| | Lyttelton, Humphrey & His Band Blues In The Night CD - Import Lyttelton, Humphrey & His Band Discography of CDs
Blues In The Night Music | List Price | $23.99 (You save $1.64) | | Category | Jazz Albums | | Label | Phantom | | CD Universe Part number | 7538719 | | Catalog number | 686961 | | Discs | 1 | | Release Date | Oct 23, 2007 |
Lyttelton, Humphrey & His Band Blues In The Night Songs | 1. | Basin Street Blues |
| 2. | Blues In The Night |
| 3. | The Champ |
| 4. | Blues In Thirds |
| 5. | Things Ain't What They Used To Be |
| 6. | Frankie And Johnny |
| 7. | Creole Love Call |
| 8. | Royal Garden Blues |
| 9. | Why Don't You Do Right |
| 10. | St Louis Blues |
| 11. | The Man I Love |
| 12. | Bewitched |
| 13. | That's My Weakness Now |
| 14. | You Brought A New Kind Of Love To Me |
| 15. | Autumn Leaves |
| 16. | I Who Have Nothing |
| 17. | I Could Have Danced All Night |
| 18. | Mood Indigo |
| 19. | Sack O' Woe |
| 20. | Shiny Stockings |
| Blues In The Night Review
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Purchase Blues In The Night CD To buy, Click on price to add to cart | Diana Krall Christmas Songs CD (2005)
Blues In The Night album
$10.49 On 2005's CHRISTMAS SONGS, Diana Krall applies her sultry vocals and nuanced piano lines to a strong set of holiday classics. In addition to turning in a stirring performance of "The Christmas Song" that would make Nat "King" Cole proud, Krall eases into a swaying version of "Winter Wonderland" and a lush rendition of "Have Yourself a Merry Little Christmas." With its dynamic arrangements and pitch-perfect mix of pop and jazz, this album stands alongside other timeless Yuletide outings.
Recording information: Capitol Studios, Hollywood, CA; Ocean Way Studios, Hollywood, CA; Schnee Studios, North Hollywood, CA; Sony Music Studios, New York, NY.
Photographer: Sam Taylor-Wood.
Arrangers: Diana Krall; John Clayton; Johnny ...
| | Miles Davis Kind Of Blue CD (1959) Bonus Track; Remastered
Blues In The Night CD music
$6.39 With BIRTH OF THE COOL, Miles Davis distilled a new tonal palette for jazz. As early as 1954, Miles reacted to the escalating chordal complexity of hard bop by fashioning an evocative blues based on a simple scalar pattern ("Swing Spring"). KIND OF BLUE was the ultimate fulfillment of this approach, with Miles providing his collaborators little more than outlines for melodies and simple scales for improvisation. By emphasizing the blues and the improvisor's melodic gifts, KIND OF BLUE precipitated a major stylistic development--modal jazz.
Charles Mingus had experimented with pedal points throughout the 1950s, and the melodic freedom of Ornette Coleman's Atlantic sides was also predicated on freedom from chord changes. But KIND OF BLUE was to prove the most influential, enduring work of its kind. There was just such a vibe about these 1959 sessions--Miles' lyric genius and burgeoning stardom, the innovative voicings and rarefied touch of pianist Bill Evans, the electrifying presence of Coltrane and Cannonball--that some thirty-plus years after its initial release, KIND OF BLUE is still recognized as Davis' point of departure towards jazz's ...
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| | Incredible Jazz Guitar Of Wes Montgomery CD (1960) SACD Hybrid
Blues In The Night CD music
$15.19 This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
John "Wes" Montgomery taught himself to play at the age of nineteen and created a style as influential to jazz guitar as was Charlie Christian's to an earlier generation. Recorded in the early part of his solo career, THE INCREDIBLE JAZZ GUITAR OF WES MONTGOMERY defined standards for hard bop guitar which are as cogent today as they were in 1960.
The album jumps out with the quartet hustling through Sonny Rollins' "Airegin," where Wes performs his often imitated licks with grace and agility. His extended phrases, thematic development, harmonic and melodic embellishment come together in a formidable technique with a heavy swing. An impressive use of octaves and chords coupled with the rejection of a guitar pick in favor of his own thumb allowed Wes' guitar to sing with warmth and with beauty. The lyrical rendition of "Polka Dots And Moonbeams" and his own "D-Natural Blues" are prime examples of the fullness of his lines. To this day, whenever a guitarist uses octaves he runs the risk of comparison to Wes, such was his mastery of this technique. Another aspect of his legacy is the compositions. Since their appearance on this album, "Four On Six" and "West Coast Blues" have become standard jazz repertoire. Yet to remain in awe merely of his approach is to miss the point of what he has to say. Montgomery's technique served only to express the emotions ...
| | Casting Crowns Live In Atlanta CD (2004) Bonus DVD
Blues In The Night music CDs
$11.29 The CD portion of LIVE FROM ATLANTA is a six-song sample of why Casting Crowns deserves a reputation as one of the most powerful live acts in CCM (that's Contemporary Christian Music, for the uninitiated). While the group's debut studio album was all arena-rock bombast and huge production, the sound here is somewhat stripped-down, allowing the band's catchy songs and emotion-filled performances a bit of room to breathe. This is a particularly good thing in the case of lead vocalist Mark Hall, who is a passionate singer the equal of any secular neo-grunge frontman. The piano-driven "Voice of Truth," in particular, benefits from the immediacy of the concert hall, and sounds like Elton John or Billy Joel at their dynamic best. The righteously rocking "American Dream" is also invigorating, its forceful rhythm guitars raging with ...
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