| | NOFX They've Actually Gotten Worse Live CD NOFX Discography of CDs
A sequel to their first live album, I HEARD THEY SUCK LIVE, THEY'VE ACTUALLY GOTTEN WORSE represents a kind of victory lap for long-running slob-punks NOFX. They've been together for a seeming eternity in a genre that doesn't always treasure longevity, evolving into both elder statesman of and political conscience to a scene full of kids. The joke of the title, of course, is that the band sounds as tight and energized as veteran players should sound. The lowbrow anthem "Amy is a Crack Whore" and reggae rave-up "Beat the Meek" sound perfectly at home next to political screeds "Murder the Government" and "Yer Wrong". Really, it all just sounds like NOFX.
Additional personnel: Sarah Sandin (vocals); Matt Hensley (accordion); Limo (keyboards).
Alternative Press (p.129) - 3 stars out of 5 -- "WORSE brings you the whole shebang in a clever, fun and sometimes compelling shot glass..." Kerrang (Magazine) (p.46) - "[H]earteningly good because when they get it right the combination of fun and fury is a real thrill." They've Actually Gotten Worse Live Music NOFX They've Actually Gotten Worse Live Songs They've Actually Gotten Worse Live Music They've Actually Gotten Worse Live Review
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Buy They've Actually Gotten Worse Live CD Purchase They've Actually Gotten Worse Live CD To buy, Click on price to add to cart | Morbid Angel Covenant CD (1993)
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$23.29 The Fall is one of the most consistently inventive post-punk bands, and their jagged, exhilarating music is ably represented on this collection of BBC Sessions. A favorite of legendary British DJ John Peel, the Fall turn in 28 spectacular performances recorded specifically for Peel's show.
As if your wallet could handle another Fall compilation, here comes Words of Expectation and its collection of BBC sessions. While 1999's Peel Sessions picked here and there from the group's appearances on the Beeb, Words of Expectation includes whole sessions, but it jumps from 1981 to 1995 for some bizarre reason. Plenty happened to the Fall in that time; heck, they even made a mad bid for pop stardom. It's even a more perverse move since the discs are laid out chronologically. Listening to the whole thing at once makes you feel like you fell asleep in the middle ...
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$12.59 When Acie was a boy, he and his cousins would sneak off into the woods with the guitar away from the watchful eyes and ears of Grandma Hattie, These are the songs they played and sangHis fellow musicians for this recording are Paul Kaye, Dave Dalessandro, Rick Veras, Dave Bragman, and Acie's son Leo Cargill providing the high poignant harmonies.The cd strats off with the hard driving mopuntain ballad Poor Ellen Smith followed by a Kentucky blues version of the classic House of The Rising Sun, My Katy is a super fast dance tune, Dear Mother is Acie's reading of a letter from his mother when he left home at age 17. This section concludes with a dynamic gospel song Church By The Side of the Creek. Next up is the finest woman singer in all of bluegrass music, grammy nominee Claire Lynch singing the JJ Cale song, If You're Ever In Oklahoma. The cd then has excerpts from two live concerts with two of the world's fastest and most interesting banjo players. First is JR Prater and his son Jay on guitar and singing lead with Acie on fiddle, Jerry Clemons Sr on mandolin and the incredible Gerald Couch on bass playing very traditional songs at the Three Stooges in Cedar Lake, Indiana. Next is former Tennessee Railsplitters banjoist Bill Jackson acompanied by Acie on fiddle and the Rogers Brothers, This section at the Lick Skillet in Aetna Green, Alabama opens with a prayer by Jack Clausing for the troops and concludes with a rousing Jesus Hold My Hand. This is a cdr reprint for $9. 95BiographyAcie Cargill was born into a musical family. His grandmother was Hattie Mae Tyler Cargill, a noted Kentucky singer of traditional ballads. She was the last of the Tylers, a family noted for being strict preservationists of the musical traditions passed along for many generations from Northern England /Southern Scotland. The tunes that they sung all used primitive scales. They were unique in their area in that they played instruments along with the ballads and the instruments all used special tunings that allowed the ancient tunes to be played without adding obstrusive notes to the performance. Acie knows all those scales and tunings and has been recorded for the Library of Congress, singing some of the old songs he knows and playing the 5 string banjo in the Tyler drop-thumb style. He is considered the living master of this style. The family lived in very secluded areas without electricity and they were not exposed to the newer types of music that swept through the US that featured the piano or the guitar using the 6 string guitar chords that are so prevalent today. In the Tyler music, there are no 3-note chords, just moving modal melodies. Some of this can be heard on Songs and Ballads of Hattie Mae Tyler Cargill, In The Willow Garden, Family Gathering ...
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