| | Lombroso Credi Di Conoscermi CD - Import Lombroso Discography of CDs
Credi Di Conoscermi Music | List Price | $32.99 (You save $2.80) | | Category | Italian Albums | | Label | Phantom | | CD Universe Part number | 7539518 | | Catalog number | 741509 | | Discs | 1 | | Release Date | Nov 27, 2007 |
Lombroso Credi Di Conoscermi Songs | 1. | Si Riparte Da Zero |
| 2. | Sei Qui |
| 3. | Credi Di Conoscermi |
| 4. | Gi� |
| 5. | Cosa Stai Dicendo |
| 6. | Alle Elementari |
| 7. | Ciuska |
| 8. | Steinway 1912 |
| 9. | Tra 5 Minuti |
| 10. | Sempre Un P� Pi� In L� |
| 11. | Hey Man |
| 12. | Tu |
| 13. | Il Paradiso |
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Credi Di Conoscermi Review
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The idea of Skip Martin’s first solo jazz project was pure and simple – “it was just time”.With 26 album releases as lead vocalist with Dazz Band, Kool & the Gang and his own solo projects, Skip wanted to record a project where he did his ‘singing’ through his trumpet. “I’ve recorded ...
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Released to coincide ...
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In the 1960s, Serge Gainsbourg was operating as an all-around renaissance man. Gainsbourg was already well known as a singer, less renowned as a composer even though he wrote most of the material he recorded, and was picking up frequent work as an actor -- mostly in second-string roles -- in films and on French TV. As good as Gainsbourg was on his own, he seemed to flourish in collaborations; his most famous international hit, "Je T'aime de Non Plus," was a collaboration with then wife Jane Birkin. In 1964, Gainsbourg met composer Michel Colombier, whose talent was honed not in the conservatories, concert halls, or even in film studios, but at the electronic music studio of ORTF in Paris. For the next four years, Gainsbourg and Colombier collaborated extensively on film soundtracks, only to see most of the work end up on the cutting room floor in one way or another. In 1968, Gainsbourg and Colombier went separate ways -- Colombier to creating lush and thoroughly transparent string scoring to some of Hollywood's most indifferent and crass commercial projects, and Gainsbourg to recognition as perhaps France's greatest post-modern songwriter and one of her most notorious reprobates. Although Gainsbourg was awarded onscreen credit for composing the track for Jean Aurel's Manon 70 (1968) -- a cheeky and shallow update on the Manon Lescaut story starring Catherine Deneuve -- in reality this was a Gainsbourg-Colombier collaboration that been rejected, only a tiny snatch of which was used in the finished film. With the passage of four decades and both Gainsbourg and Colombier gone, one wouldn't expect anyone even to go looking for the tapes of their original, rejected tracks for Manon 70. However, through some miracle here it is, the whole original track, which forms the basis for Universal Music Jazz France's Manon 70, Volume 47 in its �coutez le Cin�ma! series.
In order to fill out the disc to a decent length, Universal Music France has gone into the vaults and extracted a wealth of other Gainsbourg-Colombier material, all of it rare and practically none of it released, or even originally used, within its intended context. One score that did make the cut was "Si J'etais un Espion" (1967; also known as "Breakdown" or "If I Were a Spy"), the first feature by "Get Out Your Handkerchiefs" director Bernard Blier. Blier remembers the music track more fondly than he does the movie, and it's easy to see why -- the score is a distinctly French take on John Barry's music for James Bond, but it isn't in the least cynical or satirical; it's quite serious in purpose and expertly scored. Le Jardinier d'Arguenteuil (1966) was a very left field project for Gainsbourg-Colombier, being a light-hearted comedy vehicle for beloved French actor Jean Gabin; the version heard here was cut together for a Philips single that never happened. All of it is in a piquant idiom well-suited to Gabin's comic persona. The most striking material here, though, is the track for Anna (1967), a hip, youth-oriented TV movie popular enough to ...
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