| | WDR Big Band World Of Duke Ellington Vol. 1 Super-Audio CD WDR Big Band Discography of CDs
This is a Super Audio CD playable only on Super Audio CD players. **Super Audio CD (SACD)**
A Super Audio CD player is required to play this CD.
This item will not play on standard CD players. World Of Duke Ellington Vol. 1 Music WDR Big Band World Of Duke Ellington Vol. 1 Songs | 1. | Take the a-Train |
| 2. | Rockin' in Rhythm |
| 3. | Creole Love Call |
| 4. | It Don't Mean a Thing |
| 5. | Black and Tan Fantasy |
| 6. | I Like the Sunrise |
| 7. | Don't Get Around Much Anymore |
| 8. | East St. Louis Toodle-Oo |
| 9. | Sophisticated Lady |
| 10. | Blues, The |
| 11. | Jump For Joy |
| 12. | Meditation |
|
World Of Duke Ellington Vol. 1 Review
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Photographer: Milton Montenegro.
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With the exception of "Release Me," a superb remake of the Esther Phillips/Englebert Humperdinck hit done for the tiny Watch label, this collects Adams work for the Nashville-based SSS label in the late ...
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Master Sound releases are 24-karat gold CDs remastered from first-generation masters. This process utilizes 20-bit technology and Sony's revolutionary "Super Bit Mapping" system.
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This is a multi-channel Super Audio CD playable only on Super Audio CD players.
One of the most popular albums of the 1970s and an early landmark of the singer-songwriter scene, TAPESTRY spawned numerous hit singles and is now rightly considered one of pop's finest albums. This two-disc Legacy Edition features the original album in pristine remastered form and a second disc comprising live solo piano renditions of all 12 songs, recorded between 1973 and 1976, as well ...
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Minnesota-based guitarist and songwriter Rene Erickson has released Riptide, his first CD of original compositions. As with anything meaningful in life, Riptide is about the girl, and this disc is a chronicle of his relationship with one special woman. Riptide was a labor of love; or in this case, lost love.Rene originally envisioned singing lead vocals on Riptide, but he soon realized that he wanted to make a disc that he and others ...
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Liner NotesHow refreshing! In the growing sea of music created primarily for the purpose of being easy to sell to the masses, it is most exciting to hear music filled with individual expression and authenticity. On “One for the Angels”, Grant’s growth and maturity musically, personally, philosophically, and spiritually is evident. I believe that this is due to the commitment he made early on in his life to do the hard work required to perfect his technique, while also remaining true to the vision and inspiration that separates well performed music from that which is also inspiring and evocative. Vision shines brightly on Grant’s most recent creation. His already naturally gifted bass skills have not only grown to a level seldom reached by any musician in any music genre, but they have now generalized to other instruments and his composition skills as well. Complex, yet subtle, guitar lines weave in and out of fluid bass tones and keyboard accents - always walking the edge, but never falling off, never different just for the sake of being different, pushing the envelope to just the right point.This is what makes my mind, ...
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UNDERTOW is the latest release from GREEN ROOM , & after an interval of ten years since their highly acclaimed albums on LEO Records' pioneering LEO Lab label - 'Hidden Music' & '(Live) Trajectories' (5-star ratings in the Penguin Book of Modern Jazz). Originally working as a trio, percussionist David Garrett, along with pianist Chick Lyall and guitarist David Baird forged a musical language which drew from such wide sources as jazz, modern 'classical music' and the radical sonic experiments of John Cage and Karlheinz Stockhausen. Conventional instruments such as piano, drums and guitars could be combined with electronic sounds driven by computer as well as newly constructed instruments and found objects. Since 1998 Chick Lyall and David Garrett have continued to evolve the music of Green Room by means of a combination of live improvisation with prepared computer generated sequences. On UNDERTOW they produce an even wider range of colour than before. Multi timbral explorations are combined with detuned acoustic instruments,flutes,sampling and electronic programming. Composition and improvisation exist simultaneously and the music is somehow arrived at through a dialectic of structure and freedom.From a recent review of 'Tin Man' & 'Undertow' by Green Room by Martin Longley (Jazz Review, UK) :"... Lyall is also a composer of mod classical orchestral pieces and a longtime purveyor of electro-acoustic sounds. Less is known about David Garrett but both Scots are dedicated to the transmogrification of acoustic trad instruments by digital processing means. ... Both players are clearly experienced ...
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