| | Reich: Music For 18 Musicians CD Steve Reich Discography of CDs
This is a Super Audio CD playable only on Super Audio CD players.
Recording information: Royce Auditorium, St. Cecilia's Music Center, Grand Rap. **Super Audio CD (SACD) Hybrid**
This CD will play in standard CD players.
A Super Audio CD player is required to take advantage of the SACD sound technology. Reich: Music For 18 Musicians Music Reich: Music For 18 Musicians Music Reich: Music For 18 Musicians Review
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Purchase Reich: Music For 18 Musicians CD To buy, Click on price to add to cart | Cso Mussorgsky: Pictures At An Exhibition, Etc / Reiner, Chicago CD (2004) SACD Hybrid
Reich: Music For 18 Musicians
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Reich: Music For 18 Musicians
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| | Steve Lacy Early And Late CDs (2007)
Reich: Music For 18 Musicians
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Personnel: Steve Lacy (soprano saxophone); Steve Lacy; Bob Cunningham, Jean-Jacques Avenel (bass instrument); Dennis Charles (drums); Roswell Rudd (trombone); John Betsch (drums).
Audio Remasterer: Michael King.
Liner Note Author: Jason Weiss.
Recording information: Iridium, New York, NY (10/09/1962-08/09/2002); Mat Bevel Institute, Tucson, AR (10/09/1962-08/09/2002); New York, NY (10/09/1962-08/09/2002); The Bimhuis, Amsterdam, The Netherlands (10/09/1962-08/09/2002).
This excellent double-disc set represents previously unreleased recordings made by soprano saxophonist Steve Lacy and trombonist Roswell Rudd between 1999 and 2002. Lacy and Rudd mine an adventurous post-bop tradition that verges freely into avant territory without ever devolving into sheer skronk. In fact, the level of harmonic ...
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Reich: Music For 18 Musicians
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Reich: Music For 18 Musicians
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Toronto Children's Chorus,Jean Ashworth Bartle,
| | Romantics Vol 2 - Fauré: Nocturnes / Sally Pinkas CDs (2002)
Reich: Music For 18 Musicians
$12.65
Gabriel Fauré's nocturnes cover a long period, from the 1880s to the 1920s. From the impressionistic salon pieces of the early years, they end in a very modern tone, as post-war France tries to rise from the ashes of World War I. One can hear so many influences from the past (Schubert and Beethoven, for example) as well as hints of the future (Debussy and Satie). Sally Pinkas gives a colourful reading of these varied works. From the haunting first nocturne, with its opening melody reminiscent of some of Schubert's finest lieder, to the dense later works, this disc not only presents a brilliant body of work, but shows a pianist able to adapt to the vast range of styles without missing a beat. Some of the early nocturnes are much more melodic, like songs without words, where Fauré develops long, sinuous melodies that are accompanied in an almost pointillist manner. The third nocturne, in A flat major, is like this. With its passages where the main melodic line shifts from the right hand to the left and back again, it is a journey through a variety of styles - its waves of arpeggios are counterbalanced by delicate, sensuous melodies. As the disc progresses, so does the music. Fauré moves ahead in complexity and depth, and the middle nocturnes are very different. Between the 5th and 6th nocturne, ten years passed. Fauré's melodies are vaster and more sweeping, his tone less positive, and the melodies are constructed across the keyboard rather than with just one hand. His music becomes more chromatic as well, demanding more of the listener. The later works show how much Fauré progressed as a composer. The density and mood of the 11th nocturne is striking; its vague sadness is intense, and its mood is haunting. The final work, written in 1921, builds in intensity, but presents a dense, difficult material. Fauré is far from the early nocturnes, with their almost song-like melody. This work is the culmination of some forty years of composition and has the sound of a testament. Sally Pinkas's performance of these works is breathtaking. She flows perfectly with the more melodic early works, and dives head-first into the intensity of the later works. The second disc, Beyond the Notes, gives her a chance to explain ...
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Track Listing of songs: Samson, Hwv 57: Let the Bright Seraphim In Burning Row; Rinaldo, Hwv 7: Lascia Chi'o Pianga; Messiah, Hwv 56: Rejoice Greatly; Hercules, Hwv 60: Ah! Think What Ills; Semele, Hwv 58: Now All This Scene; Semele, Hwv 58: Where E're You Walk; Alexander Balus, Hwv, 65: Shall Cleopatra Ever Smile Again?; Alexander Balus, Hwv, 65: O Take Me From This Hateful Light; Semele, ...
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