura CD : Jeremie Rhorer Ensembles on Arie Di Bravura CD : Le Cercle de l'Harmonie Genres on Arie Di Bravura CD : Aria, Classical Period, Opera, Singspiel Performers on Arie Di Bravura CD : Alexis Kossenko, Diana Damrau, Jani Sunnarborg, Patrick Beaugiraud, Peter Whelan, Thomas de Pierrefeu Purchase Arie Di Bravura To buy, Click on price to add to cart | Mingardo Vivaldi: La Verità In Cimento (Opere Teatrali, Vol. 2) CDs (2003)
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PROGRAM NOTESSymphony No. 1 is dedicated to my son, Israel. It was Israel who suggested that my symphony be about "play" and "love." I was both appreciative and awestruck by this simple yet profound suggestion particularly since Israel is autistic and has severe difficulty with language. The middle movements of my symphony are indeed entitled "Play" and "Love" and the two outer movements serve to border the inner movements and to deal with the emotional context surrounding a special needs child. The first movement perhaps deals with my emotions arising from the enigma of it all, and the final movement is perhaps aimed more at Israel and his struggle and his ability to achieve joy and success against overwhelming odds. Symphony No. 2 ("Parmly's Dream") is a series of tableaus from the life of Parmly Billings. Parmly was the eldest son of Frederick and Julia Billings. Frederick Billings was the president of the Northern Pacific Railroad and is the namesake of Billings, Montana. Frederick and the Billings family lived in Woodstock, Vermont. Parmly lived in Billings, Montana for approximately four years in the mid-1880's. He died in Chicago on his way home, aged 25.As site specific as that sounds (i.e. only folks in Billings Montana would be interested in this piece), the Second Symphony actually has more universality than one would expect. What we have here is a simple tale of father and son and of a family tragedy. There is something in the telling that seems to affect everyone. I didn't realize this would be the case until the piece was performed and recorded. The father and son aspet, by the way, is the element that ties the two works together. Again, I didn't notice this until after I had decided to put both works on a single disk. Funny how often it works out like that.Both recordings are live recordings of the premiers. Symphony No. 1 is for orchestra. Symphony No. 2 is for orchestra, choir and 5 soloists (three vocalists representing Parmly Billings and his parents Frederick and Julia, solo piano, and Native American flute, drum and vocals. the native American music was collaboratively written with Joseph Fire Crow [see bios below]) BIOS JIM COCKEYComposer- in-ResidenceJim Cockey was born in Baltimore, Maryland, but has spent most of his life in Idaho. He holds a composition degree from the University of Oregon where he studied with Homer Keller and Hal Owen. He has received numerous grants, commissions and honors, ...
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