Jay-Z American Gangster CD

Following up his crossover-ridden return from retirement KINGDOM COME, Jay-Z presents a concept album, AMERICAN GANGSTER, inspired by the Ridley Scott movie of the same name. Contentwise, Jay is in his element, spinning street corner imagery and tales of the drug trade in the same spirit as the film, while, on the production end, 1970s R&B and soul samples dominate. The production team of Diddy, LV, and Sean C accounts for much of the record's cohesion, providing six beats built on loops from the likes of Marvin Gaye, Barry White, and Rudy Love & the Love Family.
Jigga finds plenty room to get jiggy on tracks like "Roc Boys (And the Winner Is)," "Party Life," and "I Know," a Neptunes-produced gem that sounds like a tricked-out "It Ain't Hard to Tell." Undoubtedly Jay's tightest effort since 2001's THE BLUEPRINT, AMERICAN GANGSTER features a few choice guest verses from Lil Wayne, Beanie Siegel, and Nas.
No beats, just rhymes and life. The acappella version of Jay-Z's acclaimed soundtrack for the drug kingpin biopic AMERICAN GANGSTER.
Following up his crossover-ridden return from retirement, KINGDOM COME, Jay-Z presents a concept album, AMERICAN GANGSTER, inspired by the Ridley Scott movie of the same name. Content-wise, Jay is in his element, spinning street corner imagery and tales of the drug trade in the same spirit as the film, while, on the production end, 1970s R&B and soul samples dominate. The production team of Diddy, LV, and Sean C accounts for much of the record's cohesion, providing six beats built on loops from the likes of Marvin Gaye, Barry White, and Rudy Love & the Love Family.
Jigga finds plenty room to get jiggy on tracks like "Roc Boys (And the Winner Is)," "Party Life," and "I Know," a Neptunes-produced gem that sounds like a tricked-out "It Ain't Hard to Tell." Undoubtedly Jay's tightest effort since 2001's THE BLUEPRINT, AMERICAN GANGSTER features a few choice guest verses from Lil Wayne, Beanie Siegel, and Nas.
"Y'all n*ggas got me really confused out there. I make 'Big Pimpin' or 'Give It to Me,' one of those -- that had me as the greatest writer of the 21st century. I make some thought-provoking sh*t -- y'all question whether he fallin' off." When you've built up a back catalog of eight studio albums and walk the earth as one of the biggest, most high-profile artists of the '90s and 2000s, you're bound to get some mixed signals from those who pay attention to you. However, the jury did not take long to reach a verdict on 2006's Kingdom Come: the consensus on it (as a major fall-off) was as swift and strong as the consensus on Reasonable Doubt (as a classic). Once used copies of Kingdom Come became easily attainable for less than two dollars, it was apparent the next Jay-Z album might not be so anticipated. He'd need to get some fresh inspiration and make some corrective maneuvers.
Fortunately, both came unexpectedly -- rather than by desperate force -- after he saw an advance screening of the early-'70s period piece American Gangster, which played a direct role in nine of the songs on this album of the same name. While several tracks connected to specific scenes are also rooted in productions trading in the regal grit that made up so much '70s soul, the album is not a straight narrative, broken up by tracks like the boom-clap of "Hello Brooklyn 2.0" (produced by Bigg D) and the glitzed-out pair of "I Know" (a half-icing Neptunes layer cake) and "Ignorant Shit" (where Just Blaze transforms the Isleys' quiet storm staple "Between the Sheets" into a high-gloss anthem). Combined with the tracks laced with '70s soul -- including six produced by Diddy & LV & Sean C, one by Toomp, and two by a newly forged partnership between Jermaine Dupri and No I.D. -- it all adds up to an album that seems nearly out of time, at least when it comes to the years spanning Jay-Z's career, without resembling a true regression. "Success," for instance, takes its lead from The Black Album's "Public Service AnnRolling Stone (p.191) - 4 stars out of 5 -- "[With] live horns, grooving on some kind of Afro-beat riff over Seventies rumble-in-the-jungle funk..."
Rolling Stone (p.108) - Included in Rolling Stone's "50 Top Albums of the Year 2007" -- "AMERICAN GANGSTER is tripped out on a Seventies-funk fantasia."
Entertainment Weekly (p.103) - "[Jay-Z uses] the film's story and period vibe to color his own elaborate legend....On 'Fallin',' the record's emotional climax, Jay-Z raps frantically as the walls close in."
Uncut (p.91) - 4 stars out of 5 -- "[H]ere his favoured old soul classicism -- say, on 'American Dreamin' or 'ROC Boys' -- provides the best backdrop for his rhymes."
Q (Magazine) (p.103) - 4 stars out of 5 -- "AMERICAN GANGSTER sounds reassuringly expensive, with a hotshot production team including Just Blaze, Pharrell and Diddy's Hitmen crew."