| | The Very Best Of Zoa Live CD Zoa Discography of CDs
It was a dark and stormy night!OK, so it wasn't but the cuts on this CD will make the sunshine through!"The Very Best of Zoa Live" is the culmination of digitally recorded and mastered live performances from our 2006 Summer Tour.In case you've never heard of Zoa, we have been flying swiftly and steadily under the radar since 1992. We have toured The US, Canada, and Europe and have won awards, garnered excellent reviews, and made a splash where ever we could be seen and heard. So into what we were doing, we just didn't take the time, or had the desire, to get caught up in the machine... so our excellent critically acclaimed CD's, (4 in all so far) are just now reaching larger markets through such excellent sources as CD Baby! This CD is a live example of just some of the music we have placed on Studio CD's from the past. These are the songs that would cause our fans to kill us if they were not performed in concert. Guaranteed, if you get this CD, you'll want to order the rest. Happy listening!Mike Kerlin Zoa The Kerlin Syndrome The Very Best Of Zoa Live Music The Very Best Of Zoa Live Songs | 1. | Long Hard Road |
| 2. | Faithful |
| 3. | Chuckie D |
| 4. | Every Precious Stone |
| 5. | Jesus Can |
| 6. | Life As You Nose It |
| 7. | Peace Walked |
| 8. | You |
| 9. | See the Son |
| 10. | The Storm |
| 11. | I Turn My Eyes |
| 12. | Lord of New Beginnings |
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The Very Best Of Zoa Live Review
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Released on Fuel 2000, The Sky Is Falling is actually a reissue of the Doin' Business As... Derringer, Bogert & Appice album that was first released in Europe in 2001. In this short-lived power trio, guitarist and producer Rick Derringer reportedly "replaced" Jeff Beck in the "follow-up" to 1973's Beck, Bogert & Appice album (their rhythm section is, of course, made up of ex-Vanilla Fudge members bassist Tim Bogert and rock & roll über-drummer Carmine Appice. Nah. While this doesn't ...
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At All Cost's debut for the revitalized Combat imprint (now distributed through Koch) is one of the more inventive metalcore releases of the past couple of years, blending hard-charging guitar blare with lengthy and varied instrumental passages and alternating Andrew Collins' hoarse scream with some pretty significant vocal manipulations. That's right -- It's Time to Decide might be the first metalcore record to ever feature a vocoder. At first, it's crazy. "Death to Distraction" begins with Collins' my-world-is-ending scream of the title, and the music is already galloping at manic speed -- it's like you opened a soundproof door into At All Cost's very loud, very angry world. But then, just as quickly, there are these pitch-modified vocals, and it just sounds so impossibly strange and wrong over the churning, gritty, swirling instrumentation. But it grows on you -- Collins' ranting scream is as one-dimensional as any vocalist's would be, so the change of pace is nice. By the time you get to "Death to Distraction"'s breakdown and it sounds like a Texas metal take on Daft Punk's "One More Time," you know It's Time to Decide isn't going to be typical. And it's not. "Human Now" is fantastically propulsive black metal with another vocal trick that takes you by surprise; "Right Now" operates more in the hardcore realm until its second half is swallowed by primordial gloom; and "Irony" eases up on the unintelligible screaming so At All Cost can deliver their view on the last 300 years ...
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NOTE: This is our 2006 debut EP. Our sound has grown a lot since then, and the new album, due out in March 2009, is a significantly advance from our first release. We're heavier, more melodic, and more progressive now, and a few band members changed over the past few years. Listen to this EP to hear where we came from, but check out the new album to find out where we've finally arrived. It's worth the journey.--------------Probably the most misunderstood label you can slap on a rock band today is ...
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The members of Tia Carrera surely had their tongues planted firmly in cheek when they decided to name their third full album and first for Small Stone, The Quintessential, which, come to think of it, is generally where instrumental combos keep their tongues while their hands and fingers do the talking. And, as per their custom, the Austin, TX trio recorded the album's five lysergic trips live in their studio, largely improvising as they went, and literally materializing out of the darkness -- or silence, as it were -- with the swirling crescendo of first cut "Home." A mere three-minute trifle, this leads into a 22-minute behemoth, suitably (un)titled "The Unnamed Wholeness," which at first seems intent on imagining what Hendrix's necromantic fingers and molten tones might have done with the Doors' "The End" before waxing and waning like lunar tides ...
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