| | Salsa Tribute To The Beatles CD
Tributee: The Beatles.
The Beatles songbook is full of tunes that have such perfect melodic and rhythmic foundations that it is possible to translate them into almost any foreseeable musical genre, from reggae and dub to bluegrass and classical, and have them work successfully on one level or another. The dozen tracks presented here cast Beatles songs (and one post-Beatles Paul McCartney song) into a salsa vibe, and while nothing particularly startling emerges, it's nice to hear tracks like "Get Back" (done by Harvey Averne) and "Me and My Monkey" (done by Orquesta Harlow) given new spins in a dancefloor context. ~ Steve Leggett Salsa Tribute To The Beatles Music Salsa Tribute To The Beatles Songs | 1. | Yesterday - Tito Puente/La Lupe |
| 2. | Michelle - Orquesta Novel |
| 3. | I Feel Fine - Harvey Averne |
| 4. | Get Back - Harvey Averne |
| 5. | Gloria a Dios (Let It Be) - Richie Ray/Bobby Cruz |
| 6. | Don't Let Me Down - Harvey Averne |
| 7. | Me and My Monkey (Mi Mono) - Orquesta Harlow |
| 8. | I'd Have You Anytime - Ralfi Pagan |
| 9. | My Love (Does It Good to Me) - L.T.G. Exchange |
| 10. | Something - Joey Pastrana |
| 11. | This Boy - Joe Bataan |
| 12. | Tu Calle - Santitos Colon |
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Salsa Tribute To The Beatles Review
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In an industry where the quality of an artist's product comes second to his image, its little wonder today's underground rap scene is infested with the overwhelmingly average. That is unless you consider the efforts of Bay Area phenomenon David Anthony Martin Jr., better known throughout California as wordsmith Martie Bacardii. With a down-to-business approach to lyrical eloquence, Martie has cemented himself on the tip of underground rap's tongue by putting a voice to the struggles of growing up quickly in the suburbs. Martie began writing lyrics at the age of fourteen, when Das EFX were getting with this or that and Mac Dre was still too hard for the radio. In these early years Martie began forging the lyrical style that would guide him through a tumultuous journey from the streets of Antioch, Ca., to the cutting edge of underground rap. Emotionally self-reliant at a young age, Martie realized he had in him a seemingly endless supply of words with which to shout back at his world.Martie's heart-felt and easily relatable lyrics fostered a considerable degree of notoriety in his local area, attracting the attention of vanguard underground producer Sideways. An accomplished rapper in his own rite, Sideways immediately recognized the potential of Martie's true-to-life lyrical style and decided to feature him on a track called "Sloppyways," to be released on Sideways' next album.When the album hit the streets, so did Martie, selling countless copies with his wits and bare hands. Though he had only contributed a single verse to a single song, Martie peddled the album tirelessly with the same tenacity he had displayed in the studio. It was Martie's undeniable drive that most impressed Sideways, who subsequently brought Martie under his wing and into the fold at Livewire Entertainment, his independent production label. What followed was "The Last Call," Martie's first solo album, which launched a flurry of concert dates from northern California to Mexico.Over the next few years, fans hungrily awaited the follow-up album as Martie ...
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