| | Your Demise You Only Make Us Stronger CD - Import Your Demise Discography of CDs
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Our Price: $40.75  CDFor Sale Usually ships in 1-2 days
(Only 2 available)
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You Only Make Us Stronger Music | List Price | $42.99 (You save $2.24) | | Category | Rock Albums, Heavy Metal CDs | | Label | Phantom | | CD Universe Part number | 7519175 | | Catalog number | 729767 | | Discs | 1 | | Release Date | Sep 25, 2007 |
Your Demise You Only Make Us Stronger Songs | 1. | You Only Make Us Stronger |
| 2. | Diamonds Are Forever But You're Fucking Not |
| 3. | Allow |
| 4. | Sahc2 |
| 5. | Curl Up And Die |
| 6. | Fuck Everyone |
| 7. | Jokes On You |
| 8. | Doesn't Seem Ideal |
| 9. | Hole Hearted |
| 10. | Gutted |
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You Only Make Us Stronger Review
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| | Eddie Cunningham Hippie In A Redneck World CD (2007)
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Eddie Cunningham - Hippie In A Redneck WorldRaunchy, Loose, buzzy, ruff, pure reckless, sensitive ditties, Acoustic Electric batch of hillbilly genius here... soon to be anthems at truck stops world wide!!!!!!Recorded live on a Edirol R-09 and a Olympus VN-120 in my bedroom.(some rare moments captured here, get it while supplies last) these CD's are selling fast at gigs and are sure to be a collectors item, some copies are already selling for $40.00 at amazon.com, but you can get it here for half as much or if you catch Eddie at a gig, you can get it for even cheaper and a sig too. Don't miss out!Eddie is in the middle of a series of independent films right now, and took a short break in between pictures to lay this group of tunes down and in other news, REDNECK NATION is getting ready to go in the studio with producer KIM FOWLEY and cut new tracks for a release later this summer. Eddie sang on the new John York record, produced by Kim.Former lead singer/songwriter and founder of Atlantic Records alternative Rock/Country group "Cowboys & Indians" 1987-90. A&R Rep Keith Cowan got an unsolicited tape in the mail from Eddie, a 4 song home studio recording of the band. Keith wanted to see them "live" so he set up a private showcase in Hollywood. They were signed on the spot and recorded at least two albums worth of American Indian Tribal rock songs and Country rock/ballads. They Played gigs around town with "The Unforgivin'"(the pioneers of the spaghetti western craze in Hollywood). While honing his writing skills playing the Los Angeles songwriters circuit, and visiting the famous Palomino club in North Hollywood he ran into many songwriters including Jim Lauderdale, Jeffrey Steele (Boy Howdy), Monty Byrom (Big House), Dale Watson, Rosie Flores, Dwight Yoakam and others. Eddie's former ...
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| | Alchemy X 11:59:59 CD (2008)
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Album/Song commentary by Steve Ratchen Album: “11:59:59” (produced by Rob Schreiber and Alchemy X, recorded at DMS Studios, Long Island City, NY between November 2001/August 2002, mixed and mastered by Konstantin “Mozart” Kamcev) Released in January 2003 on CD by Unisound Records, Greece The genesis of this record began before the first album was even released. In fact, those people who were at the record release show at Down Time in Manhattan back in March 1999 can attest to the fact that seminal versions of “A Kiss Before Dying” and “Renaissance” were both played that night! Other bits and pieces that ended up on this record were played at various shows during 1999 (Club Bene, Birch Hill, etc.) when we were actually supporting the first record. When Marty left the band in the fall of 1999 (and then again after a brief second stint in 2000) we balanced writing music for the new album with searching for a new vocalist. By the time I found Bob in March 2001, almost all of the music had been written, and I had lyrics for most of it along with a vague idea to do a concept album. I always liked the time-based title, so overly dramatic yet compelling to look at, and wanted to do an homage to bands like Marillion when they wrote concept records like “Misplaced Childhood” and “Clutching at Straws”. The idea was to loosely structure a story around the pieces, with little interlocking musical passages, but to make the material strong enough to stand out on its own as well. I have to give Bob credit for the idea of the central protagonist being a hit-man, and I crafted the “banality of evil” story-line, where this guy is on his deathbed, recounting his misspent life in flashback sequence, and how easy, routine, and almost untraceable his descent into this kind of depravity really was. We all owe a great debt to Chris Fox, not only for his unbelievably great guitar work and composition, but it’s his photographs of the Manhattan skyline from a Long Island City perspective that adorn both the font and back cover of this record. From a production point of view, this record couldn’t have been more different from our debut. First of all, both Rob and Chris Scorsese bought Digital Performa recording units with all the accoutrements, greatly lessening the stress of working on someone else’s clock and meter. We did the pre-production work at Scorsese’s, and then Rob took the helm as producer and we were able to really maximize our productivity. I’m sure it wasn’t easy for him to continually shift his focus from ...
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