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Documentary DVD


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Category Musical DVDs, Musical Movies
Documentary


Detailed Documentary Movie Information



List Price $11.99 (You save $2.70)
Studio Phantom
CD Universe Part number 7520237
Catalog number 31471
Discs 1
Release Date May 07, 2007
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Music composed by Andrew Lloyd Webber. Lyrics by Charles Hart. It's a testament to Andrew Lloyd Webber's crowd-pleasing compositional skills that the original cast recording of THE PHANTOM OF THE OPERA went on to become the biggest-selling cast album ever. So when the time came to adapt his music for the film version of the monumentally successful theatrical work, Webber enlisted the aid of longtime collaborators Nigel Wright and Simon Lee. They produced an expanded orchestral version of the score, grander and more sumptuous than the original, and assembled a 100-member ensemble to do it justice. However, the tragic story of the disfigured Phantom and Christine, the beautiful object of his desire, cannot be told without powerful performances of those roles. Gerard Butler and Emmy Rossum quickly dispel any concerns regarding the adequacy of their portrayals. Butler's full-blooded renditions of "The Music of the Night" and the title song are tinged with a dark eroticism, while Rossum's account of "Wishing You Were Somehow Here Again" skillfully conveys her character's vulnerability and conflicted feelings. The soundtrack also features a newly penned song by Webber, the poignant "Learn to Be Lonely," sung by Minnie Driver, who appears in the role of Carlotta in the film. All tracks have been digitally remastered. Recorded at EMI Studios & Audio International, London, England. Includes liner notes by Andrew Lloyd Webber. Principal cast: Michael ...
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Additional personnel includes: David Nadien, Sanford Allen, Barry Finclair (violin). Frank Wildhorn and Leslie Bricusse's musical Jekyll & Hyde took such a long route to Broadway that this original Broadway cast album is in fact the third recording of the score, following a 1990 studio cast version and a 1994 two-CD set based on the Houston production. All three, however, star Linda Eder, a Barbra Streisand soundalike, singing songs that frequently sound like the sort of adult contemporary ballads Streisand perfected in the 1970s; it's hard to hear Eder sing "A New Hope" and not think of "The Way We Were" or "Evergreen." Besides Michel Legrand and Paul Williams, Wildhorn's other main influences are Andrew Lloyd Webber and Claude-Michel Schönberg, the composers who have introduced the semi-operatic, melodramatic shows Phantom of the Opera and Les Miserables, both of which are also based on 19th century European works of literature. It seems necessary to cite all these influences so prominently because Jekyll & Hyde is so much a secondhand effort, not to mention second-rate. Theater buffs have derided the music as "pop," and the director even offers a defensive sleeve note to that effect, but that's not really the problem. Rather, the work is undeniably theatrical, and not only because "This Is the Moment" (which Jekyll sings before turning into Hyde) competes with Queen's "We Are the Champions" as a sports anthem these days. The songs work in theatrical terms, especially when Robert Cuccioli is conducting duets with himself, switching octaves wildly as he turns from Jekyll to Hyde. The problem is that the show ...
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All lyrics written by Lynn Ahrens. All music written by Stephen Flaherty. RAGTIME THE MUSICAL was nominated for a 1998 Grammy Award for Best Musical Show. Ragtime-the musical genre-is one of the principal crossroads amongst African-American rhythms, European-American songs and New World sensibility at the turn of the 20th century. As such, it works as a perfect metaphor for this mega-musical that takes on this whole wild and wooly nation. Lynn Ahrens and Stephen Flaherty, whose prior collaborations include "Once Upon This Island" and "My Favorite Year," have crafted an ambitious, tumultuous, but upbeat American epic based on the E.L. Doctorow bestseller. Taking their cues from Scott Joplin, Stephen Foster, minstrels, vaudeville and of course their Broadway predecessors, Ahrens and Flaherty effortlessly evoke another time while drawing parallels to another, strangely familiar turn of the century place. High octane performances are turned in by Audra McDonald as the doomed Sarah, Brian Stokes Mitchell as the righteous Coalhouse Walker, Jr. and Mark Jacoby as the everyman, "Father." A chorus of hundreds (actually only about 60 but who's counting?) livens up the elaborate ensemble scenes. Not to be missed are short but sweet time- setting cameo roles of Henry Ford, Emma Goldman, Harry Houdini, Booker T. Washington, J.P. Morgan and Evelyn Nesbit, the sex symbol at the heart of the first "crime of the century." Recorded at Manta Eastern Sound Studios, Toronto, Canada on July 15-17, 1996. Includes liner notes by E.L. Doctorow and Marty Bell. Recorded at the Hit Factory Studio 1, New York, New York on January ...
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