| | Aura 2 Beautiful Moments CD - Import Aura Discography of CDs
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Our Price: $42.05  CDFor Sale Limited Availability
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Aura 2 Beautiful Moments Music | List Price | $44.99 (You save $2.94) | | Category | Rock/Pop Albums, Rock CDs | | Label | Phantom | | CD Universe Part number | 7539065 | | Catalog number | 741370 | | Discs | 1 | | Release Date | Nov 27, 2007 |
Aura 2 Beautiful Moments Songs | 1. | Ave Maria |
| 2. | I Will Follow (Etupirka) |
| 3. | My Sunflower Girl |
| 4. | Beyond The Sea |
| 5. | Only You |
| 6. | Have A Good DIE.-Main Theme |
| 7. | Mama |
| 8. | So Far Away |
| 9. | Rain |
| 10. | ZARABANDA(Saraband) |
| 11. | Do Not Stand At My Grave And Weep |
| 12. | The Hills Of Glencar |
| 13. | Best Friend |
| 14. | My Heart Will Go On |
| 15. | Claudine |
| 16. | Amapola |
| 17. | 4 Tracks Listing In Japanese |
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Aura 2 Beautiful Moments Review
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Purchase Aura 2 Beautiful Moments CD To buy, Click on price to add to cart | Gov't Mule By A Thread CD (2009)
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BY A THREAD is Gov't Mule's first studio album since HIGH & MIGHTY was issued in 2006. Since that time, bassist Andy Hess has been replaced by Jorgen Carlsson, though Hess appears on two tracks at the end of the album. Carlsson's playing style is much more aggressive than Hess', and is therefore closer - in spirit anyway - to Gov't Mule's original bassist, the late Allen Woody, though he possesses an adventurous sense of time and is harmonically more colorful than either Woody or Hess. Carlsson and drummer Matt Abst are a solid match, since Abst is a drummer used to shifting time signatures and allowing the unexpected in while still driving a band. The band's keyboardist ...
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| | Gina Leishman Bed Time CD (2004)
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BED TIME Gina Leishman, vocals, piano, ukelele, glasseswith Greg Cohen and Trevor Dunn, bassKenny Wollesen and Roberto Rodriguez, drums and percussionMarc Ribot, guitarDoug Wieselman, guitar and clarinetsAnthony Coleman, pianoSteven Bernstein and Peck Allmond, trumpetJenny Scheinman, violinRob Burger, accordionJD Foster, producer Recorded at Brooklyn Recording - Andy Taub, engineerMastered by Jon Marshall SmithTHE ALBUMKnown for many years as a composer and multi-instrumentalist with numerous recordings to her credit, this recording of Gina Leishman's is one from the heart. Bed Time is the first collection of her favourite original songs, sung by the singer/songwriter herself - Vol. 1 of the Leishman Songbook. Her "extraordinary gift for crafting elegant ballads, haunting melodies, and lyrics from the late night" are nowhere more evident than in this beautifully strange collection. Sharing the CD are her unique settings of Shakespeare songs, drawn from her work as an acclaimed theatrical composer on both coasts. The richness of these songs reflect her own innate understanding of the language plus a musical sensibilty ...
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Dagonite begins by dunking the listener in a mud bath of molten, hairy guitars. The cover image is apt; this record ...
| | Manon 70 / Si J'Etais Un Espion CD (2008)
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In the 1960s, Serge Gainsbourg was operating as an all-around renaissance man. Gainsbourg was already well known as a singer, less renowned as a composer even though he wrote most of the material he recorded, and was picking up frequent work as an actor -- mostly in second-string roles -- in films and on French TV. As good as Gainsbourg was on his own, he seemed to flourish in collaborations; his most famous international hit, "Je T'aime de Non Plus," was a collaboration with then wife Jane Birkin. In 1964, Gainsbourg met composer Michel Colombier, whose talent was honed not in the conservatories, concert halls, or even in film studios, but at the electronic music studio of ORTF in Paris. For the next four years, Gainsbourg and Colombier collaborated extensively on film soundtracks, only to see most of the work end up on the cutting room floor in one way or another. In 1968, Gainsbourg and Colombier went separate ways -- Colombier to creating lush and thoroughly transparent string scoring to some of Hollywood's most indifferent and crass commercial projects, and Gainsbourg to recognition as perhaps France's greatest post-modern songwriter and one of her most notorious reprobates. Although Gainsbourg was awarded onscreen credit for composing the track for Jean Aurel's Manon 70 (1968) -- a cheeky and shallow update on the Manon Lescaut story starring Catherine Deneuve -- in reality this was a Gainsbourg-Colombier collaboration that been rejected, only a tiny snatch of which was used in the finished film. With the passage of four decades and both Gainsbourg and Colombier gone, one wouldn't expect anyone even to go looking for the tapes of their original, rejected tracks for Manon 70. However, through some miracle here it is, the whole original track, which forms the basis for Universal Music Jazz France's Manon 70, Volume 47 in its Écoutez le Cinéma! series.
In order to fill out the disc to a decent length, Universal Music France has gone into the vaults and extracted a wealth of other Gainsbourg-Colombier material, all of it rare and practically none of it released, or even originally used, within its intended context. One score that did make the cut was "Si J'etais un Espion" (1967; also known as "Breakdown" or "If I Were a Spy"), ...
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