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This self-titled album is Atlanta blues guitarist Sean Costello's fourth solo release, and although he is still only 25 years old, his informed knowledge of the blues genre (and lately, soul and R&B as well) belies his age. The contemporary blues scene is full of hotshot young guitar players, but Costello is somewhat of an exception, having learned that less can be more, and his guitar playing doesn't take center stage here, but falls instead into a wonderful ensemble style that draws as much from Steve Cropper's economic playing as it does from the slash-and-burn approach of Stevie Ray Vaughan. Not that Costello can't amp it up when necessary (his version here of Tommy Johnson's classic "Big Road Blues" is nothing short of thundering), but he has learned to play the song rather than play the guitar, an important distinction that some of his flashy contemporaries have yet to discover. Nor is this strictly a blues outing, as Costello explores an intriguing mix of soul, funk, and hard rock, covering songs by Johnny Taylor, Al Green (the horn-driven "I'm a Ram"), and Bob Dylan (a version of "Simple Twist of Fate" that features Levon Helm on drums -- Helm's daughter, Amy Helm, helps out on backing vocals on several tracks here as well), along with seven original compositions, including the dynamite opener, "No Half Steppin'." It is worth mentioning, too, that Costello's voice has matured into a surprisingly flexible and expressive vehicle, and he even moves into a kind of urban soul mode with the self-penned ballad "All I Can Do." Although this is a fine and impressive outing, one gets the feeling that Costello is just starting to hit his stride as a songwriter and singer, while as a guitar player he has obviously learned the vital and difficult lesson that drawing attention to your playing should only happen when the song demands it. ~ Steve Leggett
Personnel: Jimi Zhivago (acoustic guitar); Paul Linden (harmonica, keyboards); Jerry Vivino, John Ellis (saxophone); Mark Pender (trumpet); Glenn Patscha, Matt Wauchope (keyboards); Byron Isaacs (upright bass, electric bass); Willie Weeks, Melvin Zachary (electric bass); Tony Leone (drums, percussion); Levon Helm, Steve Jordan , Terrence Prather (drums); Amy Helm, Fiona McBain (background vocals).
Audio Mixer: Steve Rosenthal.
Living Blues (p.57) - "Costello's sleek and gritty vocals are as passionate as his musical performances..." Mojo (Publisher) (p.98) - 3 stars out of 5 - "[B]luesy original songs arranged in classic soul style and delivered with a ravaged intensity." Sean Costello Review
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$9.85 I became the founder of Dirt Road Rock way back in the 20th century while trudging barefoot in overalls down a red dirt road in Washington County, Georgia. I was stumbling along, whistling “Dixie,” just minding my own Southern business when some miserable son of a redneck mother in a ’57 GMC pickup truck rode by and chucked a half-empty can of Falstaff beer at me. My natural response was to reach for the nearest rock to throw back. So I stooped and groped, but the nearest rock turned out to be a two-ton chunk of solid tombstone granite glittering in the ditch.I had to pause. It was about midday during one of those sweltering July droughts, and I soon realized that this beer tossing incident wasn’t the calculated hate crime I’d initially suspected, but was rather a genuine display of old-time Southern hospitality. I mean, I was mighty thirsty out there in that dusty old dust, and the boy in the goat-laden pickup could see that. My blessed beer can was half-full, not half-empty. So I sat down on that two-ton rock intending to sip and rest a while.But before I could put the filthy can to my lips, I perceived in the mind-melting heat that I began to experience a Confederate Hallucination, or what certain nomads from the Middle East call a Brave Iraqi Mirage. The sky grew dark, that old rock commenced to humming a tune from the B-side of “James Brown Live at the Apollo,” and I saw famed Apollo descending from Olympus with a banjo on his knee. (For those of you who drive a ’57 GMC pickup truck, Apollo is the Greek god of music and Olympus is not a beer made with pure artesian water.) I gazed down at that mystical dirt road rock. It was so hypnotically bright, beautiful, and altar-like that it took my mind clean off my thirst and caused me to kneel beside it and pour out my warm libation as a drink offering to the gods. At that point, there was an explosion of light and sound akin to Jimi Hendrix kindling a flame on his Stratocaster, and Apollo himself stood before me. He handed me his beat-up old banjo (which he called the Liar of Herpes or some such silliness) and commanded me to start singing “Dirt Road Rock” all over America. Needless to say, I complied. For over ten years I traveled and sang Dirt Road Rock. I met thousands of happy drunk supporters, hundreds of ornery drunk detractors, and scores of generous drunk young ladies along the way. I was whoring it up all tough and prodigal-like until one sultry evening I passed again through ...
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Sean Costello CD music
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