| | Dale Watson Live At Newland, NL CD Dale Watson Discography of CDs
Dale Watson: Dale Watson (vocals, guitar); Don Pawlak (pedal steel guitar); Don Raby (fiddle); Gene Kurtz (bass guitar); Herb Belofski (drums). Live At Newland, NL Music Dale Watson Live At Newland, NL Songs Live At Newland, NL Review
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Purchase Live At Newland, NL CD To buy, Click on price to add to cart | King Of Bluegrass - The Life And Times Of Jimmy Martin DVD (2003)
Live At Newland, NL album
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| | James King Bluegrass Storyteller CD (2005)
Live At Newland, NL CD music
$14.65 While artists often seem to randomly name their latest effort, James King has carefully aligned content with title on Bluegrass Storyteller. The music, let there be no doubt, is traditional bluegrass, harking back to Bill Monroe and Ralph Stanley. And the 13 songs, from "Coldest Day of Winter" to "Just as the Sun Went Down," each tell a story. Singer James King and his stories are backed by fine ensemble work by mandolinist Kevin Prater, banjoist Bernie Green, bassist Jerry McNeely, ...
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Live At Newland, NL music CDs
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| | George Jones Hits I Missed... And One I Didn't CD (2005)
Live At Newland, NL songs
$12.59 True to its title, HITS I MISSED...AND ONE I DIDN'T consists mainly of songs George Jones initially declined to record that became big hits for other country singers. This 2005 release finds the older, wiser Jones finally getting around to putting his unmistakable mark on these already-classic tunes. The opening cut, "Funny How Time Slips Away," for example, will forever be associated with Willie Nelson, but Jones manages to find previously unexplored nooks and crannies within the song. This approach serves him in good stead as he takes on tunes made famous by everyone from Randy Travis (the admittedly Jones-indebted "On the Other Hand") ...
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Live At Newland, NL album
$8.75 Although new Billy Joe Shaver studio albums proved to be rarities in the early 2000s, ...
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Live At Newland, NL CD music
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| | Whit Hill We Are Here CD (2003)
Live At Newland, NL music CDs
$17.09 Though she's well-known nationally as an award-winning choreographer, and as a backing vocalist for Dick Siegel's former band the Na Nas, We Are Here is Whit Hill's debut album as a singer/songwriter. The album collects 14 songs that run the gamut from garagey alt country to raucous hillbilly gospel, bluegrass, blues, jazz, and rock and roll. Musically, Hill's tunes are all over the place. There's the rambling Bill Monroe delight in "Maddie," a tune about Hill's real life growin'-up-pal Madonna, that's genuinely warm and funny, and not a name dropping exercise, the hipster jazz spoken word on "Tone/Shift," the stomping two-step honky tonk country in "Last Saturday," (that Nashville doesn't have the guts to touch), and the Crazy Horse-styled rock and roll of "Valentine." Hill's band, the Postcards, led by husband, backing vocalist, keyboard boss, and guitar slinger Al Hill, smoke. They could back anybody and make them sound like the glorious heart of Saturday night. Because of his guidance, this band takes Hill's words and music, sets them in their appropriate genre, and spices virtually every track with either a dollop or a wallop of rhythm and blues. Hill's tomes are striking, often moving vignettes; they are microcosmic slices of everyday life relegated to the place of story and legend in her personal iconography. And yes, they are beautiful, even glorious in places. She writes about tender, mischievous, circus performers ("Greatest Show On Earth"), gangland barroom massacres ("Valentine,") and broken-love songs ("Oh Well," "50 Miles To Detroit," and "Platinum Girl"). And Hill's "in love" songs are the tastiest and sassiest around. There are the steamy, shimmering lounge blues of "Sleeper Car," and the strutting, tough sensuality that insists at the kitchen table for something other than breakfast in "Please Pass You." In essence, Hill's works infuses both Gothic and funky notions of American life born of personal experience and imaginary realms, and nudges them gently and irreverently into the terrain where they become transcendent myths we can all plug into with either a chuckle, a smile, a nod, or a tear. Ultimately, as fine as this record is, full of energy, delight, and glorious freshness -- it is as cool and deftly done as anything to come out of Detroit in the 21st century (this act has plenty of street cred even if they do bathe and have addresses) -- it most likely only hints at what a treasure trove their live performances are. Yeah, just get it. ~ Thom Jurek
The reviews are in on Whit Hill and the Postcards' new CD, We Are Here..."For most artists who actually manage the feat, recording ...
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