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M-Sixteen - M-Sixteen CD Cover Art CD music music CDs songs album

M-Sixteen CD - Import

 M-Sixteen Discography of CDs

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M-Sixteen Music


Detailed M-Sixteen Music Information



List Price $20.99 (You save $1.30)
Category Punk Albums
Label Phantom
CD Universe Part number 7538567
Catalog number 740493
Discs 1
Release Date Oct 23, 2007
M-Sixteen Songs


M-Sixteen Album Track Listing



1.Porquo Morir?
2.Sangre Que Corre en Mis Venas
3.Febrero
4.Raza
5.Dale Pueblo!
6.Ripped [Live]
7.Lloviendo [Live]
M-Sixteen Review


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GREATEST HITS contains 2 previously unreleased tracks. A bonus disc entitled JUDAS O RILEY containing B-sides and rarities will be included in this package for a limited time only upon initial release. Throughout the '90s, The Smashing Pumpkins used a mixture of prog-rock, dream-pop, psychedelia and heavy metal to drag the emerging alt-rock movement kicking and screaming into the mainstream. GREATEST HITS puts these fine finest moments on display along with a pair of previously unreleased cuts. Billy Corgan's brilliant leadership mixed angst-ridden lyrics with the kind of interplay with fellow guitarist James Iha that found the duo using different shadings of distortion the way artists use paint. Opening with the controlled chaos of "Siva," the chronological path makes pit-stops at the awesome power of "Cherub Rock," sweet optimism of "Today," lush beauty of "Tonight, Tonight" and electronica shadings of "Ava Adore." Along the way, Corgan's sentimental side found him embracing Fleetwood Mac's bittersweet "Landslide" and coming up with his own brilliant pop moments like "1979" and "Bullet With Butterfly Wings." The Limited Edition version features a second disc entitled JUDAS O, a collection of B-sides and outtakes that serves as a companion to the 1994 B-sides collection PISCES ...
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Bristling with that other often youthful sort of energy (nervous as opposed to sexual), the Feelies' CRAZY RHYTHMS is an overlooked/underrated masterpiece. The album is marked by Glen Mercer and Bill Million's furiously strummed guitars (both acoustic and electric), and propelled forward with some of the most primitive--yet outstanding--drumming since Moe Tucker, courtesy of Anton Fier. Off-kilter covers of the Beatles ("Everybody's Got Something to Hide (Except Me and My Monkey)") and the Rolling Stones ("Paint it Black," available only on the CD version) posit the New Jersey-based Feelies as a Garden State analog to Devo, while elsewhere the band excels at a taut, jittery nerd-pop that is invitingly their own. The title-track, however, is the album's masterpiece, and finds the band ...
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It's a shame that the Germs are better known for their trashy, charismatic singer Darby Crash's demise than for their music, because M.I.A.: THE COMPLETE ANTHOLOGY proves that they were easily one of the best bands on the LA punk scene in the late 1970s. (According to legend, Crash's fatal overdose wasn't an accident, but a deliberate homage to his idol, Sid Vicious, in an attempt for gruesome rock & roll immortality. Unfortunately, John Lennon was murdered around the same time, and Crash's death never made a blip on the media radar.) The aptly named collection begins with the astonishingly primitive, yet bizarrely compelling and genuinely hilarious, first single "Forming" (a later re-recording with X drummer D.J. Bonebrake closes the set). M.I.A. also includes the entirety of the chaotic, furious WHAT WE DO IS SECRET release and the streamlined, Joan Jett-produced GI album, plus six previously unreleased songs recorded for a film soundtrack shortly before Crash's death. This 30-track ...
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Recorded between 1985 and 2000. Includes liner notes by Byron Coley. Digitally remastered by Dave Donnelly (DNA Mastering Studios). Dinosaur Jr. first emerged (as simply Dinosaur) from the Massachusetts punk scene in the mid-1980s with provoking, genre-bending-with-just-a-dollop-of-pop releases on stalwart indie labels Homestead and SST. With J. Mascis' hauntingly off-key half-growl, half-howl lurking under layers and layers of distortion, fuzz, and drone, they were locks to bend the ear of an adoring underground radio cult, but the longest of shots to garner million-selling records, let alone touch the pop charts. However, Dinosaur Jr. did all of the above, ruling college radio for almost a decade in the late-'80s and early-'90s, selling a ton of albums, even scoring a MTV Buzz bin aided Billboard pop hit in 1994 with "Feel the Pain." In true indie-rock fashion, after that hit Dinosaur Jr. faded out after one mostly forgettable final album. The aptly named EAR-BLEEDING COUNTRY evenly collects cuts chronologically from Dinosaur Jr.'s seven albums, an EP, a single, while also including a couple tracks from J. Mascis' more subtle, yet still oddball and compelling non-Dinosaur recordings. Of special note is the inclusion of the at first glance mocking, yet in reality furiously reverent ...
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Considering that Rancid's seventh studio album was largely written on acoustic guitars at new drummer Brandon Steineckert's small town Utah-based recording facility, one might guess that the band had mellowed. Not so: LET THE DOMINOES FALL is a particularly spirited set of the kind of anthemic old-school punk rock the band does best. The first single, "Last One To Die," sounds like the ...
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