| | Ray Davies Working Man's Cafe CD - Import Ray Davies Discography of CDs
(3 Customer Reviews)
The Kinks stopped being a working band in 1996, but it still took frontman Ray Davies another decade to release his first proper solo album. The follow-up, WORKING MAN'S CAFE, came along a relatively speedy two years later. Those who are familiar with latter-day Kinks recordings will recognize a sonic thread here, but while there are some moments that lean toward harder-edged rock, WORKING MAN'S CAFE is ultimately a singer-songwriter album, with the highly melodic, elegantly crafted tunes serving the intentions of Davies's lyrics.
As has been the case since the '60s, Davies focuses his attention on sociopolitical themes, delving into both the political and sociological aspects of modern life. He alternately laments one man's inability to affect global politics ("Listen to Me") and rails eloquently against the misdirection of international economic practices ("Vietnam Cowboys"). Of course, this being the man who wrote "Waterloo Sunset" and "Days," those concerns are couched in musical frameworks so appealing that they taste like candy going down.
2007 release of the second solo album by the founder and former frontman of The Kinks, one of the best albums of his incredible career. His first, Other People’s Lives, was a lifetime in the making, while this album happened relatively quickly. It was recorded in Nashville, Tennessee and mixed in North London at Konk Studios, featuring 10 stellar songs co-produced with Ray Kennedy. They assembled a crackerjack band of top musicians who breathed life into a wonderful collection of songs. The album is infused with a transatlantic sound befitting Ray’s close ties to the American south coupled with his well respected Englishness. From the first upbeat notes of the lead track ‘Vietnam Cowboys’, it is clear Ray has never sung better. The album presents a wistful, humorous and poignant look at life in the 21st Century, just what we have come to expect from one of Britain’s greatest songwriters. Highlights are many and include the Preservation Jazz Hall sway of ‘Morphine Song’, the painful longing of ‘Imaginary Man’ and the haunting emotion of ‘One More Time’. Brimming with variety, ‘Voodoo Walk’ is a steamy stroll on the rock side. ‘You’re Asking Me’ and ‘In A Moment’ offer incredibly affecting pop while ‘Working Man’s Café’ revisits familiar Davies territory, that yearning for an era gone by. V2
Arranger: Ray Davies .
Personnel: Ray Davies (vocals, acoustic guitar, keyboards, background vocals); Pat Buchanan (electric guitar); Timothy Lauer (keyboards); Craig Young (bass guitar); Shannon Otis Forrest (drums); Karin Forsman, Ray Kennedy (background vocals).
Audio Mixer: Ray Kennedy.
Rolling Stone (p.70) - 3 stars out of 5 -- "[H]e turns out loose melodies amid nimble bar-band grooves..." Entertainment Weekly (p.97) - "[With] a cache of Kinks-worthy melodies...[including] the gorgeous 'The Real World,' and 'You're Asking Me,' which could almost be a lost tune from the late '60s." Blender (Magazine) (p.97) - 3 stars out of 5 -- "When it comes to writing beautiful, wistfully nostalgic tunes, no one can top former Kinks frontman Ray Davies." Harp (magazine) (p.93) - "WORKING MAN'S CAFE is sharper and more direct, a reaching back to Davies' most biting social commentary and the pointed wit of prime Kinks days." Paste (magazine) (p.71) - 3.5 stars out of 5 -- "Electric guitars crank for 'Peace In Our Time' and arpeggiate for 'Imaginary Man.' Horns add punch to 'Morphine Song.'" Ray Davies Working Man's Cafe Songs Working Man's Cafe Music Review Purchase Working Man's Cafe CD To buy, Click on price to add to cart | Rockpile Seconds Of Pleasure CD (1980) Bonus Tracks; Remastered
Working Man's Cafe album
$6.25 The CD contains the four songs from the bonus EP--NICK LOWE & DAVE EDMUNDS SING THE EVERLY BROTHERS--included with the original LP release.
Kindred spirits Dave Edmunds ...
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1976's A NEW WORLD RECORD is both a classic of commercial '70s pop and an archetypal ELO album. From the outer-space synths and rich orchestrations that ...
| | Nico Do Or Die CD (1982)
Working Man's Cafe music CDs
$11.39 When the tapes which comprise this album first appeared, on the bootleg Nico Sings the Void cassette sold at her 1982/1983 live shows, they were the only evidence of her live performance you could find. Today, there's close to a dozen such collections out there, including several radar-sharp recreations of entire performances. But Do or Die, salvaged from both that original tape and a handful of other period concert and radio performances, ranks among the finest of them all. And here's why. Culled from five European gigs during 1981, and featuring the finest of Nico's latter-day live bands, the Blue Orchids, the 12 songs (but 14 performances -- two songs appear twice) are drawn from almost every phase of her career, essentially lining up as the definitive "greatest hits" album Nico is still awaiting. And no, The Classic Years, well-meaning hodgepodge though it was, doesn't fit the bill. From the Velvets to Drama of Exile, the emphasis is on the crowd-pleasers -- even if one acknowledges that the things which pleased a Nico audience weren't necessarily those which would thrill anybody else. Kicking off with a chilling, echo-laden "Janitor of Lunacy," closing with a positively medieval rendering of "The End," Do or Die sweeps from the knowing bombast of "Heroes" to the skillful beauty of "Abscheid"; from a positively lovely "Femme Fatale" to an a cappella "All Tomorrow's Parties"; and peaks with a funereal "Saeta," recorded for Manchester's Picadilly Radio in 1981, and the seldom heard "No-One Is There," originally written for Richard Nixon, but dedicated now to Ronald Reagan. None of the performances are themselves definitive -- for all her live experience, Nico worked best in the studio, surrounded by silence, darkness, and friends. The concert environment paid the rent (and financed a few other little necessities) and, particularly through the mid-'80s, Nico gigged for little other reason -- you could hear it in her voice, see it in her movements, and, years later, still recount it on so many ...
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$16.45 To the very extent to which Suicidal Tendencies were once edgy, intelligent, and refreshingly original, 1999'sFreedumb is trite, repetitive, and disappointing. Seemingly all the elements that once made this Venice-based funk-thrash quartet enjoyable are gone, replaced by dated riffs and lyrics that wouldn't fit in during any time period. It's as if frontman Mike Muir doesn't know where to direct his anger anymore. And so he directs it all over the place, with varying degrees of effectiveness. There's no biting criticism of religious hypocrisy on Freedumb, nor are there any attacks ...
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