| | Kame & L N K Bokura Ha Tsuyoku Ikiteiru CD - Import Kame & L N K Discography of CDs
Bokura Ha Tsuyoku Ikiteiru Music | List Price | $16.99 (You save $1.24) | | Category | Rock/Pop Albums, CD singles CDs, World | | CD Universe Part number | 7539252 | | Catalog number | 40171 | | Discs | 1 | | Release Date | Nov 07, 2007 | | Additional Info | Japan |
Bokura Ha Tsuyoku Ikiteiru Review
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Purchase Bokura Ha Tsuyoku Ikiteiru CD To buy, Click on price to add to cart | Eagles Please Come Home For Christmas (1994)
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| | Van Morrison Wavelength CD (1978) Bonus Tracks; Remastered; Remastered & Expanded
Bokura Ha Tsuyoku Ikiteiru CD music
$11.49 All tracks have been digitally remastered from the original master tapes.
The most commercially accessible of Van Morrison's '70s albums, WAVELENGTH is not an artistic compromise, but rather an expansion of Morrison's sound beyond the blues-based, horn-band approach. With the keyboard work of Camel's Peter Bardens and The Band's Garth Hudson, the arrangements take a step toward rock's electronic future without breaking Morrison's well-established ties to it's past. Basically a continuation of the ideas explored on the previous year's aptly titled A PERIOD OF TRANSITION, the album relies largely on groove-heavy '70s-style R&B tunes that overflow with soul, like "Hungry For Your Love" and "Take It Where You Find It." The title tune, which proved to be quite radio-friendly, points the way to new pop directions.
Wavelength essentially picks up where A Period of Transition left off, offering a focused, full-bodied alternative to that record's warmly fuzzy lack of direction. Like that album, it's hardly a major entry in his catalog, but there are signs that Van Morrison is finding his footing for his latter-day voice. Again, the primary appeal of this record is its atmosphere, a charmingly relaxed outing, high on mildly swinging mid-tempo numbers and round, welcoming ballads. Surely, an album of ...
| | Camera Obscura If Looks Could Kill (2007)
Bokura Ha Tsuyoku Ikiteiru music CDs
$7.39 "If Looks Could Kill" is one of the highlights from Camera Obscura's wonderful album Let's Get Out of This Country. The pounding percussion, VU-guitars, and tremendous melody make it a highlight of 2006 as well. The other two songs are fine B-sides: "Hands Up Baby" is a restrained and atmospheric ballad penned by guitarist Kenny McKeeve, whereas "Alaska"'s an organ-heavy rocker with some nice references to trees (when was the last time you heard anyone singing about sycamores, birches, or hawthorns?) and a solid groove. You'll absolutely need this EP to complete your CO collection. ~ Tim Sendra
"If Looks Could Kill" is one of the highlights from Camera Obscura's wonderful album Let's Get Out of This Country. The pounding percussion, VU-guitars, and tremendous melody make it a highlight of 2006 as well. The other two songs are fine B-sides: "Hands Up Baby" ...
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| | Jesse Sykes & The Sweet Hereafter Reckless Burning CD (2002)
Bokura Ha Tsuyoku Ikiteiru music CDs
$10.35 Jesse Sykes & The Sweet Hereafter: Jesse Sykes (vocals); Phil Wandscher (guitar); Anne-Marie Ruljancich (violin); Bill Herzog (stand-up bass); Kevin Warner (drums).
Taking what talents they've garnered from previous bands such as Hominy and Whiskeytown, lead singer Jesse Sykes and guitarist Phil Wandscher are onto something far bigger than the two could have foreseen. The opening title track lends itself as much to Margo Timmins as it does to a latter-day Lucinda Williams à la "Lonely Girls" in its almost morose tempo and arrangements, making the nearly seven-minute song glide along effortlessly and, to the listener, far shorter. The following numbers offer the same barren sounds, evoking images of members recording the songs in a log cabin. The well-trodden but solidly produced tracks never waver, especially "Doralee" and the slightly upbeat, honky tonk of "Lonely Hill." Resembling a trace of Neil Young's "Harvest Moon," the tune discusses heartbreak over a cross between Appalachian music and traditional country twang. "Don't Let Me Go" is another fine gem that doesn't stray too far from Sykes' strong points. While not having a dynamic range, she certainly knows what works. Only on "Drinking With Strangers," with its harmonies and backing instruments, does it sound a bit forced and too over-the-top. Returning to the melodic, swaying sound of "Love Me, Someday," the band is very well versed in a quasi dirge-country. A very sound and gentle series of heartbreaking vignettes makes this album so adorable. ~ Jason MacNeil
'Reckless Burning' from Jesse Sykes & The Sweet Hereafter evokes a darkly romantic, ...
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