| | Santino Nadie Es Como T CD - Import Santino Discography of CDs
Nadie Es Como T Music | List Price | $29.99 (You save $2.40) | | Category | World Albums, World Beat CDs | | Label | Phantom | | CD Universe Part number | 7524407 | | Catalog number | 1232306 | | Discs | 1 | | Release Date | Oct 16, 2007 |
Santino Nadie Es Como T Songs | 1. | Par Abajo Y Para Arriba | |
| 2. | Vuelve | |
| 3. | Sonrie Mi Corazon | |
| 4. | Gente | |
| 5. | Cerca | |
| 6. | Pintare | |
| 7. | Mis Sentimientos | |
| 8. | Infierno | |
| 9. | Amor De Mi Vida | $0.99 | |
| 10. | Me Tumban | |
| 11. | Indiocumentado | |
| 12. | El Inmigrante | |
| 13. | Ayayayay | |
| 14. | Miedo | |
| 15. | Te Burlaste | |
| 16. | Nadie Es Como Tu | |
| 17. | Me Tumban | |
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Nadie Es Como T Review
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Purchase Nadie Es Como T CD To buy, Click on price to add to cart | Pink Martini Splendor In The Grass CD (2009) Digipak
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Pink Martini follow the around-the-world-in-a-dozen-songs thrills of HEY EUGENE! with SPLENDOR IN THE GRASS, a mellower, simpler set of small pleasures. These are relative terms, however; the group's music is still well-traveled, with China Forbes singing in five languages (English, Spanish, Neapolitan, French, and Italian) instead of the six or so on EUGENE!. However, Pink Martini opt for a more unified sound here, one that draws on the more straightforward lounge-pop of their debut, SYMPATHIQUE, and the mellowness of '60s and '70s pop. SPLENDOR IN THE GRASS' first half is especially smooth, opening with the beautifully soft Neapolitan ballad "Ninna Nanna" and the title track, on which Forbes sings "I think we should take it slow" over swooping strings, brass, and piano that resurrect the glory days of AM pop; that feeling is echoed by the cover of Joe Raposo's "Sing," the Sesame Street song that gained popularity when the Carpenters performed it (Emilio Delgado, aka Sesame Street's Luis, duets with Forbes here in Spanish and English). The album's first few tracks are among its most playful, including the slinky yet winking "Ohayoo Ohio" and the French ...
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It was not pure ego that led Buju Banton to title his 1993 album VOICE OF JAMAICA; his unique voice is a gruff, melodic instrument, and his lyrics are precise. He built his career on controversial hits and slacker anthems, but has since helped spearhead a movement to swing reggae's pendulum away from sex and violence, back towards conscious lyrics and Rastafarian themes. On `TIL SHILOH, the voice of Jamaica has visibly evolved.
Still, don't let all this consciousness talk scare you; Buju's strength is his ability to create hooks that buoy the weight of his words. The choruses of singles like "Murderer," "I Wanna Be Loved" and "Champion" drill themselves into your head and nest there for days. 'TIL SHILOH is also one of the most experimental dancehall releases ever, utilizing an a capella intro, a track built out of African chanting and percussion ("'Til I'm Laid To Rest"), and a song featuring an acoustic guitar ("Untold Stories"). A duet with the late Garnett Silk ("Complaint") provides a nice respite from Banton's trademark growl. For the most part, Buju and executive producer Donovan Germain steer clear of pandering to cross-over audiences, choosing instead to rely on innovative rhythms and Banton's natural pop sensibilities to win over listeners.
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With help from musicians associated with the era and location (including Don Tosti, Lalo Guerrero, and Thee Midnighters' Little Willie G.) and studio musicians Jim Keltner, Jon Hassell, and legendary Tex-Mex accordionist Flaco Jimenez, Cooder has created a musical novel that richly celebrates the music, life, and lingering mythos of Chavez Ravine, an L.A. neighborhood razed by the city in the interest of big business (namely to build a stadium for the soon-to-be L.A. Dodgers). Stylistically, the album, performed in both Spanish and English, encompasses Latin folk forms, swing, atmospheric ballads, rhumba, and R&B. Yet the whole feels so rooted in history, so packed with real characters (like boxer Carlos Chavez) and stories (like a Pachuco-slang-speaking UFO sighting) that it plays as an organic whole. Playful, poignant, historically significant, and thoroughly enjoyable, CHAVEZ RAVINE is a stunning achievement.
In the wake of the tremendous impact of the BUENA VISTA SOCIAL CLUB album, film, and tour, it is easy to see Ry Cooder as a historian, a cultural ambassador, and a gifted humanist interested in revitalizing all people through music. If this sounds like an overstatement, you probably haven't heard 2005's CHAVEZ RAVINE yet. Like BUENA VISTA, CHAVEZ RAVINE locates itself in a cultural and musical context, ...
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Hello...thanks for dropping by! "Ancient Promise"JEEM's music is an eclectic synthesis of global and galactic influences and styles. Since the release of his award winning first album in 1985, JEEM has created music for the New Mythology.This world class synthesist, through ...
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Andy Swindell is a survivor! Growing up in the sixties, Swindell’s love for music of all genres was all-possessing. After years of performing and recording as a member of the southern soul circuit institution, The Embers, it was time to reveal his eclectic ...
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