| | Hone, Ged & New Orleans Boys Throwing Stones At The Sun CD - Import Hone, Ged & New Orleans Boys Discography of CDs
Throwing Stones At The Sun Music | List Price | $20.99 (You save $1.30) | | Category | Jazz Albums | | Label | Phantom | | CD Universe Part number | 7538681 | | Catalog number | 687453 | | Discs | 1 | | Release Date | Oct 23, 2007 |
Throwing Stones At The Sun Review
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Purchase Throwing Stones At The Sun CD To buy, Click on price to add to cart | Egberto Gismonti: Saudacoes CDs (2009)
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Photographer: Milton Montenegro.
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A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ...
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This double-CD set is not only the best of Bill Chase's output but -- comprising all three of their albums -- virtually their complete finished studio work, before the plane crash that killed Chase and much of the group. The mastering on this Wounded Bird reissue is excellent, with a full solid ...
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Standard Screen; Soundtrack English
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In the 1960s, Serge Gainsbourg was operating as an all-around renaissance man. Gainsbourg was already well known as a singer, less renowned as a composer even though he wrote most of the material he recorded, and was picking up frequent work as an actor -- mostly in second-string roles -- in films and on French TV. As good as Gainsbourg was on his own, he seemed to flourish in collaborations; his most famous international hit, "Je T'aime de Non Plus," was a collaboration with then wife Jane Birkin. In 1964, Gainsbourg met composer Michel Colombier, whose talent was honed not in the conservatories, concert halls, or even in film studios, but at the electronic music studio of ORTF in Paris. For the next four years, Gainsbourg and Colombier collaborated extensively on film soundtracks, only to see most of the work end up on the cutting room floor in one way or another. In 1968, Gainsbourg and Colombier went separate ways -- Colombier to creating lush and thoroughly transparent string scoring to some of Hollywood's most indifferent and crass commercial projects, and Gainsbourg to recognition as perhaps France's greatest post-modern songwriter and one of her most notorious reprobates. Although Gainsbourg was awarded onscreen credit for composing the track for Jean Aurel's Manon 70 (1968) -- a cheeky and shallow update on the Manon Lescaut story starring Catherine Deneuve -- in reality this was a Gainsbourg-Colombier collaboration that been rejected, only a tiny snatch of which was used in the finished film. With the passage of four decades and both Gainsbourg and Colombier gone, ...
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